Not for King or Country tells the story of Edward Cecil-Smith, a dynamic propagandist for the Communist Party of Canada during the Great Depression. He is most well-known for commanding the Mackenzie-Papineau Battalion during the Spanish Civil War.

Was the First World War really 'For King and Country'? This is the first full history of the monarchy's role.

When war was declared in August 1914, many New Zealanders were travelling or living abroad. In the rush to sign up to defend the Empire, it was often easier to enlist locally than travel back to New Zealand to join the NZEF. That's one of the reasons that more than ten thousand New Zealanders fought the First World War under other flags, in the military forces of other nations. If they are added to the total number of New Zealanders currently understood to have served, then New Zealand's contribution to the war effort becomes even more remarkable, but to date they have not been correctly enumerated, let alone included. These New Zealanders served with the Australian Imperial Force (AIF), with British Army units, the Indian Army, the Canadian Expeditionary Force and the French Foreign Legion, and they include the considerable number of women who served with other nations' medical organisations. Leading military historian Glyn Harper has scoured archives and museums worldwide to show where and when these New Zealanders served, and to tell their remarkable - and sometimes surprising and tragic - stories for the first time. For King and Other Countries makes a unique contribution to our understanding of our military history.

When teacher/hockey player Rob Callahan discovers an old family letter written by Ben Franklin's son, William, his search for more information begins a quest that takes him, two women, two sons, and a litany of others chasing them across the border into Canada.

Our families have feuded for years, but when I get myself hurt during a winter storm, Dawson King rides in like a cowboy Prince Charming and tucks me into his bed until I get better. It’s suddenly hard to remember why I don’t like him. From Marie Johnston comes an enemies to lovers, small town romance. Dawson King’s mom died because of my dad’s poor decisions, and ever since, I’ve been at the bottom of the King Ranch manure pile. Years later, our circumstances couldn’t be more different. I’m left running my decrepit ranch, and he’s right next door, in his big house, with his fat and happy cattle, and he sneaks treats to my horse. Everyone in town loves him while hating me is their favorite game. Yet when I get hurt in the middle of a snow storm, he’s the only one there to help me. When I’m recovering at his place, he takes care of me, and I start to forget the resentment between us and remember the friendship we had as kids. He treats me like he sees beyond my caustic personality and the high emotional barriers I’ve erected thanks to my rough upbringing. What I don’t know is that he’s hiding a secret that gives him millions of reasons behind his motivation to get close to me. The clock is ticking for Dawson and his generous trust fund, and if I don’t succumb to his intoxicating charm, I’ll end up back in the hovel I came from with a broken heart. But if I fall hard, I’m not sure if he’ll have a reason to be there to catch me. King's Country is a standalone novel in the Oil Kings series. For readers who also like Ann Mayburn, Carly Phillips, Carrie Ann Ryan, Cat Johnson, Catherine Cowles, Chelle Bliss, Cherise Sinclair, Cheyenne McCray, Claudia Burgoa, Debra Holt, Devney Perry, Diana Palmer, Esther E. Schmidt, Genevieve Turner, Helen Hardt, Jane Henry, Janet Dailey, Jeanne St. James, Jenna Jacob, Jennifer Ryan, Julia Sykes, Kennedy Fox, Kim Loraine, Lani Lynn Vale, Lauren Blakely, Lauren Landish, Laylah Roberts, Lexi Blake, Linda Lael Miller, Lindsay McKenna, Lorelei James, Lori Wilde, Maisy Yates, Max Monroe, Melissa Foster, Nicole Snow, Renee Rose, Samantha Madisen, Shayla Black, Sophie Oak, Stephanie Rowe, Susan Stoker, Vi Keeland, Vivian Arend, Willa Nash, Willow Winters, Zoe York, Erin Wright, Laramie Briscoe, Kylie Gilmore, Kait Nolan, Tracy Alvarez, Lili Valente, Vanessa Vale, Tawdra Kandle, Colleen Hoover, Maya Banks, Penelope Sky, Kendall Ryan, Kennedy Fox, Chelle Bliss, Sarina Bowen, Penelope Ward, Marie Force, Melissa Foster, Kristen Proby, Devney Perry, Susan Stoker, Tessa Bailey, Jana Aston, Sally Thorne, Christina Lauren, Elle Kennedy, Julia Kent, Sylvia Day, K.A. Linde, Jessica Hawkins, Rachel VanDyken, Jodi Ellen Malpas, L.J. Shen, Natasha Madison, Emily Henry, Corrine Michaels, and Kylie Scott. romance books, contemporary romance, small town, best friends, cowboy romance, western romance, marriage and family, series starter, romance series, romance saga, romantic family saga, bestseller romance, steamy, sexy, heartwarming, heart-warming, family, love, love books, kissing books, emotional journey, captivating romance, emotional, healing, hot, hot romance, forbidden love, second chance romance, loyalty, swoon, funny romance, modern romance, forbidden romance, enemies to lovers, friends to lovers, family business, strong female lead, strong heroine, top romance reads, best seller, romance novels, love story, angst, American western, unrequited love, adult romance, mature romance, rodeo, heartbreak, breakup, strong woman, contemporary women, full length, steamy, angsty, first love, romance series, series, mistaken country westerns, series starter, first in series, farming and ranching romance, Montana.

After the end of World War I, international pressures prevented the Allies from implementing direct colonial rule over the former Arab provinces of the Ottoman Empire. Instead, the Allies created a system of mandates for the governance of the Middle East. France was assigned Lebanon and Syria, and Britain was assigned Iraq, Palestine, and Transjordan. First published in 1976, Britain in Iraq has long been recognized as the definitive history of the mandate period, providing a meticulous and engaging account of Britain's political involvement in Iraq as well as rare insights into the motives behind the founding of the Iraqi state. Peter Sluglett presents a historical narrative of the development and implementation of the mandate in the face of considerable opposition in both Iraq and Britain and shows how the British maintained a "reliable" group of Iraqi clients in power to protect imperial interests. Sluglett explores the changing relationship between Britain and Iraq over the eighteen years of occupation and mandate, the interactions between Shi'ite and Sunni populations, the position of the Kurds, the boundary between Turkey and northern Iraq, and policies relating to defense, land tenure and the tribes, and education. A new conclusion attempts to analyze the legacy of the mandate and to offer some explanation for Iraq's continuing weakness as a state and the structural obstacles preventing the emergence of a plural political system.

After the battle of Orakau in 1864 and the end of the war in the Waikato, Tawhiao, the second Maori King, and his supporters were forced into an armed isolation in the Rohe Potae, the King Country. For the next twenty years, the King Country operated as an independent state – a land governed by the Maori King where settlers and the Crown entered at risk of their lives. Dancing with the King is the story of the King Country when it was the King's country, and of the negotiations between the King and the Queen that finally opened the area to European settlement. For twenty years, the King and the Queen's representatives engaged in a dance of diplomacy involving gamesmanship, conspiracy, pageantry and hard headed politics, with the occasional act of violence or threat of it. While the Crown refused to acknowledge the King's legitimacy, the colonial government and the settlers were forced to treat Tawhiao as a King, to negotiate with him as the ruler and representative of a sovereign state, and to accord him the respect and formality that this involved. Colonial negotiators even made Tawhiao offers of settlement that came very close to recognising his sovereign authority. Dancing with the King is a riveting account of a key moment in New Zealand history as an extraordinary cast of characters – Tawhiao and Rewi Maniapoto, Donald McLean and George Grey – negotiated the role of the King and the Queen, of Maori and Pakeha, in New Zealand.