First published in 1969, this is a tale of a skilful mixture of ageing flyers, with planes to match, battling their way through arms smuggling, Middle East intrigue and the tale of a fabulous sword which once belonged to Richard the Lion-Heart.

Over the last two decades, the experiences of colonization and decolonization, once safely relegated to the margins of what occupied students of history and literature, have shifted into the latter's center of attention, in the West as elsewhere. This attention does not restrict itself to the historical dimension of colonization and decolonization, but also focuses upon their impact upon the present, for both colonizers and colonized. The nearly fifty essays here gathered examine how literature, now and in the past, keeps and has kept alive the experiences - both individual and collective - of colonization and decolonization. The contributors to this volume hail from the four corners of the earth, East and West, North and South. The authors discussed range from international luminaries past and present such as Aphra Behn, Racine, Blaise Cendrars, Salman Rushdie, Graham Greene, Derek Walcott, Guimarães Rosa, J.M. Coetzee, André Brink, and Assia Djebar, to less known but certainly not lesser authors like Gioconda Belli, René Depestre, Amadou Koné, Elisa Chimenti, Sapho, Arthur Nortje, Es'kia Mphahlele, Mark Behr, Viktor Paskov, Evelyn Wilwert, and Leïla Houari. Issues addressed include the role of travel writing in forging images of foreign lands for domestic consumption, the reception and translation of Western classics in the East, the impact of contemporary Chinese cinema upon both native and Western audiences, and the use of Western generic novel conventions in modern Egyptian literature.

"Comment Dieu Voit le Monde" est un message de paix sur la terre, une invitation aux chrétiens et au monde à devenir pacifi que et doux comme les anges, une invitation à l'humanité à devenir compatissante et solidaire pour combattre la pollution et le réchauffement de la terre. "Comment Dieu Voit le Monde", c'est la Bible, la philosophie occidentale, les mathématiques, la littérature, la science, la vie. Le livre est unique et révolutionnaire dans l'histoire de l'humanité parce que l'auteur utilize le raisonnement mathématique pour prouver les vérités en religion, en philosophie, et sur la vie. L'auteur est un défenseur de la civilisation de la renaissance et de la croissance zéro comme le recommandait le Club de Rome dans le livre intitulé "Halte à la croissance". L'auteur explique les mystères de Satan et du péché original en utilisant le personnalisme, la phénoménologie, l'existentialisme, et les mathématiques. Les mathématiques sont la logique et l'art de raisonner. L'auteur démontre mathématiquement et bibliquement qu'un chrétien est un saint, un philosophe, et un communiste. C'est-à-dire que l'humanité doit devenir communiste pour espérer résoudre les problèmes de la pollution, du chômage, de la violence, de la pauvreté, de la santé, des guerres etc. C'est-à-dire que l'humanité doit devenir communiste si elle veut survivre.

I had not gone anywhere, while still being at the same corner of the great boulevard observing life in its colors, its good or annoying notes, and its rhythm. I’m still in the same convoy of the living and the dead, looking at me and observing you at the same time, without any of us perceiving each other in this dull tumult that engorges us and hypnotizes us. I greet you all, and I come back with the same smile and another bunch of poems that is none other than notes of joy, sorrow, and love that sound and resound in our daily life. In any case, these notes do not rhyme with your taste or please your whim. I apologize because I did not invent them, as they fall naturally within the scope of my poetic contemplation. They come to me, and it is my duty to host them and distribute them all, in their folly and naive naturalism. As always I do not force you, but I invite you to read this book and find the notes that resemble you or remind you of a life, living experience, even a friend or forgotten memories.

MY HAN, Martine GEORGES, n e au Vietnam en 1963, a travers la vie sur un chemin parsem de drames et de d sillusions. En tentant d' chapper ce monde hostile elle s'est perdue dans l'alcoolo-d pendance. Prisonni re de cette "cage," elle y a tout perdu. En retrouvant l'Amour, elle est sortie de la cage et s'est envol e pleine de confiance et d'esp rance. Un drame a mis fin son envol. Elle a rejoint Tyr na nOg, le pays de l' ternelle jeunesse, laissant ceux qui restent sur le quai le go t de l'inachev, l'espoir de s'en sortir et la Foi en l'Amour infini...