To approach her subject, John-Steiner goes directly to the source, assembling the thoughts of "experienced thinkers" - artists, philosophers, writers, and scientists able to reflect on their own imaginative patterns. More than fifty interviews (with figures ranging from Jessica Mitford to Aaron Copland), along with excerpts from the diaries, letters, and autobiographies of such gifted giants as Leo Tolstoy, Marie Curie, and Diego Rivera, among others, provide illuminating insights into creative activity.

An outlandish, outrageous tour de force by the most innovative prose stylist in the field. -Robert J. Sawyer, author of Hominids They're Earth's mightiest superteam-and dysfunctional as hell. OMNIPOTENT MAN-a body with the density of steel, and a brain to match THE FLYING SQUIRREL-aging playboy industrialist by day, avenging krypto-fascist by night IRON LASS-mythology's greatest warrior-but the world might be safer if she had a husband X-MAN-formerly of the League of Angry Blackmen . . . but not formerly enough THE BROTHERFLY-radioactively fly POWER GRRRL-perpetually deciding between fighting crime or promoting her latest album, clothing line, or sex scandal Having finally defeated all archenemies, the members of the Fantastic Order of Justice are reduced to engaging in toxic office politics that could very well lead to a superpowered civil war. Only one woman can save them from themselves: Dr. Eva Brain-Silverman, aka Dr. Brain, the world's leading therapist for the extraordinarily abled. Faust has pretty much invented his own genre. He's totally original, full of surprises. -Richard K. Morgan, author of Altered Carbon Samuel Delany, Harlan Ellison, and Ishmael Reed all rolled into one. Faust's writing is biting, insightful, and hugely entertaining. -Ernest Dickerson, director

How do creative people think? Do great works of the imagination originate in words or in images? Only in recent years has cognitive psychology been able to begin to rationally explain the mysterious process of creativity. Taking a fascinating look into the minds of more than 100 creative men and women, this award-winning book provides a uniquely broad-based study of the origins, development and fuits of human inspiration.

As artists not uncommonly keep sketchbooks, so thinkers often write notebooks. Schubert Ogden is a thinker for whom writing notebooks has been an essential discipline throughout his long career of trying to think as a Christian systematic theologian. By his own confession, constantly writing down his thoughts so he could discover what he wanted to think has always been as necessary to learning how to think theologically as constantly reading in order to think fruitfully with the minds of others. This volume is a selection from the indefinitely larger corpus of Ogden’s notebooks now archived in the Drew University Library. All arising from his thinking as a theologian, the entries selected are addressed to some of the more fundamental, and therefore mainly philosophical, issues now facing anyone who would do Christian theology systematically. While each entry stands on its own and may well be read discretely, they together make up a single many-sided argument for a distinctive way of doing theology today by resolutely pursuing a comparably distinctive way of doing metaphysics and ethics.

Psychology is of interest to academics from many fields, as well as to the thousands of academic and clinical psychologists and general public who can't help but be interested in learning more about why humans think and behave as they do. This award-winning twelve-volume reference covers every aspect of the ever-fascinating discipline of psychology and represents the most current knowledge in the field. This ten-year revision now covers discoveries based in neuroscience, clinical psychology's new interest in evidence-based practice and mindfulness, and new findings in social, developmental, and forensic psychology.

Coleridge was one of the Romantic Age's most enigmatic figures and author of some of the most famous poems in the English language. He confided his thoughts and emotions to his notebooks, a selection of which are presented in this text.

The Mind at Hand explores how artists, scientists, writers, and others - students and professionals alike - see their world, record it, revise it and come to know it. It is about the rough-drawn sketch, diagram, chart, or other graphic representation, and the focus these provide for creative work that follows from them. Such work could involve solving a problem, composing a musical score, proposing a hypothesis, creating a painting, and many other imaginative and inventive tasks. The book is for for visual learners of all kinds, for scientists as well as artists, and for anyone who keeps a journal, notebook, or lab book in order to think and create visually. It is also a book for teachers and educational administrators interested in learning about new active learning strategies involving drawing, and possible outcomes of these in classrooms. The formulas and symbols of chemistry, the diagrams and features of the landscape in geology, and the organisms and structures in biology, are all represented as images on pages or screens. Students create them when studying, problem-solving, and learning. Once in front of their eyes, they can be reconsidered, revised, and reconstructed into new images for further consideration and revision. It is how artists often create a painting or a sculpture, and how scientists come up with new hypotheses. This is how learning occurs, not only across disciplines, but in all kinds of creative endeavors, through a continuing process of creation, revision, and re-creation. It is drawing-to-learn.