Since the Good Friday Agreement, Northern Ireland seems changed almost beyond recognition. Violent incidents that were once commonplace are now rare and a younger generation has emerged with identities and interests more fluid and cosmopolitan than their parents. At the same time, however, the region remains in the long shadow of its recent turbulent history. The marginalisation of those who were victims, and indeed agents, of violence proves emblematic of a society still unable to deal with the traumas of the past. Northern Ireland a generation after Good Friday seeks to capture the complex and often contradictory realities of the region's peace process. Across nine original essays, the authors provide a critical and comprehensive reading of a society that seems to have left its violent past behind but at the same time remains subject to its gravitational pull.

The Good Friday Agreement is widely celebrated as a political success story, one that has brought peace to a region that was once synonymous around the globe with political violence. The truth, as ever, is rather more complicated than that. In many respects, the era of the peace process has seen Northern Irish society change almost beyond recognition. Those incidents of politically motivated violence that were once commonplace have become thankfully rare and a new generation has emerged whose identities and interests are rather more fluid and cosmopolitan than those of their predecessors. However, Northern Ireland continues to operate in the long shadow of its own turbulent past. Those who were victims of violence, as well as those who were its agents, have often been consigned to the margins of a society still struggling to cope with the traumas of the Troubles. Furthermore, the transition to ‘peace’ has revealed the existence of new, and not so new, forms of violence in Northern Irish society, directed towards women, ethnic minorities and the poor. Northern Ireland a generation after Good Friday sets out to capture the complex, and often contradictory, realities that have emerged more than two decades on from the region’s vaunted peace deal. Across nine original essays, the authors offer a critical and comprehensive reading of a society that often appears to have left its violent past behind but at the same time remains subject to its gravitational pull.

Foreword / Jonathan Tonge -- Politics and the people : shaping and sharing the future in Northern Ireland / Lesley Lelourec and Gráinne O'Keeffe-Vigneron -- Dealing with the past and envisioning the future : some problems with Northern Ireland's peace process / John Brewer -- Power-sharing and political stability : creating and sustaining a shared future in Northern Ireland / Timothy White -- The memoir-writing of former paramilitary prisoners in Northern Ireland : a politics of reconciliation? / Stephen Hopkins -- Loyalist collective memory, perspectives of the some and divided history / Jim McAuley -- The Ulster Volunteer Force and dealing with the past in Northern Ireland / Aaron Edwards -- Postnationalism, moderate nationalism and a shared Northern Ireland : the case of the SDLP / Philippe Cauvet -- Shared futures or a rerun of the 1930s? Community, trauma and reification in the people of Gallagher Street and Planet Belfast / Eva Urban -- 'A bright shiny police force acceptable to all' : representing the PSNI in Irish crime fiction / David Clarke -- Toy guns and miniatures : the kitschification of conflict in the Paramilitary Museum / Katie Markham -- Aftermath: The role of the arts in dealing with the legacy of conflict / Laurence McKeown,

In April 1998, the Good Friday Agreement brought an end to the bloodshed that had engulfed Northern Ireland for thirty years. It was lauded worldwide as an example of an iconic peace process to which other divided societies should aspire. Today, the region has avoided returning to the bloodshed of the Troubles, but the peace that exists is deeply troubled and far from stable. The botched Parliament at Stormont lumbers from crisis to crisis and society remains deeply divided. At the time of writing, Sinn Féin and the DUP are refusing to share power and Northern Ireland faces direct rule from London. Meanwhile, Brexit poses a serious threat to the country's hard-won stability. Twenty years on from the historic accord, journalist Siobhán Fenton revisits the Good Friday Agreement, exploring its successes and failures, assessing the extent to which Northern Ireland has been able to move on from the Troubles, and analysing the recent collapse of power-sharing at Stormont. This remarkable book re-evaluates the legacy of the Good Friday Agreement and asks what needs to change to create a healthy and functional politics in Northern Ireland.

Getting to Good Friday intertwines literary analysis and narrative history in an accessible account of the shifts in thinking and talking about Northern Ireland's divided society that brought thirty years of political violence to a close with the 1998 Belfast/Good Friday Agreement. Drawing on decades of reading, researching, and teaching Northern Irish literature and talking and corresponding with Northern Irish writers, Marilynn Richtarik describes literary reactions and contributions to the peace process during the fifteen years preceding the Agreement and in the immediate post-conflict era. Progress in this period hinged on negotiators' ability to revise the terms used to discuss the conflict. As poet Michael Longley commented in 1998, 'In its language the Good Friday Agreement depended on an almost poetic precision and suggestiveness to get its complicated message across.' Interpreting selected literary works by Brian Friel, Seamus Heaney, Michael Longley, Deirdre Madden, Seamus Deane, Bernard MacLaverty, Colum McCann, and David Park within a detailed historical frame, Richtarik demonstrates the extent to which authors were motivated by a desire both to comment on and to intervene in unfolding political situations. Getting to Good Friday suggests that literature as literature-that is, in its formal properties in addition to anything it might have to 'say' about a given subject-can enrich readers' historical understanding. Through Richtarik's engaging narrative, creative writing emerges as both the medium of and a metaphor for the peace process itself.

Kaufman and Williams present critical issues in international relations through an intersectional approach that examines race, gender, class, ethnicity, and power to arrive at better explanations for such core IR issues as war and peace, security, human rights, development and international political economy, and the global environment. Their approach builds on early calls amongst feminist IR theorists, imploring “Where are the women?” It is only fairly recently that students of IR have broadened the approach to the field to incorporate the dimensions of race, ethnicity, and class as well as gender. Kaufman and Williams help guide readers exploring questions like: How does gender matter for understanding war and peace? How does race matter? Where are the men? What is intersectionality in IR? How does an intersectional approach change or broaden our understanding of international relations?

Making peace in Northern Ireland was the greatest success of the Blair government, and one of the greatest achievements in British politics since the Second World War. In Jonathan Powell's masterly account we learn just how close the talks leading to the Good Friday agreement came to collapse and how the parties finally reached a deal. Pithy, outspoken and precise, Powell, Tony Blair's chief of staff and chief negotiator, gives us that rarest of things, a true insider's account of politics at the highest level. He demonstrates how the events in Northern Ireland have valuable lessons for those seeking to end conflict in other parts of the world and shows us how the process of making peace is sometimes messy and often blackly comic.