Ghosts of North Dakota, Volume 3 is a 110 page, hardbound, full-color coffee table book featuring some of the best photos from the Ghosts of North Dakota project- photos of ghost towns, near-ghost towns, and abandoned places across the state of North Dakota, plus comments from the photographers, historical tidbits, and more. Places in this book include Antler, Marmarth, Arena, Sanish, Haymarsh, and Bathgate. Volume 3 also includes a 19 page special section on the abandoned Fortuna Air Force Station, and a map which includes most of the places featured in Volumes 1 through 3.

The year is 1983, and Chuck Klosterman just wants to rock. But he's got problems. For one, he's in the fifth grade. For another, he lives in rural North Dakota. Worst of all, his parents aren't exactly down with the long hairstyle which rocking requires. Luckily, his brother saves the day when he brings home a bit of manna from metal heaven, SHOUT AT THE DEVIL, Motley Crue's seminal paean to hair-band excess. And so Klosterman's twisted odyssey begins, a journey spent worshipping at the heavy metal altar of Poison, Lita Ford and Guns N' Roses. In the hilarious, young-man-growing-up-with-a-soundtrack-tradition, FARGO ROCK CITY chronicles Klosterman's formative years through the lens of heavy metal, the irony-deficient genre that, for better or worse, dominated the pop charts throughout the 1980s. For readers of Dave Eggers, Lester Bangs, and Nick Hornby, Klosterman delivers all the goods: from his first dance (with a girl) and his eye-opening trip to Mandan with the debate team; to his list of 'essential' albums; and his thoughtful analysis of the similarities between Guns 'n' Roses' 'Lies' and the gospels of the New Testament.

In this award-winning debut novel, we explore themes of feminine and age-related empowerment. Karen Grace, a recently fired workaholic seeks meaning and purpose after suffering devastating loss at age fifty. While visiting her Midwestern hometown after many years, Karen Grace risks a few extra days away from the office, to hang out with family and childhood friends. She visits the crumbling homesteads of her prairie ancestors, and rediscovers their immigrant dreams and sacrifices. As a consequence of leaving the office, Karen is fired. Now she's fifteen hundred miles from home, just one more middle-aged worker out of a job in a tough economy. To make matters worse, her husband has just left her for his pregnant girlfriend. At a crossroads, Karen must find the courage to change. Needing time to think, she agrees to take an elderly neighbor on one last road trip, but on a deserted highway in Wyoming, Karen is forced to make a lethal and life-changing decision. Scroll up and buy to join her adventure today.

The demanding frontier life of My Ántonia or Little House on the Prairie may be long gone, but the idyllic small town still exists as a cherished icon of American community life. Yet sprawl and urban density, rather than small towns and farms, are the predominant features of our modern society, agribusiness and other commercial forces have rapidly taken over family farms and ranches, and even the open spaces we think of as natural retreats only retain the barest façade of their former frontier austerity. The fading communities, social upheaval, and enduring heritage of the Northern Plains are the subject of Jim Dow's Marking the Land, a stirring photographic tribute to the complex and unyielding landscape of North Dakota. Jim Dow began making pilgrimages to this remote territory in 1981 and, with a commission from the North Dakota Museum of Art, he took photographs of the passing human presence on the land. The simple, stolid pieces of architecture carved out against the Dakota skies--whether the local schoolhouse, car wash, prison, homes, hunting lodge, or churches--evoke in their spare lines and weather-battered frames the stoic and toughened spirit of the people within their walls. Folk art is also an integral part of the landscape in Dow's visual study, and he examines the subtle evolution of local craftsmanship from homemade sculptures, murals, and carvings to carefully crafted pieces aimed at tourists. Anchoring all of these explorations is the raw and striking landscape of the North Dakota plains. Marking the Land is a moving reflection by a leading American photographer on the state of the Northern Plains today, forcing us all to rethink our conceptions of America's forgotten frontier.