Reeling from a series of betrayals, attorney Janelle Richards abandons her life in Minnesota to take a new job on the Texas/Mexico border. Though the culture shock is intense, the new community seems promising—or it would if not for Javier Mercado, her boss’s nephew. For some reason, he’s decided Janelle is bad news and will stop at nothing to drive her away. But when Javi’s sister needs legal assistance, he's forced to squash his animosity for his family’s sake. Javier begins to realize he badly misunderstood Janelle, and the woman he tried so hard to hate is actually intelligent, kind... and sexy. Anger gives way to attraction, and then to passion, but the demons that torment Javier’s and Janelle’s history interfere. Can the Norteño musician and the güera he’s coming to love ever trust each other enough to find their hearts’ desire? Bonus: In addition to the main novel, this book contains two bonus stories: "The Bridezilla's Best Friend" and "Verano Estupido." NOTE: this sexy romance contains multiple triggers, including emotional abuse, stalking, pregnancy loss, and references to cheating. Reader discretion is advised.

In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.

Between Norteño and Tejano Conjunto analyzes the origin, evolution, and dissemination of the norteño and tejano conjunto. This group represents a marginalized local identity that was transformed primarily into an identity of the northeast. It then gave way to the whole of northern México and the American Southwest, and was later assimilated internationally as a mainstream genre. This book provides a long-term historic vision of conjunto and the various musical forms it uses, such as polka, corrido, or canción (song), and, more recently, bolero and cumbia, as well as its transformations and contributions to other musical cultures.

The function of dance in Latin/o American culture is the focus of the essays collected in Everynight Life. The contributors interpret how Latin/o culture expresses itself through dance, approaching the material from the varying perspectives of literary, cultural, dance, performance, queer, and feminist studies. Viewing dance as privileged sites of identity formation and cultural resistance in Latin/o America, Everynight Life translates the motion of bodies into speech, and the gestures of dance into a provocative socio-political grammar. This anthology looks at many modes of dance--including salsa, merengue, cumbia, rumba, mambo, tango, samba, and norteño--as models for the interplay of cultural memory and regional conflict. Barbara Browning's essay on capoeira, for instance, demonstrates how dance has been used as a literal form of resistance, while José Piedra explores the meanings conveyed by women of color dancing the rumba. Pieces such as Gustavo Perez Fírmat's "I Came, I Saw, I Conga'd" and Jorge Salessi's "Medics, Crooks, and Tango Queens" illustrate the lively scope of this volume's subject matter. Contributors. Barbara Browning, Celeste Fraser Delgado, Jane C. Desmond, Mayra Santos Febres, Juan Carlos Quintero Herencia, Josh Kun, Ana M. López, José Esteban Muñoz, José Piedra, Gustavo Perez Fírmat, Augusto C. Puleo, David Román, Jorge Salessi, Alberto Sandoval

Seventeen-year-old Roberto illegally crosses the U.S. border from Mexico to work in California's vegetable fields and becomes involved in Cesar Chavez's effort to unionize the workers.

Fictional settings frame this exploration of the history of the Conversos and what the author sees as the twin dangers confronting Judaism today, anti-semitism and intermarriage.

In Joe Gannon's debut novel, Night of the Jaguar, a former Sandinista guerrilla comandante turned cop investigates a series of murders that appear to be political executions. Sandinista Police Captain Ajax Montoya is six days sober and losing his mind. How else to explain his nights waking in bed, his hand wrapped around that bloody-minded stiletto from the old days, or the presence outside his window, a face with no eyes watching him? How far the heroic have fallen. Ajax was once the gallant comandante guerrillero. A hero of the Nicaraguan revolutionaries in their long uprising against the Ogre and his hated National Guard. Back then he'd been the guy who got the bloody missions -- as a lowly grunt with that blade, or the commander of an entire front. Back then he knew what was what and who to trust. But as the clarity of war gave way to the hazy reality of peace, Ajax fared less well. And after he took the fall for an assassination he had no part of, he tumbled into a bottle, and maybe out of his mind. Now he's a homicide investigator in Managua solving murders and sweating through the nightmares from his guerilla days. When he's called to investigate a robbery turned gruesome murder, Ajax recognizes the marks of a surprising enemy - the CIA mercenary army known as The Contra. This isn't just a random murder; this is an execution, a call to war. Or is it? And why does no one want to know but Ajax? As the bodies pile up and a red-headed gringa who should be his enemy enchants his thoughts, Ajax questions whether he can stay sober, sane, and alive long enough to figure it all out.