Joan of Arc, Mother Mary MacKillop, Ignatius of Loyola, and Bartolomé de Las Casas. All of these people have one thing in common—they are Catholics whose beliefs caused them to be per-secuted, but who, through the test of time, proved to be figures revered in the Church. In fact, many of the Catholic figures who intrigue and inspire us are the men and women who found the great strength—personal, spiritual, intellectual—to challenge the Church. Some were called heretics, denounced for denying doctrine. Others were condemned for not submitting to the control of the Church. But they have much to teach us in our own efforts to live out our faith. It is difficult to know what to do when Church doctrine is at odds with cultural developments. From gay marriage to contraception, stem-cell research to required celibacy for priests, Catholics today are struggling with the conflict between tradition and the Church's need to come to terms with modernity. In Not Less Than Everything, some of the best Catholic writers of our time, including Alice McDermott, Ron Hansen, Mary Gordon, Tobias Wolff, and Ann Patchett, share their personal accounts of people who have influenced the way they view the intersection of faith and culture. Not Less Than Everything is a riveting exploration of how to face the challenge of living our faith in the real and messy world.

These are the stories of twenty women undaunted by obstacles of language, culture, distance, disease, and isolation, who mobilized from all parts of the world to share the news of Christ. They translated, nursed, taught, and evangelized, laying foundations for the modern Chinese Christian church.

HEIR TO A THRONE¾OR TO A GRAVE When it became certain that Edward VI was dying, the duke of Northumberland, who had been ruling England in his name, made a plan that would let him hold onto his power. He dared not let Mary come to the throne because she was fiercely Catholic and he had espoused the Protestant cause. And he did not want Elizabeth to rule because he knew her imperious nature would never defer to him. But there was more than one puppet master at work: The evil elf lord Vidal Dhu had no intention of losing the flood of power the misery of Mary's reign would bring the Dark Court, and intervened so that Mary was proclaimed queen. Urged by her Chancellor and the Imperial ambassador to order Elizabeth's death, Mary chose a different path to insure that Elizabeth would never reign. Mary decided to marry and bear a child to be the Catholic heir. Vidal Dhu, replete with power from the pain and terror of Mary's burning of heretics, agreed with Mary. Vidal Dhu had very special plans for Mary's child. And since Oberon and Titania had disappeared, there now was no one except the double pair of twins to stand between the mortals of England and the rule of Evil. At the publisher's request, this title is sold without DRM (Digital Rights Management). Praise for Mercedes Lackey: "She'll keep you up long past your bedtime." ¾Stephen King "A writer whose work I've loved all along." ¾Marion Zimmer Bradley "[Lackey is] an undoubted mistress of the well-told tale." ¾Booklist "Lackey is one of the best storytellers in the field." ¾ Locus "(Lackey's fantasy] leaves us simultaneously satisfied and longing for more." ¾Realms of Fantasy "[Lackey] packs as much action, suspense and twisting of conventions into one novel as many writers invest in whole trilogies." ¾Amazing Stones Praise for Roberta Gellis: "A superb storyteller of extraordinary talent." ¾John fakes "[Roberta Gellis is] a master of the medieval historical." ¾ Publishers Weekly "One of the romance genre's most formidable talents._._._." ¾ Romantic Times "Ms. Gellis has become an extraordinary mythteller." ¾The Paperback Forum "Let's hope the world of fantasy can steal Gellis from romance novels more often." ¾Science Fiction Chronicle "Roberta Gellis has already established herself as a great author in the |romantic fantasy genre._._._." ¾Affaire de Coeur

The last major verse written by Nobel laureate T. S. Eliot, considered by Eliot himself to be his finest work Four Quartets is a rich composition that expands the spiritual vision introduced in “The Waste Land.” Here, in four linked poems (“Burnt Norton,” “East Coker,” “The Dry Salvages,” and “Little Gidding”), spiritual, philosophical, and personal themes emerge through symbolic allusions and literary and religious references from both Eastern and Western thought. It is the culminating achievement by a man considered the greatest poet of the twentieth century and one of the seminal figures in the evolution of modernism.

NEW YORK TIMES BESTSELLER • The timeless classic from the acclaimed author of American Psycho about the lost generation of 1980s Los Angeles who experienced sex, drugs, and disaffection at too early an age. • The basis for the cult-classic film "Possesses an unnerving air of documentary reality." —The New York Times They live in a world shaped by casual nihilism, passivity, and too much money in a place devoid of feeling or hope. When Clay comes home for Christmas vacation from his Eastern college, he re-enters a landscape of limitless privilege and absolute moral entropy, where everyone drives Porsches, dines at Spago, and snorts mountains of cocaine. He tries to renew feelings for his girlfriend, Blair, and for his best friend from high school, Julian, who is careering into hustling and heroin. Clay's holiday turns into a dizzying spiral of desperation that takes him through the relentless parties in glitzy mansions, seedy bars, and underground rock clubs and also into the seamy world of L.A. after dark. Look for Bret Easton Ellis’s new novel, The Shards!

How aggressive military strategies win wars, from ancient times to today The goal of war is to defeat the enemy's will to fight. But how this can be accomplished is a thorny issue. Nothing Less than Victory provocatively shows that aggressive, strategic military offenses can win wars and establish lasting peace, while defensive maneuvers have often led to prolonged carnage, indecision, and stalemate. Taking an ambitious and sweeping look at six major wars, from antiquity to World War II, John David Lewis shows how victorious military commanders have achieved long-term peace by identifying the core of the enemy's ideological, political, and social support for a war, fiercely striking at this objective, and demanding that the enemy acknowledges its defeat. Lewis examines the Greco-Persian and Theban wars, the Second Punic War, Aurelian's wars to reunify Rome, the American Civil War, and the Second World War. He considers successful examples of overwhelming force, such as the Greek mutilation of Xerxes' army and navy, the Theban-led invasion of the Spartan homeland, and Hannibal's attack against Italy—as well as failed tactics of defense, including Fabius's policy of delay, McClellan's retreat from Richmond, and Chamberlain's appeasement of Hitler. Lewis shows that a war's endurance rests in each side's reasoning, moral purpose, and commitment to fight, and why an effectively aimed, well-planned, and quickly executed offense can end a conflict and create the conditions needed for long-term peace. Recognizing the human motivations behind military conflicts, Nothing Less than Victory makes a powerful case for offensive actions in pursuit of peace.