The essential edition of one of modern poetry’s most distinctive voices: all Stevie Smith’s flabbergasting poems, now in paperback Stevie Smith is among the most popular British poets of the twentieth century. Her poem “Not Waving but Drowning” has been widely anthologized, and her life was celebrated in the classic movie Stevie. This new and updated edition includes hundreds of works from her thirty-five-year career. In addition to the poems and illustrations from all her published volumes, the Smith scholar Will May discovered never-before-published verses and provides fascinating details about their provenance. Satirical, mischievous, teasing, disarming, Stevie Smith’s poems take readers from comedy to tragedy and back again, while her line drawings are by turns unsettling and beguiling.

You know John Cuneo from his award-winning illustrations that have graced the pages of Esquire or the covers of The New Yorker, but less known are the over-the-top and hilariously perverse cartoons that fill the pages of Not Waving But Drawing. Assembling Cuneo's best privately drawn sketchbook pages, each page immediately introduces us to unique takes on sex and domestic life in his signature squiggly style. Not Waving But Drawing is full of dark thoughts, lightly rendered.

Not Waving But Drowning tells the harrowing true story of one man's childhood struggle against poverty and his subsequent drive to become a policeman in the Royal Ulster Constabulary. From his earliest days, Edmund Gregory possessed an awareness beyond his years. During the course of his parents' turbulent and doomed marriage, he soaked up the horror of seeing his mother and father tearing each other apart. After they separated, he experienced a lonely boyhood, starved of affection, while living in welfare homes, dingy Belfast bedsits, and a sordid care home for young boys. However, Gregory later found solace in his marriage to Agnes, and in a concerted effort to drag himself and his new family out of poverty, he joined the Royal Ulster Constabulary. After five trauma-filled years serving in Belfast's riot squads, Gregory transferred into the somewhat elitist VIP protection branch of the RUC, where he was involved in providing bodyguard protection to many high-threat members of Northern Ireland's establishment. While working within that unit, he was also involved in teams protecting several members of the Royal family and then US President Bill Clinton throughout the course of their visits to the Province. During his last four years in the force, Gregory was charged with protecting the Reverend Ian Paisley's deputy, Peter Robinson MP, an outspoken personality who was under constant and serious threat of assassination. After 21 years of service, however, Gregory was diagnosed as suffering from post-traumatic stress disorder, which resulted in his medical retirement. Not Waving But Drowning is an emotionally charged journey through Gregory’s impoverished childhood and the dark underbelly of his later life as a policeman in Northern Ireland performing what was, according to Interpol, the most dangerous policing role in the world.

An exquisite collection of the very best writing on love. THE LOVE BOOK presents a new anthology of writing on all aspects of the most important emotion on earth. There’s true love, unrequited love, erotic love, platonic love, thwarted love, comic love, mourned love and just about every other type of love, explored here in poetry, prose, letters and lyrics from the greatest writers in the English language. In one fabulously comprehensive volume, Allie Esiri brings together texts ancient and modern, from William Shakespeare to Sharon Olds, Catullus to Carol Ann Duffy, the bible to Bob Dylan; she offers us sonnets for wooing, lamentations for loss and perfect passages for weddings. Full of classics and all-time favourites, THE LOVE BOOK also includes lesser-known marvels, such as Mozart’s love notes, Sappho’s lesbian odes and a letter from Napoleon. Forget corny greeting cards and chocolate box cliché, this is the literature of love at its finest. Beautifully presented and helpfully divided into themed sections, it’s an indispensable collection for anyone who’s ever had a heart.

"Critical stories are narratives that recount the writer's experiences, situating those experiences in broader cultural contexts. In this volume of Critical Storytelling, marginalized, excluded, and oppressed peoples share insights from their liminality to help readers learn from their perspectives on living from behind invisible bars. Female inmates at Decatur's Correctional Center and the undergraduate Millikin University students who worked with them come together to give voice to their specific histories of living from behind invisibile bars and pose important questions to the reader about inciting change for the future. Specifically, the voices in this volume seek to expose, analyze, and challenge deeply-entrenched narratives and characterizations of incarcerated women, whose histories are often marked by sexual abuse, domestic violence, poverty, PTSD, a lack of education, housing insecurity, mental illness, and substance addiction. These silenced female inmate voices need to be heard and contextualized within the larger metanarrative of prison literature. Through telling critical stories, these writers attempt to: sustain recovery from trauma, make positive changes and informed decisions, create a real sense of empowerment, strengthen their capacity to exercise personal agency, and inspire audiences to create change far outside the reaches of physical and metaphorical bars. Contributors are: Anonymous, Soren Belle, Megan Batty, Dwight G. Brown, Jr., Sandra Brown, Kathryn Coffey, Kelly Cunningham, Paiten Hamilton, Kathlyn J. Housh, Rebekah Icenesse, Kala Keller, Jelisa Lovette, Bric Martin, Amanda Minetti, Laura Nearing, Angie Oaks, Claire Prendergast, Cara Quiett, J. M. Spence, Noah Villarreal and Alisha Walker"--