A down-to-earth dog meets a celestial cat from another planet. After overcoming their differences, they work together to fulfill their mission of helping earth animals in need of loving homes.

The second book in the series, Norbert: What Can Little YOU Do?, is a children's picture book inspired by a real 3-pound registered therapy dog and his friends: Colin, Malia, Alondra, Jeanie and Lucy. The book gives us a deeper look into the life of Norbert as a therapy dog and includes inspiring stories from real people & friends who also make a positive difference in the world. This book is a follow-up to the international award-winning picture book "Norbert: What Can Little Me Do?"

Meet Ace and Bub, the flying beaver brothers! Ace loves extreme sports and is always looking for a new adventure. Bub loves napping and, well, napping. But when penguins threaten to freeze Beaver Island for "resort and polar-style living," the brothers put their talents to work saving their tropical island paradise. Can they save Beaver Island from environmental destruction? And can they do it in time to still win the annual Beaver Island Surfing Competition?

Norbert, the internet’s most popular therapy dog whose “cuteness is transcendent” (Time), shares the lessons he’s learned from being a three-pound hero and philanthropist, demonstrating that you don’t need to be big to make a big difference in the world. Philosopher, intuitive healer, and fashion-forward snappy dresser, Norbert the tiny, mixed-breed therapy dog with a big heart shares his lessons on friendship, individuality, family, love, and more to help you shift your perspective and focus on what really matters in life. With fifty adorable full-color photographs throughout the book, Norbert aims to continue spreading smiles, inspiring kindness, and bringing comfort to those in need.

In a crucial shift within posthumanistic media studies, Bernhard Siegert dissolves the concept of media into a network of operations that reproduce, displace, process, and reflect the distinctions fundamental for a given culture. Cultural Techniques aims to forget our traditional understanding of media so as to redefine the concept through something more fundamental than the empiricist study of a medium’s individual or collective uses or of its cultural semantics or aesthetics. Rather, Siegert seeks to relocate media and culture on a level where the distinctions between object and performance, matter and form, human and nonhuman, sign and channel, the symbolic and the real are still in the process of becoming. The result is to turn ontology into a domain of all that is meant in German by the word Kultur. Cultural techniques comprise not only self-referential symbolic practices like reading, writing, counting, or image-making. The analysis of artifacts as cultural techniques emphasizes their ontological status as “in-betweens,” shifting from firstorder to second-order techniques, from the technical to the artistic, from object to sign, from the natural to the cultural, from the operational to the representational. Cultural Techniques ranges from seafaring, drafting, and eating to the production of the sign-signaldistinction in old and new media, to the reproduction of anthropological difference, to the study of trompe-l’oeils, grids, registers, and doors. Throughout, Siegert addresses fundamental questions of how ontological distinctions can be replaced by chains of operations that process those alleged ontological distinctions within the ontic. Grounding posthumanist theory both historically and technically, this book opens up a crucial dialogue between new German media theory and American postcybernetic discourses.