The one-act play stands apart as a distinct art form with some well known writers providing specialist material, among them Bernard Shaw, Tom Stoppard, Harold Pinter, Caryl Churchill. Alan Ayckbourn, Edward Albee and Tennesee Williams. There are also lesser-known writers with plenty of material to offer, yet sourcing one-act plays to perform is notoriously hard. This companion is the first book to survey the work of over 250 playwrights in an illuminating A-Z guide. Multiple styles, nationalities and periods are covered, offering a treasure trove of compelling moments of theatre waiting to be discovered. Guidance on performing and staging one-act plays is also covered as well as essential contact information and where to apply for performance rights. A chapter introducing the history of the one-act play rounds off the title as a definitive guide.

A solitary child, Leonardo da Vinci's only intimate is Lisa Gherardini, the girl who spies on him in his workshop. Spurned by his tutor, he is sent by his despairing father to Florence as an apprentice. Under the guiding hand of Verrocchio, the master sculptor, he begins to make his name. But success requires sacrifice; Florence demands a level of conformity impossible for him. Forced to leave, Leonardo places himself at the service of the charismatic, power-thirsty Duke of Milan. His journey leads him back to Lisa and the portrait he has waited so long to paint, the culmination of his life's work. From the glittering court of the Medici to the mortuaries of Milan and the battlefields of the Po valley, Lucille Turner's powerful novel vividly imagines Leonardo's lonely struggle to convince others of his vision of the world.