A generous sized Notebook/ Notepad. 100 x Lined pages throughout. 8 x 10 inch

Note To Self.....Let Shit Go.60 pages of lined paper and 60 pages of lined paper with story box.From the author of bestselling journals such as the vintage series, the weird shit while travelling journal, eBook Avenues gives the gift of letting go with this journal for leaving your sh!t behind and creating a happy life.Write down the most inner thoughts of sh!t you need to let go. Keep the journal to reflect on all the sh!t you have had to deal with and turn it into a story of life.Take this journal everywhere you go and fill it with all the things that sh!t you. A great gift for someone who maybe going through a lot of sh!t.Struggling with anxiety/depression/PTSD. This journal gives you the freedom of writing your thoughts down on paper.Enjoy.Your support is important to us and we will continue to bring out a variety of journals and reference material.

This 6x9 Wide Ruled Composition Notebook has 110 pages (55 paper sheets) and a satin matte paperback cover. It's perfect for throwing in your bag to take notes, jot down reminders, use for studying, or as an agenda.

MOTIVATION | WORK | GROWTH Are you looking for a perfect notebook to keep track your daily or monthly tasks in 2020 then then this is the perfect notebook/journal for you" just note for your self and let shit go" Product Details: Unlined Notebook High quality paper stock Glosy-finish cover design Perfect for all writing mediums Large format 6.0" x 9.0" (approximately A5) pages

Let That Shit Go Journal note book 120 page

If you love POE, BARKER and THE TWILIGHT ZONE, you'll love “NOTES-TO-SELF”! “Notes-To-Self: Accumulated Thoughts, Transferred Into Word Form” is a brand new version of an historical collection of works that comprises Christopher Alan Broadstone's long out-of-print, handmade ‘About 9 Times’ fan-book titled “Beyond Blue Sky, Nothing” (July 1988), which included an amalgam of 92 early poems (many of them ‘About 9 Times’ lyrics), along with two early short stories, “Again Once More” and “The Deformity”. New to this edition are the very early, never before published tales “Grandma” and the experimental “The Dying Man: A Comedy Of Eschatology”, along with the unfinished incarnation tale “Homo Amphibious Burlesque”, which plays prominently in the feature film “Human No More” (2020). Spearheading this collection is the acclaimed, but rare, demonic serial-killer thriller “Note-To-Self”, previously featured in the “Journals Of Horror: Found Fiction” anthology (2014, out-of-print), and now updated with additional material. Also included is the very rare (as yet unproduced) screenplay for the short film “Roseblood”, based on Broadstone's controversial Christian horror story of the same name, first published in “Suicide The Hard Way: And Other Tales From The Innerzone”. Bringing this enhanced collection into perspective, and linking Broadstone's earliest stories to his most current, is “Human No More” producer Matthew Sanderson, who also edited Broadstone’s “Suicide The Hard Way” and “A Catch In Time”. Sanderson’s comprehensive and fascinating essay “Truth & Tragedy: God Cakes Won’t Help You In Hell” completes “Notes-To-Self” with brand new perspective. Last but not least, as with the original “Beyond Blue Sky, Nothing” fan-book, the ending section is comprised of all 92 of C.A. Broadstone’s poetry and lyrics, although now updated with an additional 26 entries––including two lost poems, “Abattoir” and “The Bloody Dead”, which were recently discovered sandwiched between old printouts of the stories “Grandma” and “The Dying Man”. If you love Christopher Alan Broadstone's philosophical and macabre books and films, as well as his lyrics for the jazz/punk/new-wave band ‘About 9 Times’ and his grunge band ‘The Judas Engine’, you'll want to see where it all began. And where it all has come to. "With razor-sharp precision, “Note-To-Self” explores a world of unhealed emotional scars and inescapable body horror. Broadstone captures the dislocation of being a stranger in your own skin, alongside the existential curiosity of commingling human reality with the dark void of the unknown." –– Jonny Numb, Crash Palace Productions “As our [“Note-To-Self”] killer embarks on a twisted quest, his journey and mindset are the elements that unnerve us. Whether in the bosom of a benign tribe of Bedouins, or sojourning through a chaotic Cairo, Mr. Broadstone ensures that we the reader will find no comfort, or reprieve from horror.” –– Christopher Zisi, Zisi Emporium For B-Movies

'Mountains have given structure to my adult life. I suppose they have also given me purpose, though I still can't guess what that purpose might be. And although I have glimpsed the view from the mountaintop and I still have some memory of what direction life is meant to be going in, I usually lose sight of the wood for the trees. In other words, I, like most of us, have lived a life of structured chaos.' Structured Chaos is Victor Saunders' follow-up to Elusive Summits (winner of the Boardman Tasker Prize in 1990), No Place to Fall and Himalaya: The Tribulations of Vic & Mick. He reflects on his early childhood in Malaya and his first experiences of climbing as a student, and describes his progression from scaling canal-side walls in Camden to expeditions in the Himalaya and Karakoram. Following climbs on K2 and Nanga Parbat, he leaves his career as an architect and moves to Chamonix to become a mountain guide. He later makes the first ascent of Chamshen in the Saser Kangri massif, and reunites with old friend Mick Fowler to climb the north face of Sersank. This is not just a tale of mountaineering triumphs, but also an account of rescues, tragedies and failures. Telling his story with humour and warmth, Saunders spans the decades from youthful awkwardness to concerns about age-related forgetfulness, ranging from 'Where did I put my keys?' to 'Is this the right mountain?' Structured Chaos is a testament to the value of friendship and the things that really matter in life: being in the right place at the right time with the right people, and making the most of the view.