Enjoy Not in the Script and the other standalone titles in Bloomsbury's contemporary If Only romance line centered around an impossible problem: you always want what you can't have! Millions of people witnessed Emma Taylor's first kiss-a kiss that needed twelve takes and four camera angles to get right. After spending years performing on cue, Emma can't help but wonder if any part of her life is real anymore . . . particularly her romances. She's been burned by heartthrobs (and the press) one too many times, but there's something about Emma's co-star on her new TV show Coyote Hills that is irresistible. Jake Elliott is gorgeous, smart and actually cares about Emma's charitable foundation. But she's sworn off on-set relationships. They always end badly . . . don't they? This third novel in the deliciously fun If Only romance line proves that the best kinds of love stories don't follow a script.

Elizabeth Green has spent her life in the shadow of her famous brother, the controversial British billionaire Sir Philip Green. Most of what she knew of him she read in the columns of the Daily Mail; not just his business empire but the parties, the gatherings and dinners to which she was never invited. A guest summed it up at his wedding when she said: 'I've known Philip for 25 years but never knew he had a sister.' But Not In The Script is about more than just family relationships. It's a story of a woman's insatiable search for love, one that took her to all the wrong places - and involved all the wrong men; from divorce in the north London suburbs to the ashrams of India and, eventually, the excitement of Manhattan's restaurant scene. Along the way, she did fall over and over, but the men? Well, they didn't quite get there. Sound familiar? Above all Elizabeth was not a quitter, she found love where she least expected it - inside herself. Read her memoir, laugh and get inspired to NEVER, EVER give up.

Neil Gaiman’s complete original scripts for the highly anticipated six-episode original series, adapted from the classic novel he wrote with Terry Pratchett. First published nearly thirty years ago, the novel Good Omens has sold more than five million copies worldwide and is beloved by Gaiman and Pratchett fans alike. Collected here are Neil Gaiman’s original scripts for the Good Omens television series, offering readers deeper insight into Gaiman’s brilliant new adaptation of a masterwork. A tale of good and evil and the end of the world, Good Omens stars Michael Sheen as the angel Aziraphale; David Tennant as the demon Crowley; and Jon Hamm as the archangel Gabriel, as well as Anna Maxwell Martin, Josie Lawrence, Adria Arjona, Michael McKean, Jack Whitehall, Miranda Richardson, and Nick Offerman.

The If Only romance line continues with this forbidden romance set in Hollywood.

"The perfect escape." —USA Today "Readers who loved Emily Henry's Book Lovers are sure to savor Nora Goes Off Script." —Shelf Awareness Named one of the Best Beach Reads of Summer 2022 by The Washington Post • USA Today • Cosmopolitan • Southern Living • Country Living • Business Insider • Buzzfeed • Book Riot • The Augusta Chronicle Nora’s life is about to get a rewrite… Nora Hamilton knows the formula for love better than anyone. As a romance channel screenwriter, it’s her job. But when her too-good-to work husband leaves her and their two kids, Nora turns her marriage’s collapse into cash and writes the best script of her life. No one is more surprised than her when it’s picked up for the big screen and set to film on location at her 100-year-old-home. When former Sexiest Man Alive, Leo Vance, is cast as her ne’er do well husband Nora’s life will never be the same. The morning after shooting wraps and the crew leaves, Nora finds Leo on her porch with a half-empty bottle of tequila and a proposition. He’ll pay a thousand dollars a day to stay for a week. The extra seven grand would give Nora breathing room, but it’s the need in his eyes that makes her say yes. Seven days: it’s the blink of an eye or an eternity depending on how you look at it. Enough time to fall in love. Enough time to break your heart. Filled with warmth, wit, and wisdom, Nora Goes Off Script is the best kind of love story—the real kind where love is complicated by work, kids, and the emotional baggage that comes with life. For Nora and Leo, this kind of love is bigger than the big screen.

Aspiring actress Amanda Clark and photographer Michelle Osinski are two women burned by love and not looking to test the fire again. And even if they were, it certainly wouldn't be with each other. Amanda has never been attracted to a butch woman before, and Michelle personifies the term butch. Having just landed a role on a hot new TV show, she's determined to focus on her career and doesn't need any complications in her life. After a turbulent breakup with her starlet ex, Michelle swore she would never get involved with an actress again. Another high-maintenance woman is the last thing she wants, and her first encounter with Amanda certainly makes her appear the type. But after a date that is not a date and some meddling from Amanda's grandmother, they both begin to wonder if it's not time for a departure from their usual dating scripts.

A structured perspective on the crucial interface of director and screenplay, this book encompasses twenty-two seminal aspects of the approach to story and script that a director needs to understand before embarking on all other facets of the director’s craft. Drawing on seventeen years of teaching filmmaking at a graduate level and on his prior career as a director and in production at the BBC, Markham shows how the filmmaker can apply rigorous analysis of the elements of dramatic narrative in a screenplay to their creative vision, whether of a short or feature, TV episode or season. Combining examination of such fundamental topics as story, premise, theme, genre, world and setting, tone, structure, and key images with the introduction of less familiar concepts such as cultural, social, and moral canvas, narrative point of view, and the journey of the audience, What’s The Story? The Director Meets Their Screenplay applies the insights of each chapter to a case study—the screenplay of the short film Contrapelo, nominated for the Jury Award at Tribeca in 2014. This book is an essential resource for any aspiring director who wants to understand exactly how to approach a screenplay in order to get the very best from it, and an invaluable resource for any filmmaker who wants to understand the important creative interplay between the director and screenplay in bringing a story to life.