When his ultra-logical computer tells him that to survive he must become the richest man in the universe, Rod McBan the hundred and fifty-first thought he had a good plan. A telepathic cripple, rejected by many of his people, owner of the Station of Doom, the safety of wealth would keep him safe. In one crowded, unbelievable night he achieved the impossible, became the richest boy in the galaxy. But Rod McBan will soon discover that money brings trouble. A galaxy of people and other beings - out to rob him, use him or kill him!

This critical work concentrates on the science fiction writings of Paul Linebarger, who wrote under the pseudonym Cordwainer Smith, as well as other pseudonyms he created to reflect his different writing styles. His writings give voice to concerns about humanity and personal struggle; his ideas about love, loss, alienation, and psychic pain continue to resonate today. This work begins with a brief biographical sketch of Cordwainer Smith, linking elements of his past to his writing and focusing on his contributions to science fiction as well as his concern with humanity. Also discussed are Smith's published and unpublished novel-length non-science fiction, his revision process, the true man-underpeople dichotomy in his published and unpublished short fiction, and his only published novel-length science fiction work Norstrilia.

"No one ever wrote like Smith, with his special blend of intense myth-making and rich invention "--Publishers Weekly Cordwainer Smith was one of the original visionaries to think of humanity in terms of thousands of years in the future,

Welcome to the strangest, most distinctive future ever imagined by a science fiction writer. An interstellar empire ruled by the mysterious Lords of the Instrumentality, whose access to the drug stroon, from the planet Norstrilia, confers on them virtual immortality. A world in which wealthy and leisured humanity is served by the underpeople, genetically engineered animals turned into the semblance of people. A world in which the great ships which sail between the stars are eventually supplanted by the mysterious, instantaneous technique of planoforming. A world of wonder and myth, and extraordinary imagination.

This is a fascinating science fiction novel about Rod McBan, a wealthy kid from the most prosperous planet in the galaxy, Norstrilia. He buys earth without even realizing what he has done. It is a fun, imaginative, and fast-paced novel, a must-read for science fiction fans.

A series of essays on the writing and ideas of Philip K. Dick presented in eight chapters. This in-depth look at the philosophies behind Dick's SF and mainstream novels is based on Barlow's 1988 doctoral dissertation at the University of Iowa.

Empire Burlesque traces the emergence of the contemporary global context within which American critical identity is formed. Daniel T. O’Hara argues that globalization has had a markedly negative impact on American cultural criticism, circumscribing both its material and imaginative potential, reducing much of it to absurdity. By highlighting the spectacle of its own self-parody, O’Hara aims to shock U.S. cultural criticism back into a sense of ethical responsibility. Empire Burlesque presents several interrelated analyses through readings of a range of writers and cultural figures including Henry James, Freud, Said, De Man, Derrida, and Cordwainer Smith (an academic, spy, and classic 1950s and 1960s science fiction writer). It describes the debilitating effects of globalization on the university in general and the field of literary studies in particular, it critiques literary studies’ embrace of globalization theory in the name of a blind and vacant modernization, and it meditates on the ways critical reading and writing can facilitate an imaginative alternative to institutionalized practices of modernization. Drawing on Lacanian psychoanalytical theory, it diagnoses contemporary American Studies as typically driven by the mindless abjection and transference of professional identities. A provocative commentary on contemporary cultural criticism, Empire Burlesque will inform debates on the American university across the humanities, particularly among those in literary criticism, cultural studies, and American studies.