No Far Shore is a rich exploration of various coastlines across England, Wales, Ireland, Canada and the US, in the form of travel writing, narrative non-fiction, memoir and poetry. In it poet Anne-Marie Fyfe visits the meeting place of land and sea, and takes in the maps, waves, lighthouses, islands, north, journeys, boats and fishermen which mark this changing boundary. She looks too at the work of a number of writers for whom the coast has been influential (and who in some cases have a surprising link to her hometown of Cushenden in Northern Ireland). They include Elizabeth Bishop, Herman Melville, Eavan Boland, Moira O'Neill, Robinson Jeffers, George Mackay Brown, C.P. Cavafy and Louis MacNeice. In addition, Fyfe also travels into her past, and that of her family, and charting her own relationship with a number of coasts and the way that they have shaped her life and those of others. Living next to the sea brings almost as many subjects as the waves falling on to the land, from the quiet ease of fishing to the impact of the shipwreck of the Princess Victoria, from the lyricism of nature poetry to the specialism of morse code and cartography.

Coast Road: Selected Poems is the definitive Robert Gray collection.Robert Gray is one of Australia's most acclaimed poets. Among his many prizes are the Patrick White Award, the Philip Hodgins Memorial Medal, and the Australia Council's Writer's Emeritus Award for lifetime achievement. His Selected Poems has been published in the United States, China, Germany, the Netherlands and the United Kingdom. He is the author of a prize-winning prose memoir, The Land I Came Through Last.'An imagist without a rival in the English-speaking world.' Kevin Hart'Individual, surprising, evocative … at once cool and rapturous. ' Lisa Gorton

Huron, Ontario, Michigan, Erie, Superior: HOMES. Moheb Soliman traces the coasts of the Great Lakes region with poems, exploring the nature of belonging in relation to land and the formation of identity along borders. Moheb Soliman's HOMES maps the shoreline of the Great Lakes from the rocky cliffs of Duluth, Minnesota, to the spray of Niagara Falls and back again. This poetic travelogue offers an intimate perspective on an immigrant experience as Soliman drives his Corolla past exquisite vistas and abandoned mines, through tourist towns and midwestern suburbs, searching for a place to claim as home. Against the backdrop of environmental destruction and a history of colonial oppression, the vitality of Soliman's language brings a bold ecopoetic lens to bear on the relationship between transience and belonging in the world's largest, most porous borderland.

Robert Lowell once remarked in a letter to Elizabeth Bishop that "you ha[ve] always been my favorite poet and favorite friend." The feeling was mutual. Bishop said that conversation with Lowell left her feeling "picked up again to the proper table-land of poetry," and she once begged him, "Please never stop writing me letters—they always manage to make me feel like my higher self (I've been re-reading Emerson) for several days." Neither ever stopped writing letters, from their first meeting in 1947 when both were young, newly launched poets until Lowell's death in 1977. Presented in Words in Air is the complete correspondence between Bishop and Lowell. The substantial, revealing—and often very funny—interchange that they produced stands as a remarkable collective achievement, notable for its sustained conversational brilliance of style, its wealth of literary history, its incisive snapshots and portraits of people and places, and its delicious literary gossip, as well as for the window it opens into the unfolding human and artistic drama of two of America's most beloved and influential poets.