A unique collection of traditional Northumbrian music arranged for fingerstyle guitar. Selections include Salmon Tails Up the Water; Johnny Armstrong; Jimmy Allen; Felton Lonnen; Sir John Fenwick; Bonny Gallowgate Lad; Buy Broom Besoms; Elsie Marley; Sweet Hesleyside; Chevy Chase; Lea Riggs; Noble Squire Dacre; Dolia; Are You My Hinny Burd; and more. Each piece is written in standard notation and tablature and includes brief technical and performance notes.

The North East is probably England's most distinctive region. A place of strong character with a very special sense of its past, it is, as William Hutchinson remarked in 1778, 'truly historical ground'. This is a book about both the ancient Anglian kingdom of Northumbrian, which stretched from the Humber to the Scottish border, and the ways in which the idea of being a Northumbrian, or a northerner, or someone from the 'North East', persisted in the area long after the early English kingdom had fallen. It examines not only the history of the region, but also the successive waves of identity that that history has bestowed over a very long period of time. Successful nations write about themselves in these terms; so why not regions? Northumbria existed before 'England' began but is still with us in name, and in the way we think about ourselves. A series of sections, entitled Christian Kingdom, Borderland and Coalfield, New Northumbria, Cultural Region and Northumbrian Island, explore the region on the grand scale, from the very beginning, and bring a sharp sense of history to bear on the various threads that have influenced the making of modern regional identity. The book is a work of exceptional scholarship. Never before have so many acclaimed historians addressed together the issues which have affected this special region. Clearly written, and rich in ideas, chapters explore the physical origins of Northumbria and consider just how the pressing political and military claims of adjoining states shaped and tempered it. There are further chapters on art, music, mythology, dialect, history, economy, poetry, politics, religion, antiquarianism, literature and settlement. They show how Northumbrians have lived and died, and looked forward and back, and these accounts of the North East's past will surely help in the shaping of its future.

Country music in the Carolinas and the southern Appalachian Mountains owes a tremendous debt to freedom-loving Scotch-Irish pioneers who settled the southern backcountry during the eighteenth and nineteenth centuries. These hardy Protestant settlers brought with them from Lowland Scotland, Northern England and the Ulster Province of Ireland music that created the essential framework for "old-time string band music." From the cabins of the Blue Ridge and Great Smoky Mountains to the textile mills and urban centers of the Carolina foothills, this colorful, passionate, heartfelt music transformed the culture of America and the world and laid the foundation for western swing, bluegrass, rockabilly and modern country music. Author Michael Scoggins takes a trip to the roots of country music in the Carolinas.

This new, thoroughly updated second edition of Bradt's best-selling, comprehensive guide to Northumberland including Newcastle, Hadrian's Wall & the Coast remains the reliable source of information for discovering the far northeast of England, an area which is home to Europe's largest area of protected night sky - and England's first Dark Sky Park, a 572-square-mile expanse in Northumberland National Park. Now including over 40 walks along beaches, over hills and through valleys, as well as dedicated chapters on Northumberland National Park, Hadrian's Wall, the coast and Newcastle, among others, Bradt's Northumberland including Newcastle, Hadrian's Wall & the Coast is the ideal companion for a successful visit. Northumberland is well-known for its beaches, castles, wildlife, islands and desolate upland scenery, but despite all the attention and accolades ('most tranquil county', 'darkest night skies in England', 'Best UK County/Region [Silver Award']), Northumberland remains for the most part wonderfully crowd-free. It is the ultimate place in England to get away from it all, where you can walk all afternoon over moorland and not meet anyone, skinny-dip in lakes, or picnic on pristine sands with no one else around. Northumberland is also home to Hadrian's Wall, 'the most important Roman monument in Britain' (English Heritage), while heritage enthusiasts will find a number of world firsts and unique museums such as Tanfield Railway, where you can marvel at 19th-century steam engines in the oldest engine shed in the world. Bradt's Northumberland encourages visitors to slow down and explore the green lanes, footpaths, rivers and cycle trails that link Northumberland's 'Castle Coast' with the heather-topped hills, Roman fortresses and villages of the interior. A guide to Newcastle is found in the chapter on Tyne & Wear. Local knowledge of historic towns, heritage sites, wildlife-watching spots and countryside walks, and words and tips from local heritage experts make this an authoritative guide - and as much an entertaining armchair read as a practical guide, perfect for walkers, birdwatchers, cyclists, families, and those interested in Roman archaeology, industrial heritage and medieval castles.

Originally published in 1969. Until the latter half of the nineteenth century, it was thought that England, alone among the European countries, and unlike Scotland and Ireland where collections of ballads and songs had already been published as early as the eighteenth century, had no important native tradition of music. The founding of the (English) Folk-Song Society in 1898, however, and the pioneering work of such collectors as Lucy Broadwood, the Reverend S. Baring-Gould and, later, Cecil Sharp uncovered a still flourishing folk culture. Since then interest in this subject has grown steadily, and the bibliography of publications of actual folk-songs and ballads is now huge. Frank Howes sets out a general and scholarly introduction, first examining in detail the history and origins of folk music and going on to show the nature and vast amount of the material, enforcing his arguments with a wealth of examples from around the world. His discussion of the differences of national idiom leads on to a comparison of British folk music with that of other European countries and America, in which he pays due attention to the Celtic and Norse traditions. Separate sections on balladry, carols, street cries, broadsides, sea shanties, nursery rhymes and instruments illustrate both the variety of folk music and the extent to which it permeates our national heritage.

DigiCat Publishing presents to you this special edition of "Songs of the West" (Folk Songs of Devon & Cornwall Collected from the Mouths of the People) by S. Baring-Gould, H. Fleetwood Sheppard, F. W. Bussell. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.