Ernest Furgurson, author of Ashes of Glory and Chancellorsville 1863, brings his talents to a pivotal and often neglected Civil War battle–the fierce, unremitting slaughter at Cold Harbor, Virginia, which ended the lives of 10,000 Union soldiers. In June of 1864, the Army of the Potomac attacked heavily entrenched Confederate forces outside of Richmond, hoping to break the strength of Robert E. Lee and take the capital. Facing almost certain death, Union soldiers pinned their names to their uniforms in the forlorn hope that their bodies would be identified and buried. Furgurson sheds new light on the personal conflicts that led to Grant’s worst defeat and argues that it was a watershed moment in the war. Offering a panorama rich in detail and revealing anecdotes that brings the dark days of the campaign to life, Not War But Murder is historical narrative as compelling as any novel.

This study began in August 1979 as a series of notes for a lecture on the employment of contingency forces at the U.S. Army Command and General Staff College. The lecture was intended to serve as a historical introduction to the subject, using the 1958 American intervention in Lebanon as a case in point. It was thought that by analyzing the Lebanon intervention one could demonstrate several important lessons: how political and diplomatic objectives directly affect the character of modern military operations; how an operational military plan is conceived and what evolutions it endures before it is executed; how such plans, though they appear to anticipate every operational problem, are usually unequal to the realities of operational practice; and, finally, how valuable a quality mental agility can be when put to use by a military commander and his subordinates. Interestingly, most of the literature dealt with the Marines if of it took notice of military operations at all.

The Mumbai blasts of 1993, the attack on the Indian Parliament in 2001, Mumbai 26/11—cross-border terrorism has continued unabated. What can India do to motivate Pakistan to do more to prevent such attacks? In the nuclear times that we live in, where a military counter-attack could escalate to destruction beyond imagination, overt warfare is clearly not an option. But since outright peace-making seems similarly infeasible, what combination of coercive pressure and bargaining could lead to peace? The authors provide, for the first time, a comprehensive assessment of the violent and non-violent options available to India for compelling Pakistan to take concrete steps towards curbing terrorism originating in its homeland. They draw on extensive interviews with senior Indian and Pakistani officials, in service and retired, to explore the challenges involved in compellence and to show how non-violent coercion combined with clarity on the economic, social and reputational costs of terrorism can better motivate Pakistan to pacify groups involved in cross-border terrorism. Not War, Not Peace? goes beyond the much discussed theories of nuclear deterrence and counterterrorism strategy to explore a new approach to resolving old conflicts.

After the Civil War, white Confederate and Union army veterans reentered--or struggled to reenter--the lives and communities they had left behind. In Sing Not War, James Marten explores how the nineteenth century's "Greatest Generation" attempted to blend back into society and how their experiences were treated by nonveterans. Many soldiers, Marten reveals, had a much harder time reintegrating into their communities and returning to their civilian lives than has been previously understood. Although Civil War veterans were generally well taken care of during the Gilded Age, Marten argues that veterans lost control of their legacies, becoming best remembered as others wanted to remember them--for their service in the war and their postwar political activities. Marten finds that while southern veterans were venerated for their service to the Confederacy, Union veterans often encountered resentment and even outright hostility as they aged and made greater demands on the public purse. Drawing on letters, diaries, journals, memoirs, newspapers, and other sources, Sing Not War illustrates that during the Gilded Age "veteran" conjured up several conflicting images and invoked contradicting reactions. Deeply researched and vividly narrated, Marten's book counters the romanticized vision of the lives of Civil War veterans, bringing forth new information about how white veterans were treated and how they lived out their lives.

When Helen Gurley Brown's Sex and the Single Girl hit bookstores in 1962, the sexual revolution was launched and there was no turning back. Soon came the pill, the end of censorship, the advent of feminism, and the rise of commercial pornography. Our daily lives changed in an unprecedented time of sexual openness and experimentation. Make Love, Not War is the first serious treatment of the complicated events, ideas, and personalities that drove the sexual revolution forward. Based on first-hand accounts, diaries, interviews, and period research, it traces changes in private lives and public discourse from the fearful fifties to the first tremors of rebellion in the early sixties to the heady heyday of the revolution. Bringing a fresh perspective to the turbulence of these decades, David Allyn argues that the sexual revolutionaries of the '60s and '70s, by telling the truth about their own histories and desires, forced all Americans to re-examine the very meaning of freedom. Written with a historian's attention to nuance and a novelist's narrative drive, Make Love, Not War is a provocative, vivid, and thoughtful account of one of the most captivating episodes in American history. Also includes an 8-page insert.

Finalist for the 2021 National Book Award for Nonfiction Winner of the 2022 Asian/Pacific American Award in Literature A TIME and NPR Best Book of the Year in 2021 This evocative memoir of food and family history is "somehow both mouthwatering and heartbreaking... [and] a potent personal history" (Shelf Awareness). Grace M. Cho grew up as the daughter of a white American merchant marine and the Korean bar hostess he met abroad. They were one of few immigrants in a xenophobic small town during the Cold War, where identity was politicized by everyday details—language, cultural references, memories, and food. When Grace was fifteen, her dynamic mother experienced the onset of schizophrenia, a condition that would continue and evolve for the rest of her life. Part food memoir, part sociological investigation, Tastes Like War is a hybrid text about a daughter’s search through intimate and global history for the roots of her mother’s schizophrenia. In her mother’s final years, Grace learned to cook dishes from her parent’s childhood in order to invite the past into the present, and to hold space for her mother’s multiple voices at the table. And through careful listening over these shared meals, Grace discovered not only the things that broke the brilliant, complicated woman who raised her—but also the things that kept her alive. “An exquisite commemoration and a potent reclamation.” —Booklist (starred review) “A wrenching, powerful account of the long-term effects of the immigrant experience.” —Kirkus Reviews