According to the Secretary-General of the UN, Ban Ki-moon, the countries of the Nordic Region are the strongest countries in the UN’s 70-year history. “This is a fact that commands respect and strengthens you as a region,” he said. The individuals in this book, all of whom are active in various international arenas, are testament to the great interest in the Nordic Region and the fact that the global Nordic voice is now perhaps more important than ever.

Scandinavian Homosexualities offers non-Scandinavian readers a rare opportunity to explore the history, sociology, notions, experiences, and cultural politics of homosexuality in Scandinavian societies in English. This unique insight into some of the most advanced countries in regard to institutionalized civil rights for lesbians and gays will help you direct change and progress in your own country. Chapters in Scandinavian Homosexualities draw from a range of theoretical and methodological strands to give you an overall picture of homosexuality in Scandinavian society. They cover a wide range of issues, including: traditions and practices in the legal regulation of same-sex sexuality the historically changing understanding of femininity and masculinity physical, social, and cultural niches of same-sex desire and sexual conduct theoretical approaches to individual experiences of sexual and erotic self In Scandinavian Homosexualities, you’ll come to see the cultural and social differences that exist between Scandinavian and Anglo-American societies. Specifically, you’ll see how differences in the culture of gender and sexuality may bear upon our scholarly theories and conceptualizations of homosexuality and on our analysis of sexual and gender politics. In many of the chapters there is, thus, an agenda to encourage comparisons among Western societies. The Scandinavian countries are among the most advanced in the world with regard to institutionalized civil rights of lesbians and gays. They are also, which is relevant for analyses of sexuality and homosexuality, societies where men and women are exceptionally equal in access to social, economic, and cultural resources. You can directly apply what you learn in Scandinavian Homosexualities of the cultural specificities of gender and sexuality in Scandinavian societies to your efforts to establish equality for same-sex relationships within your own culture.

Afro-Nordic Landscapes: Equality and Race in Northern Europe challenges a view of Nordic societies as homogenously white, and as human rights champions that are so progressive that even the concept of race is deemed irrelevant to their societies. The book places African Diasporas, race and legacies of imperialism squarely in a Nordic context. How has a nation as peripheral as Iceland been shaped by an identity of being white? How do Black Norwegians challenge racially conscribed views of Norwegian nationhood? What does the history of jazz in Denmark say about the relation between its national identity and race? What is it like to be a mixed-race black Swedish woman? How have African Diasporans in Finland navigated issues of race and belonging? And what does the widespread denial of everyday racism in Nordic societies mean to Afro-Nordics? This text is a must read for anyone interested in issues of race in the Nordic region and Europe writ large. As Paul Gilroy writes in his foreword, it is a book that "should be studied with care and profit inside the Nordic countries and also outside them by the broader international readership that has been established around the study of racism and 'critical race theory'."

A Unique Speculative Fiction Collection From The Nordic Countries Storytelling has been a major force in the Nordic countries for thousands of years, renowned for its particular sense of dark humour, featuring pacts with nature and a view of the world you seldom find in other places. Perhaps it is the freezing cold winter? The closeness to the Atlantic Ocean and the Arctic? Maybe it’s the huge ancient forests... Most have heard about Nordic crime fiction with its dark noir flare or the Icelandic Sagas. This anthology combines all that is unique about Nordic speculative fiction, from the darkest dystopian science fiction to terrifying horror. From the rational to the eccentric, these stories combine a deep sense of place with social criticism, themes of loneliness and the concern for humanity's impact on the wilderness. Featuring 16 stories from the best contemporary speculative authors from Finland, Sweden, Denmark, Norway, Iceland, and The Faroe Islands, including John Ajvide Lindqvist, Hannu Rajaniemi, Tor Åge Bringsværd and more, many of which are appearing in English for the very first time.

Historically, English-language readers have been great fans of European literature, and names like Franz Kafka, Gustave Flaubert, and Thomas Mann are so familiar we hardly think of them as foreign at all. What those writers brought to English-language literature was a wide variety of new ideas, styles, and ways of seeing the world. Yet times have changed, and how much do we even know about the richly diverse literature being written in Europe today? Best European Fiction 2010 is the inaugural installment of what will become an annual anthology of stories from across Europe. Edited by acclaimed Bosnian novelist and MacArthur “Genius-Award” winner Aleksandar Hemon, and with dozens of editorial, media, and programming partners in the U.S., UK, and Europe, the Best European Fiction series will be a window onto what’s happening right now in literary scenes throughout Europe, where the next Kafka, Flaubert, or Mann is waiting to be discovered. List of contributors Preface: Zadie Smith Introduction: Aleksandar Hemon Ornela Vorpsi (Albania): from The Country Where No One Ever Dies Antonio Fian (Austria): from While Sleeping Peter Terrin (Belgium: Dutch): from "The Murderer" Jean-Philippe Toussaint (Belgium: French): "Zidane's Melancholy" Igor Stiks (Bosnia): "At the Sarajevo Market" Georgi Gospodinov (Bulgaria): "And All Turned Moon" Neven Usumovic (Croatia): "Veres" Naja Marie Aidt (Denmark): "Bulbjerg" Elo Viiding (Estonia): "Foreign Women" Juhani Brander (Finland): from Extinction Christine Montalbetti (France): "Hotel Komaba Eminence" (with Haruki Murakami) George Konrád (Hungary): "Jeremiah's Terrible Tale" Steinar Bragi (Iceland): "The Sky Over Thingvellir" Julian Gough (Ireland: English): "The Orphan and the Mob" Ornaní Choileáin (Ireland: Irish): "Camino" Giulio Mozzi (AKA Carlo Dalcielo) (Italy): "Carlo Doesn't Know How to Read" Inga Abele (Latvia): "Ants and Bumblebees" Mathias Ospelt (Liechtenstein): "Deep In the Snow" Giedra Radvilaviciute? (Lithuania): "The Allure of the Text" Goce Smilevski (Macedonia): "Fourteen Little Gustavs" Stephan Enter (Netherlands): "Resistance" Jon Fosse (Norway): "Waves of Stone" Michal Witkowski (Poland): "Didi" Valter Hugo Mãe (Portugal): "dona malva and senhor josé ferreiro" Cosmin Manolache (Romania): "Three Hundred Cups" Victor Pelevin (Russia): "Friedmann Space" David Albahari (Serbia): "The Basilica