This paperback notebook is 6" x 9" and has 110 college ruled, blank lined pages (55 sheets) which provides plenty of room for writing ideas, thoughts, or to do lists. This Composition Notebook has an accordion design on the cover. Notebook perfect for note taking, journaling, writing poetry, daily planner, lists, making to do lists, ideas, travel journal, organizer, diary, notepad, gratitude or your next book. Great as gift for birthdays or holidays (e.g. Christmas) for girls, boys, women, men, teens and kids who love the harp.

"My American Harp" presents 1,169 poems written 2010-2014 by Surazeus that explore what it means to be an American in the modern world of an interconnected global civilization.

Harps Unhung is the poetry project of Eileen Anderson, whose vision was to re-write all one hundred and fifty biblical Psalms, using one hundred and fifty unique poetry formats. Sadly, Eileen had completed only seventy-five of the Psalm poems before succumbing to ovarian cancer in March of 2013. Taking the mantle up after her death, her daughter Vicki completed the remaining seventy-five poems, completing the collection. Harps Unhung is a call for suffering, sick, and weary Christians to praise the Lord in the midst of captivityknowing, as David did, that God is mighty. Even when life seems the most bleak and hopeless, God is near to the crushed in spirit and deliverance is on its way.

Although Northrop Frye's first book, Fearful Symmetry (1947), elevated the reputation of William Blake from the status of a minor eccentric to that of a major Romantic poet, Frye in fact saw Blake as a poet (and, consequently, himself as a critic) not of the Romantic period, but of the Renaissance. As such, Frye's meditations on the Renaissance are particularly valuable. This volume collects six of Frye's notebooks and five sets of his typed notes on subjects related to Renaissance literature. Michael Dolzani divides these notes into three categories: those on Spenser and the epic tradition; those on Shakespearean drama and, more widely, the dramatic tradition from Old Comedy to the masque; and those on lyric poetry and non-fiction prose. The organization of this volume reflects 'a comprehensive study of Renaissance Symbolism' in three volumes, which Frye proposed to the Guggenheim Foundation in 1949. Frye received a Guggenheim fellowship, but never wrote the book; nevertheless, his application, part of which is also included here, is an important document. The Guggenheim application not only reveals the outlines of Frye's thinking about literature, it also uncovers his plans for his future creative life during the crucial period between his completion of Fearful Symmetry and his absorption in the writing of Anatomy of Criticism. In addition to providing insight into Frye's thinking process, the material collected into this key volume in the Collected Works is of particular importance because much of it has no direct counterpart in any of Frye's other published works.

Michael Dolzani divides these notes into three categories: those on Spenser and the epic tradition; those on Shakespearean drama and, more widely, the dramatic tradition from Old Comedy to the masque; and those on lyric poetry and non-fiction prose.

Romance was a theme that ran through much of Northrop Frye's corpus, and his notebooks and typed notes on the subject are plentiful. This unpublished material, written between 1944 and 1989, traces a remarkable re-evaluation in his thinking over the course of time. As a young scholar, Frye insisted that romance was an expression of cultural decadence; however, in his later years, he thought of it as "the structural core of all fiction." The unpublished material Michael Dolzani has gathered for Northrop Frye's Notebooks on Romance shows how the pattern and conventions of romance inform the writing of history, anthropology, psychology, philosophy, and theology. While Frye is best known for his writing on myth and biblical scholarship, he himself eventually conceived of romance as the true and equal contrary to myth and scripture, a "secular scripture" whose message is de te fabula, "this story is about you." Given the current popular revival of romance in fiction and film, the appearance of Frye's unpublished work on romance is of profound importance.