Collects pages from the private sketchbooks of architects and studios from around the world, and includes comments from the artists as well as details on how they use sketching to evolve inspirations and concepts into more developed ideas.

This exhibition, which was held at Ivorypress Art+Books in September 2009, featured 200 drawings by Norman Foster. This catalogue includes the exhibited drawings as well as texts of a series of paneled discussions which were mediated by LuÃÂs Fernández Galiano, with contributions from Norman Foster, Richard Long, Deyan Sudjic, Not Vital, Ricky Burdett, Jordi Gual, Saskia Sassen, Stefan Behling and Herbert Girardet. This catalogue is the first in a series devoted to architecture relating to art, sustainability and economy.

"'Norman Foster Talking and Writing' brings together, for the very first time, a selection of Norman Fosters most seminal lectures and essays. Spanning four decades, the publication is a comprehensive compilation of Fosters thoughts on architecture, urbanism, design, and technology and also compiles detailed descriptions of the development of some of Foster + Partners most influential projects. The publication presents a selection of lectures and essays alongside the original slides used in each of their presentations, spanning from the 1960s to the early 2000s, in what will surely be a point of reference for students, practitioners, and lovers of architecture for years to come" -- Amazon.com.

This second edition is fully revised and updated and includes new chapters on sustainability, history and archaeology, designing through drawing and drawing in architectural practice. The book introduces design and graphic techniques aimed to help designers increase their understanding of buildings and places through drawing. For many, the camera has replaced the sketchbook, but here the author argues that freehand drawing as a means of analyzing and understanding buildings develops visual sensitivity and awareness of design. By combining design theory with practical lessons in drawing, Understanding Architecture Through Drawing encourages the use of the sketchbook as a creative and critical tool. The book is highly illustrated and is an essential manual on freehand drawing techniques for students of architecture, landscape architecture, town and country planning and urban design.

Despite being at the forefront of high-tech innovation in architecture, Chris Wilkinson obe ra is an architect who believes passionately in the importance of drawing by hand. Where many practices are now dominated by computeraided design, Wilkinson still uses drawing as a way to think through ideas, to grapple with design problems and as a tool of communication. This volume brings together images selected from twenty years of Wilkinson's sketchbooks, presenting a fascinating record not just of draughtsmanship but of the creation of architectural narrative. Covering every stage of the design process, this unique insight into the working drawings of a hugely influential architect includes sketches for many of his practice's most groundbreaking works - from structures for the London Olympics to the restoration and reconstruction of the three Grade II listed gas holders in Kings Cross, London - as well as a gazetteer with photographs of the final projects. Chris Wilkinson: Sketchbooks is both an essential purchase for anyone interested in the development of architectural draughtsmanship and a powerful demonstration of its importance.

"The nature of colour should change -no longer just a thin layer of change, but something that genuinely alters perception" -this stipulation of Rem Koolhaas is echoes by the world famous architects and designers Alessandro Mendini and Norman Foster. In this volume, they present between them a total of 90 colours -each covering half a page -accompanied by comments on the background, the significance and the applications of the colours. Studies of colours from each office form the basis of this book, and were previously only available in extravagant individual editions. With this comprehensive and consistent presentation of the varying approaches to colour, we have a compendium which shows the wide use of colour in today's technologically advanced architecture with its modern, post-modern and deconstructive orientation. The range of examples of the colours in practice includes load-bearing structures, facades, interior design, furnishing and the entire specturm of product design.