Boy meets Girl, Boy marries Girl, and years later Boy mysteriously disappears in this Gordon Lish–style novel. People are disappearing. And when they return, they can't say where they've been: "I was nowhere.... And then one day I was back." At the heart of Not Anywhere, Just Not is a middle-aged couple who still consider themselves to be a boy and a girl, like they were when they first met. One day, like thousands of people around the world, the boy vanishes, and the girl is left to wait, wonder, and worry. Who is he? Who is she, now, approaching sixty? Who were they together? And who will they be when or if he reappears? This is a world where every morning the cat gets fed and the coffee gets made, but also one in which gigantic words fall from the sky, God stands outside in the cold without a hat, angels ride the subway, and dreams whisper from far away, like something loud trapped in a jar. Not Anywhere, Just Not is a mysterious wind rustling the lexicon of suburban living into strange new iterations. Between the banalities of the domestic sphere, impossibilities drift like dandelion fluff, making the familiar seem strange and the strange seem familiar. Ken Sparling confronts us with the small dramas of our lives and the language we struggle with to express them, bringing us to the precipice of accepted ideas and allowing us to see, with dread and wonder, what might be coming for us all. "Ken Sparling is a brilliant writer and this book, like all his books, is a beauty. Sparling chronicles the times I fear most—the moments of loneliness, of loss, of ennui—and somehow makes them seem worthwhile, even wondrous, and often flat-out funny. His work makes life look livable, which makes him a wizard to me." - Derek McCormack, Judy Blame's Obituary "A gorgeous rendition of the domestic uncanny, Not Anywhere, Just Not is an ostensibly quiet book that slowly and carefully unnerves and unsettles you--both because of its precise swapping out of reality and because of just how familiar it so often seems. All of us, Sparling seems to say, are on the verge of vanishing at any moment." – Brian Evenson, author of Song for the Unravelling of the World

From accomplished writer Ken Sparling comes a spare verse novel about a girl and a boy and the life they're writing together. But the girl wants a story and the boy wants a poem, and the furniture in the house is stuck in the middle. Meditative and magical, a book as complicated as the ways we love, This Poem Is a House is, in the end, about a girl's story sheltering a boy's poem, the way a house shelters the lives of the people who live in it. Ken Sparling has written six novels, including Dad Says He Saw You at the Mall (Knopf, 1996), commissioned by Gordon Lish. He lives in Toronto, Ontario.

In this enormously funny, smart, and moving contemporary YA novel, fighting for the thing you love doesn't always turn out like in the movies. "Hilarious, big-hearted, poignant...An unadulterated triumph." --Jeff Zentner, author of The Serpent King Movies have always helped Ethan Ashby make sense of the world. So when developers swoop in and say the classic Green Street Cinema is going to be destroyed to make room for luxury condos, Ethan is ready for battle. And so a motley crew of cinema employees comes together to save the place they love: There's Sweet Lou, the elderly organist with a penchant for not-so-sweet language; Anjo, the too-cool projectionist; Griffin and Lucas who work concessions, if they work at all; and Ethan, their manager (who can barely manage his own life). Still, it's going to take a movie miracle for the Green Street to have a happy ending. And when Raina Allen, Ethan's oldest friend (and possible soul mate?), comes back to town after working in Hollywood--cue lights and music--it seems that miracle may have been delivered. But life and love aren't always like in the movies. This Book is Not Yet Rated is about growing up, letting go, and realizing love hides in plain view--in the places that shape us, the people who raise us, the first loves who leave us, and the lives that fade in and fade out all around us. "A beautifully written look at first love and first loss." --Julie Buxbaum, author of What to Say Next "Film aficionados and fans of John Green will especially like this one." --Booklist, starred review "It pulls you in, holds you...A funny and moving winner." --Adi Alsaid, author of Never Always Sometimes "I cannot get over how much I love this book." --Jared Reck, author of A Short History of the Girl Next Door "[A] sweet love story with a quest at its heart." --PW "Reel[s] you in...Absorbing...quirky and fun." --VOYA

