This is the story of Norman Rockwell's dynamic years (1939-1953) in the Vermont village where he painted some of his greatest works, including 'The Four Freedoms' and 'Saying Grace.' Inspired by the 'everyday life of my neighbors, ' the artist created storytelling pictures that have touched the hearts of millions around the world. The book includes recollections by neighbors and models about Rockwell and his family and the community they shared, thirteen Rockwell paintings and sketches, 33 historic photographs, several never before published, a regional map, a listing of area museums, and selected bibliography for further exploration

The story of Norman Rockwell's famous series of paintings based on Franklin D. Roosevelt's Four freedoms speech of 1941, including how they came to be created and their impact on the war effort.

The definitive sourcebook for Vermont facts, figures, people, events, and history

On the life and paintings of Norman Rockwell

A collection of letters from a cross-section of Japanese citizens to a leading Japanese newspaper, relating their experiences and thoughts of the Pacific War.

Less celebrated than their male counterparts, women have been vital contributors to the arts. Works by women of the colonial era represent treasured accomplishments of American culture and still impress us today, centuries after their creation. The breadth of creative expression is as impressive as the women themselves. In American Colonial Women and Their Art: A Chronological Encyclopedia, Mary Ellen Snodgrass follows the history of creative expression from the early 1600s to the late 1700s. Drawing upon primary sources—such as letters, diaries, travel notes, and journals—this timeline encompasses a wide variety of artistic accomplishment, such as: Stitchery, quilting, and rug hooking Painting, sculpture, and sketches Essays, poems, and other writings Dance, acting, and oratory Musical composition and performance Individual talents highlighted in this volume include miniature portraits by Mary Roberts, pastel likenesses by Henrietta Dering Johnston, stagecraft by Elizabeth Sampson Sullivan Ashbridge, basketry by Namumpum Weetamoo, dance by Mary Stagg, metalwork by blacksmith Elizabeth Hager Pratt, calligraphy by Anna “Anastasia” Thomas Wüster, city planning by Deborah Dunch Moody, poems and essays by Phillis Wheatley, and fabric design by Anne Pogue McGinty. Featuring appendices that list individuals by skill and by state—as well as a glossary that clarifies the parameters of genres—this volume is essential to the study of Colonial women’s art. Resurrecting the efforts of women to record, adorn, and illustrate the spirit of their times, American Colonial Women and Their Art is a valuable resource that will be of interest to students and scholars of gender and women’s studies, art history, and American history.