An uproarious and frank memoir of illness and recovery, No Laughing Matter is a story of friendship and recuperation from the author of the classic Catch-22. It all began one typical day in the life of Joe Heller. He was jogging four miles at a clip these days, working on his novel God Knows, coping with the complications of an unpleasant divorce, and pigging out once or twice a week on Chinese food with cronies like Mel Brooks, Mario Puzo, and his buddy of more than twenty years, Speed Vogel. He was feeling perfectly fine that day—but within twenty-four hours he would be in intensive care at Manhattan's Mount Sinai Hospital. He would remain hospitalized for nearly six months and leave in a wheelchair. Joseph Heller had Guillain-Barré syndrome, a debilitating, sometimes fatal condition that can leave its victims paralyzed from head to toe. The clan gathered immediately. Speed—sometime artist, sometime businessman, sometime herring taster, and now a coauthor—moved into Joe's apartment as messenger, servant, and shaman. Mel Brooks, arch-hypochondriac of the Western world, knew as much about Heller's condition as the doctors. Mario Puzo, author of the preeminent gangster novel of our time, proved to be the most reluctant man ever to be dragged along on a hospital visit. These and lots of others rallied around the sickbed in a show of loyalty and friendship that not only built a wild and spirited camaraderie but helped bring Joe Heller, writer and buddy extraordinaire, through his greatest crisis. This book is an inspiring, hilarious memoir of a calamitous illness and the rocky road to recuperation—as only the author of Catch-22 and the friend who helped him back to health could tell it. No Laughing Matter is as wacky, terrifying, and greathearted as any fiction Joseph Heller ever wrote.

A panoramic novel that stretches from 1912 to 1967 No Laughing Matter is perhaps Angus Wilson's most autobiographical novel. The novel chronicles the end of the bourgeois way of life as seen through the lives of the six Matthews children and their dysfuntional middle-class family. Their parents - Billy Pop and the Countess - are objects of ridicule to their children who vow never to make their mistakes. Quentin, the eldest, is a socialist who adores women. His fervent views, however, become distilled over the years until he transforms into a cynical TV pundit. Gladys, plump and amenable, is unlucky in love and eventually falls for the charms of a crook. Rupert, the handsome actor, has a successful career until he fails to adapt to the changing theatre. Margaret is a brilliant and highly acclaimed novelist but she becomes bitter as her twin Sukey sinks into domestic bliss, while Marcus, the baby of the family, believes that his career is his life. An ambitious and enriching novel No Laughing Matter is an extraordinary work in its depictions of complex family relationships, where it is just as easy to hate as to love and where everyone struggles to be an individual.

Flann O'Brien's writing career was launched in 1939 with his brilliant first novel AT SWIM TWO BIRDS--a cult classic praised by James Joyce--quickly followed by other influential novels. But O'Brien lived a dark and tragic life, his writing obscured by various pseudonyms. Here Anthony Cronin, a member of O'Brien's intimate circle, offers a remarkable and fascinating portrait of the writer. photos.

This book offers the first comprehensive and in-depth exploration of the way Chinese humor fits into broader discourses on Chinese identity and modernity in an increasingly globalized world throughout the period of modern China. It brings together the expertise of scholars from a variety of disciplines – history, literature, linguistics, anthropology, sociology and the study of popular culture – to examine the many forms and modes in which political humor is expressed in modern China: films, cartoons, the visual arts, oral performances and online satire.​

A book about narcolepsy, a little-known neurological sleep disorder, characterized primarily by excessive daytime sleepiness & cataplexy. Written in layman's terms, it gives accurate up-to- date facts about all aspects of the disorder. The author also shares her personal experiences, telling how she has coped with all the symptoms for over 30 years. Interesting facts combined with a sense of humor & amusing stories provide easy reading. The comprehensiveness & organization of the book make it an excellent reference source for people with narcolepsy & their families, health care professionals & the general public. M. J. Utley is on the Board of Trustees for Narcolepsy Network, Inc. & serves as the editor of their newsletter. What doctors in Sleep Medicine have to say about the book: "This book fills a yawning gap. It is warm & wise."--Charles P. Pollak, M.D. "Mrs. Utley provides an amusing, interesting & needed introduction to the fascinating world of narcolepsy."--James G. Minard, Ph.D. "Awesome,"--Gila Lindsley, Ph.D., A.C.P. Order from: M.J. Utley, P.O. Box 1923, DeSoto, TX 75123-1923; FAX: (214) 223-6696.

The Crawley sisters of Downton Abbey? The Bennet sisters of Pride & Prejudice? The daughters born to Zelophehad? Why mention any of these women in the same breath as the beloved characters in the Broadway musical Fiddler on the Roof? Conventional wisdom has it that Fiddler on the Roof is about Tevye, a beleaguered patriarch persecuted by his neighbors and "desperately clinging to Tradition." But in this surprising eBook, Jan Lisa Huttner turns the reader's focus away from Tevye and onto his daughters. What is tradition? Who makes the matches? Should people who want to marry each other be allowed to make that choice? These questions are just as important now as they were fifty years ago-in 1964-when Fiddler on the Roof made its original debut on the Broadway stage. Other recent books have discussed the stories of Sholem Aleichem and the canvases of Marc Chagall, the two undisputed sources of Fiddler on the Roof. But for Huttner, the creators of Fiddler on the Roof were also participants in a Great Conversation about women's rights conducted over a span of two thousand years from the original compilation of the Hebrew Bible right up to the present day. Huttner examines the "synergies" that made Fiddler on the Roof such a phenomenal-and unexpected-success back in 1964. These synergies not only help account for Fiddler on the Roof's extraordinary longevity, but also explain why stage performances of Fiddler on the Roof continue to be so resonant today. Huttner writes in a lively style but her intent is deeply serious. When we skip over, trivialize, or otherwise ignore the female characters in Fiddler on the Roof, we not only denigrate half of the world's population, we also fail to appreciate the full power of a great work of art.

Žižek as comedian: jokes in the service of philosophy. “A serious and good philosophical work could be written consisting entirely of jokes.”—Ludwig Wittgenstein The good news is that this book offers an entertaining but enlightening compilation of Žižekisms. Unlike any other book by Slavoj Žižek, this compact arrangement of jokes culled from his writings provides an index to certain philosophical, political, and sexual themes that preoccupy him. Žižek's Jokes contains the set-ups and punch lines—as well as the offenses and insults—that Žižek is famous for, all in less than 200 pages. So what's the bad news? There is no bad news. There's just the inimitable Slavoj Žižek, disguised as an impossibly erudite, politically incorrect uncle, beginning a sentence, “There is an old Jewish joke, loved by Derrida...“ For Žižek, jokes are amusing stories that offer a shortcut to philosophical insight. He illustrates the logic of the Hegelian triad, for example, with three variations of the “Not tonight, dear, I have a headache” classic: first the wife claims a migraine; then the husband does; then the wife exclaims, “Darling, I have a terrible migraine, so let's have some sex to refresh me!” A punch line about a beer bottle provides a Lacanian lesson about one signifier. And a “truly obscene” version of the famous “aristocrats” joke has the family offering a short course in Hegelian thought rather than a display of unspeakables. Žižek's Jokes contains every joke cited, paraphrased, or narrated in Žižek's work in English (including some in unpublished manuscripts), including different versions of the same joke that make different points in different contexts. The larger point being that comedy is central to Žižek's seriousness.