An inside look at the politics of book reviewing, from the assignment and writing of reviews to why critics think we should listen to what they have to say Taking readers behind the scenes in the world of fiction reviewing, Inside the Critics’ Circle explores the ways critics evaluate books despite the inherent subjectivity involved and the uncertainties of reviewing when seemingly anyone can be a reviewer. Drawing on interviews with critics from such venues as the New York Times, Los Angeles Times, and Washington Post, Phillipa Chong delves into the complexities of the review-writing process, including the considerations, values, and cultural and personal anxieties that shape what critics do. Chong explores how critics are paired with review assignments, why they accept these time-consuming projects, how they view their own qualifications for reviewing certain books, and the criteria they employ when making literary judgments. She discovers that while their readers are of concern to reviewers, they are especially worried about authors on the receiving end of reviews. As these are most likely peers who will be returning similar favors in the future, critics’ fears and frustrations factor into their willingness or reluctance to write negative reviews. At a time when traditional review opportunities are dwindling while other forms of reviewing thrive, book reviewing as a professional practice is being brought into question. Inside the Critics’ Circle offers readers a revealing look into critics’ responses to these massive transitions and how, through their efforts, literary values get made.

NEW YORK TIMES BESTSELLER • A stunning “portrait of the enduring grace of friendship” (NPR) about the families we are born into, and those that we make for ourselves. A masterful depiction of love in the twenty-first century. NATIONAL BOOK AWARD FINALIST • MAN BOOKER PRIZE FINALIST • WINNER OF THE KIRKUS PRIZE A Little Life follows four college classmates—broke, adrift, and buoyed only by their friendship and ambition—as they move to New York in search of fame and fortune. While their relationships, which are tinged by addiction, success, and pride, deepen over the decades, the men are held together by their devotion to the brilliant, enigmatic Jude, a man scarred by an unspeakable childhood trauma. A hymn to brotherly bonds and a masterful depiction of love in the twenty-first century, Hanya Yanagihara’s stunning novel is about the families we are born into, and those that we make for ourselves. Look for Hanya Yanagihara’s latest bestselling novel, To Paradise.

A fifteenth-century portrait painter, grieving the untimely death of his unrequited love, takes refuge at the monastery at Mont Saint-Michel, an island off the coast of France. He haunts the halls until the monks assign him the task of copying manuscripts – though he is illiterate. His work heals him and grows the monastery's library into a beautiful city of books, all under the shadow of the invention of the printing press. Dominique Fortier is an editor and translator living in Montreal. She is the author of five books, including On the Proper Use of Stars and Wonder. Rhonda Mullins is an award-winning translator and writer living in Montreal, Quebec.

Drawing on the lives of five great scientists, this “scholarly, insightful, and beautifully written book” (Martin Rees, author of From Here to Infinity) illuminates the path to scientific discovery. Charles Darwin, William Thomson (Lord Kelvin), Linus Pauling, Fred Hoyle, and Albert Einstein all made groundbreaking contributions to their fields—but each also stumbled badly. Darwin’s theory of natural selection shouldn’t have worked, according to the prevailing beliefs of his time. Lord Kelvin gravely miscalculated the age of the earth. Linus Pauling, the world’s premier chemist, constructed an erroneous model for DNA in his haste to beat the competition to publication. Astrophysicist Fred Hoyle dismissed the idea of a “Big Bang” origin to the universe (ironically, the caustic name he gave to this event endured long after his erroneous objections were disproven). And Albert Einstein speculated incorrectly about the forces of the universe—and that speculation opened the door to brilliant conceptual leaps. As Mario Livio luminously explains in this “thoughtful meditation on the course of science itself” (The New York Times Book Review), these five scientists expanded our knowledge of life on earth, the evolution of the earth, and the evolution of the universe, despite and because of their errors. “Thoughtful, well-researched, and beautifully written” (The Washington Post), Brilliant Blunders is a wonderfully insightful examination of the psychology of five fascinating scientists—and the mistakes as well as the achievements that made them famous.