"First published in 1965 and reprinted many times in the Soviet Union and Russia, Yury Olesha's No Day without a Line is a series of thematically assembled journal entries which together form an unusual and extremely engaging personal memoir." "Ranging from Olesha's prerevolutionary childhood, to notable cultural figures, to Russian and Western literature, the entries are artfully composed units in which an image is developed, a memory precisely delineated, or an apercu elaborated. Occasionally, the units coalesce in a chain of reflections on a common theme, such as Olesha's memories of the 1905 Potyomkin mutiny, his recollections of the poet Mayakovsky, or his discussion of the writings of Tolstoy or Hemingway." --Book Jacket.

Emphasizing the visual arts, including performance art, this book focuses on artists' writings that challenge our understanding of them as a text or an instance of reflection

In this contemporary Russian classic, a samizdat document arrives at a Soviet newspaper headquarters with unimaginable consequences.Angels on the Head of a Pin is set in Moscow in the late 1960s, at a time when Khrushchev-era liberalization is being threatened by the return to personality cult and repression following the Soviet intervention in Czechoslovakia. The editor-in-chief of the organ of the Communist Party collapses with a heart attack outside the Central Committee building. This is partly brought on by the appearance of a samizdat manuscript on his desk that leads to his anguishing over who left it there and what to do with it to avoid falling victim to the malevolence its content is likely to unleash. The solution lies with Yakov Rappoport, an ageing and cynical Jewish veteran of the war and two spells in the Gulag, the author of not only the obnoxious popular campaigns sponsored by the newspaper (and all its letters to the editor) but of every speech that gets made in public by the principals of the regime as well. His efforts to help his stricken editor, as well as the novel's star-crossed lovers, lead to a hallucinatory climax.

The medieval poem Cursor Mundi is a biblical verse account of the history of the world, offering a chronological overview of salvation history from Creation to Doomsday. Originating in northern England around the year 1300, the poem was frequently copied in the north before appearing in a southern version in substantially altered form. Although it is a storehouse of popular medieval biblical lore and a fascinating study in the eclectic use of more than a dozen sources, the poem has until now attracted little scholarly attention. This five-part collaborative edition presents the Arundel version of the poem with variants from three others. In addition, it provides a discussion of sources and analogues, detailed explanatory notes, and a bibliography. Published in English.

Describes the origin, meaning, and usage of more than four thousand words and expressions used in medicine, literature, music, philosophy, and other academic fields.