The lovely and descriptive writing entices the reader to read each chapter at first glance. The narrative begins when the early express trains from Montreal to Portland, Maine, get congested. Mr. Richard Gilbert, an attorney from New York, arrived five minutes early and found only one empty seat near the door. When Mr. Gilbert took over the place, a crusty old farmer grabbed the top and pushed it violently toward the window in anger. And Mr. Gilbert, pleased with himself for getting a spot near the stove, opened the soggy Montreal True Witness and settled down for a reading session. He opened the main article, read three paragraphs, and hadn't returned to it since. When the door opened, the March wind howled, the March rain poured in, and Mr. Richard Gilbert lifted his eyes to see a new passenger at the doorway. It was written by May Agnes Fleming, one of the first Canadians to achieve great success in her field as a well-known fiction author.

Reproduction of the original: Norine's Revenge and Sir Noel Heir's by May Agnes Fleming

Reprint of the original, first published in 1875.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Excerpt from Norine's Revenge, And, Sir Noel's Heir She was tall, she was slim, she was dark, she had long loose, curly black hair, falling to her waist, and two big, bright, black, Canadian eyes, as lovely eyes as the wide earth holds. She stood there in the doorway, faltering, frightened, irresolute, a very picture - the color coming and going in the youthful, sensitive face, the luminous brown eyes glancing like the eyes of a startled bird. She stood there, laden with bundles, bandboxes, and reticules, and holding a little blinking spaniel by a string. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Romance and the Erotics of Property examines contemporary popular romance from a number of different points of view, probing for codes and subtexts that sometimes exploit and sometimes contradict its surface tale of romantic attraction, frustration, longing, and fulfillment. Cohn argues that a full understanding of the contemporary romance requires an investigation of its literary and historical sources and analogues. Three principal sources are examined in the context of women's history in bourgeois society. Pride and Prejudice, Jane Erye, and Gone With the Wind demonstrate the development of romance fiction's themes, yet in all three the central love story is complicated by issues of property, the sign of male power. Jan Cohn further considers the development of the genre n the fictions of Harriet Lewis and May Agnes Fleming, prolific and popular American romance writers of the late nineteenth century who developed the role of the villain, thereby bringing into focus the sexual and economic struggles faced by the heroine. Romance and the Erotics of Property sets romance fiction against a historic and literary background, arguing that contemporary romance disguises as tales of love the subversive fantasies of female appropriation and male property and power.