A Man Booker Prize–nominated novel that “vividly re-creates the life of a foreign correspondent” (Booklist). Owen Simmons is working an easy gig at a Dublin newspaper, having left behind the life of war reporting. Then he finds an old photo, taken in Africa in the era of the Rwandan genocide. It will transport him into a wave of intense memories of dead bodies, orphans, the ravages of wartime epidemics—as well as a woman he once loved, and a shattering event in his past. From an author who covered Africa for the Irish Times, this is a “gripping” novel of friendship, rivalry, and betrayal among a group of journalists and photographers in the thick of danger and far from home (Daily Mail). “This atmospheric book authentically carries the sounds and flavors of a Graham Greene novel, reading at times like a memoir with the seamless underbelly of a gritty Hemingwayesque tale.” —New York Journal of Books “A fine, darkly authoritative novel.” —Joseph O’Neill, author of Netherland “A book that far transcends the usual literary efforts of the former combat reporter. It stands as an elegy not only for Simmons’s band of colleagues but for a golden era of journalism.” —The New York Times Book Review

In Dublin, a newspaper editor called Cartwright is found dead. One of his colleagues, Owen Simmons, discovers a dossier on Cartwright's desk. And in the dossier Owen finds a photograph, which brings him back to a dusty road in Africa and to the woman he once loved. Not Untrue and Not Unkind is Owen's story - a gripping story of friendship, rivalry and betrayal amongst a group of journalists and photographers covering Africa's wars. It is an astonishingly powerful and accomplished debut that immediately establishes Ed O'Loughlin as a mature master of the novel form.

The author explores Larkin's poetry, novels, essays and jazz criticism. She shows his transition from novelist to poet, tracing the symbolist aspect of his work in the depiction of nature and addressing the influence of Hardy and Yeats on his poetic style. She looks at Larkin's celebration of England; his exasperation over 'difficulties with girls' and to his poetic use of coarse language in complaining about life's innumerable irritations. She also discusses the fury he expresses as he contemplates death.

For the first time, Faber publish a selection from the poetry of Philip Larkin. Drawing on Larkin's four collections and on his uncollected poems. Chosen by Martin Amis. 'Many poets make us smile; how many poets make us laugh - or, in that curious phrase, "laugh out loud" (as if there's another way of doing it)? Who else uses an essentially conversational idiom to achieve such a variety of emotional effects? Who else takes us, and takes us so often, from sunlit levity to mellifluous gloom?... Larkin, often, is more than memorable: he is instantly unforgettable.' - Martin Amis

Honest and insightful, this memoir is a revealing picture of our recent past, of sport and poetry, the spirit of New Zealand's south and its distinctive people. This is the story of a typical Dunedin childhood, surrounded by 'nobies' - an extended family of eccentric grandparents and uncles, cousins and neighbours - who made a huge impact on a young mind. It's also the story of a not-so-typical family that was fanatical about sport - cycling, hockey, cricket, golf, fishing - and went on to produce top-ranking sportsmen. It's also the story of the growth of one of New Zealand's most loved poets. It shows three boys who became somebodies, but no better nor worse than the nobodies who inspired them. This is Brian Turner's view of the world: the landscape and people he was surrounded by; the principles he was taught; his sporting achievements; the early development of his brothers; his time moving between jobs as distinct as rabbiting in Central Otago and working in Customs; and his entry into the world of books.