Sinan Antoon returns to the Iraq war in a poetic and provocative tribute to reclaiming memory Widely-celebrated author Sinan Antoon’s fourth and most sophisticated novel follows Nameer, a young Iraqi scholar earning his doctorate at Harvard, who is hired by filmmakers to help document the devastation of the 2003 invasion of Iraq. During the excursion, Nameer ventures to al-Mutanabbi street in Baghdad, famed for its bookshops, and encounters Wadood, an eccentric bookseller who is trying to catalogue everything destroyed by war, from objects, buildings, books and manuscripts, flora and fauna, to humans. Entrusted with the catalogue and obsessed with Wadood’s project, Nameer finds life in New York movingly intertwined with fragments from his homeland’s past and its present—destroyed letters, verses, epigraphs, and anecdotes—in this stylistically ambitious panorama of the wreckage of war and the power of memory.

Special agent James Cronley Jr. finds that fighting both ex-Nazis and the Soviet NKGB can lead to strange bedfellows, in the dramatic new Clandestine Operations novel about the birth of the CIA and the Cold War. A month ago, Cronley managed to capture two notorious Nazi war criminals, but not without leaving some dead bodies and outraged Austrian police in his wake. He's been lying low ever since, but that little vacation is about to end. Somebody--Odessa, the NKGB, the Hungarian Secret Police?--has broken the criminals out of jail, and he must track them down again. But there's more to it than that. Evidence has surfaced that in the war's last gasps, Heinrich Himmler had stashed away a fortune to build a secret religion, dedicated both to Himmler and to creating the Fourth Reich. That money is still out there in the hands of Odessa, and that infamous organization seems to have acquired a surprising--and troubling--ally. Cronley is fast finding out that the phrase "the enemy of my enemy is my friend" can mean a lot of different things, and that it is not always clear which people he can trust and which are out to kill him.

DIVLatest volume of poetry by Rafael Campo./div

In this brilliant polemical rampage, Owen Hatherley shows how our past is being resold in order to defend the indefensible. From the marketing of a "make do and mend" aesthetic to the growing nostalgia for a utopian past that never existed, a cultural distraction scam prevents people grasping the truth of their condition. The Ministry of Nostalgia explodes the creation of a false history: a rewriting of the austerity of the 1940s and 1950s, which saw the development of a welfare state while the nation crawled out of the devastations of war. This period has been recast to explain and offer consolation for the violence of neoliberalism, an ideology dedicated to the privatisation of our common wealth. In coruscating prose-with subjects ranging from Ken Loach's documentaries, Turner Prize-shortlisted video art, London vernacular architecture, and Jamie Oliver's cooking-Hatherley issues a passionate challenge to the injunction to keep calm and carry on.

The New York Times bestselling graphic memoir from actor/author/activist George Takei returns in a deluxe edition with 16 pages of bonus material! Experience the forces that shaped an American icon -- and America itself -- in this gripping tale of courage, country, loyalty, and love. George Takei has captured hearts and minds worldwide with his magnetic performances, sharp wit, and outspoken commitment to equal rights. But long before he braved new frontiers in STAR TREK, he woke up as a four-year-old boy to find his own birth country at war with his father's -- and their entire family forced from their home into an uncertain future. In 1942, at the order of President Franklin D. Roosevelt, every person of Japanese descent on the west coast was rounded up and shipped to one of ten "relocation centers," hundreds or thousands of miles from home, where they would be held for years under armed guard. THEY CALLED US ENEMY is Takei's firsthand account of those years behind barbed wire, the terrors and small joys of childhood in the shadow of legalized racism, his mother's hard choices, his father's tested faith in democracy, and the way those experiences planted the seeds for his astonishing future. What does it mean to be American? Who gets to decide? George Takei joins cowriters Justin Eisinger & Steven Scott and artist Harmony Becker for the journey of a lifetime.

**Winner of the Michael Shaara Prize for Excellence in Civil War Fiction** **Washington Post Best 50 Books of the Year** Set during the Civil War, this stunning novel from bestselling author Dennis McFarland follows a nineteen-year-old private who is struggling to regain his identity in an overturned American landscape. In the winter of 1864, Summerfield Hayes, a pitcher for the famous Eckford Club, enlists in the Union army, leaving his beloved sister alone in their Brooklyn home. After a particularly grim experience on the battlefield—deserted by his comrades and suffering from deafness and disorientation—he attempts to make his way home but instead lands in a Washington military hospital, mute and unable even to write his name. Among the people he encounters in this twilit realm—including a compassionate drug-addicted amputee, the ward matron who only appears to be his enemy, and the captain who is convinced that Hayes is faking his illness—is a gray-bearded eccentric who visits the ward daily and becomes Hayes’s strongest advocate: Walt Whitman.

The Araweté are one of the few Amazonian peoples who have maintained their cultural integrity in the face of the destructive forces of European imperialism. In this landmark study, anthropologist Eduardo Viveiros de Castro explains this phenomenon in terms of Araweté social cosmology and ritual order. His analysis of the social and religious life of the Araweté—a Tupi-Guarani people of Eastern Amazonia—focuses on their concepts of personhood, death, and divinity. Building upon ethnographic description and interpretation, Viveiros de Castro addresses the central aspect of the Arawete's concept of divinity—consumption—showing how its cannibalistic expression differs radically from traditional representations of other Amazonian societies. He situates the Araweté in contemporary anthropology as a people whose vision of the world is complex, tragic, and dynamic, and whose society commands our attention for its extraordinary openness to exteriority and transformation. For the Araweté the person is always in transition, an outlook expressed in the mythology of their gods, whose cannibalistic ways they imitate. From the Enemy's Point of View argues that current concepts of society as a discrete, bounded entity which maintains a difference between "interior" and "exterior" are wholly inappropriate in this and in many other Amazonian societies.