This is the definitive catalogue raisonne of the work of American illustrator Norman Saunders. Featuring over 880 illustrations, of which more than 300 are from the original art, this work documents his long and prolific career. Saunders produced over 6000 published illustrations for the pulps, paperbacks, comics, bubblegum cards, and much more.

Cross-Training in the Voice Studio: A Balancing Act is an innovative resource for teachers and students of singing in today's evolving professional landscape. Saunders Barton and Spivey offer an inside view of their applied studios and the results of the cross-training process. As vocal performance demands continue to change, singers must adapt in order to stay competitive in the job market. The authors address this challenge and provide a practical technical approach to developing the most flexible and resilient singing voices - the essence of their philosophy of "bel canto can belto," embracing classical and vernacular styles. Key Features In-depth chapter on resonance/registration for voice buildingCross-training in the academic vs. the private studioCross-training with repertoireCoverage of multi-disciplinary training: how acting, speech, movement, and dance support studio effortStudent recordings enhance concepts within the text Cross Training in the Voice Studio: A Balancing Act is a must-read for anyone in the singing profession seeking insight on cross-training.

An Indie Next Pick A masterful, "seductive" debut novel about fate, family secrets, and the stories our bodies tell (NYTBR). Magdalena has an unsettling gift. She sees the truth about people written on their skin--names, dates, details both banal and profound--and her only relief from the onslaught of information is to take off her glasses and let the world recede. Mercifully, her own skin is blank. When she meets Neil, she is intrigued to see her name on his cheek, and she is drawn into a family drama that began more than half a century before, when Neil's father, Richard, was abandoned at birth by his mother, a famous expatriate novelist. As secrets are revealed among forgotten texts in the archives of Paris, on a dusty cattle ranch in the American West, along ancient pilgrim paths, and in a run-down apartment in post-Soviet Lithuania, the novel's unforgettable characters converge--by chance, or perhaps by fate--and Magdalena's uncanny ability may be the key to their happiness.

From The Midwest Book Review Zina Saunders is a New York artist who has worked as a writer and illustrator for more than fifteen years. In "Overlooked New York: Impassioned New Yorkers from an Artist's Perspective" she has taken as her subject matter a impressive variety of her fellow New Yorkers who are distinguished by their hobbies, interests, pastimes, and pursuits. From rooftop pigeon fanciers, to houseboat residents, to bike messengers, to carnival costume designers, and more, her series of portraitures are enhanced with succinctly descriptive commentaries on who they are and their personal histories which she obtained with interviews while she painted them engaged in their various activities. The result is an impressive body of informed and informative art, making "Overlooked New York" an unusual and highly recommended addition for personal, academic, and community library regional American art reference collections.

The term pulp fiction has always had a certain resonance; but it is the artwork--bold, energized, dramatic, garishly colorful, and frequently grotesque--that has made pulp magazines memorable to so many people. Pulp Art is the groundbreaking--and ultimate--book on one of America's most important and spectacular forms of illustration art. At last, preserved in this volume are most of the still-existing originals created for the pulp covers, never before seen in all their sharply focused, vibrantly colored brilliance. Robert Lesser, a pioneering collector of this work and an expert on American popular culture, has assembled a gallery of these now-priceless originals. The dynamically pulp-flavored text is a complete historical survey of the pulps and their most important cover artists--Virgil Finlay, J. Allen St. John, Rafael de Soto, Hannes Bok, George and Jerome Rozen, Frank R. Paul, and many others. Also offered are critical discussions of individual paintings, as well as the major themes of the pulp magazines.