In postwar Sri Lanka, a hired driver observes his passengers—tourists, soldiers, businessmen, and others—in these linked stories by a “master storyteller” (The New York Times). Vasantha retired early, bought himself a van, and now works as a driver for hire. As he drives through Sri Lanka, carrying aid workers, entrepreneurs, and visiting families; meeting lonely soldiers and eager hoteliers, he engages them with self-deprecating wit and folksy wisdom—while revealing to us their uncertain lives with piercing insight. On his journey from the army camps in northern Jaffna to the moonlit ramparts of Galle, in the south, Vasantha slowly discovers the depth of his country’s troubles—as well as his own—while catching a glimmer of the promise the future might hold. From the Booker Prize–shortlisted author of Reef comes a collection of “gracefully crafted road stories” that draws a potent portrait of postwar Sri Lanka and the ghosts of civil war (TheGuardian). Praise for Romesh Gunesekera “Monkfish Moon strikes the reader like a hammer blow. . . . Gunesekera’s subtly erotic prose animates Sri Lanka’s natural luxuriance, veined with menace.” —Voice Literary Supplement

Vasantha is a van driver for hire, ferrying aid workers, returning exiles, and tentative entrepreneurs across the battle-scarred landscapes of Sri Lanka. The civil war is finally over, but the traumas of the past are still haunting. Behind the facade of peace we are made to remember the war: mysterious hoteliers conceal scars under their collars; genial old soldiers are secretly identified as perpetrators of brutal crimes; young Sinhalese men pine after Tamil girls whose brothers died by their hands. Vasantha keeps his own counsel, lingering on the periphery of his passengers' stories, but as time goes on he reveals a little of his own story too. Perceptive, sombre and finely-tuned, Noontide Toll paints an extraordinary portrait of a post-war Sri Lanka grappling with the ghosts of its troubled past.

‘A driver’s job is to stay in control behind the wheel and that is all. The past is what you leave as you go. There is nothing more to it.’ Vasantha retired early, bought himself a van with his savings and now works as a driver for hire in Sri Lanka. As he ferries new entrepreneurs, charity workers and itinerant families around the country, he reveals with self-deprecating wit and folksy wisdom their uncertain lives after the end of a decades-long war. On his journey from the army camps of the north to the moonlit beaches of the south, he begins to wonder if the past can be left behind—especially his own, and his country’s—and what the future might hold for a lovelorn soldier out on the ramparts, a fast-moving hotelier in a bombed-out town, an eager Jaffna student of Italian, or a desperate librarian of empty shelves? A superb collection of interlinked stories—perceptive, sombre, finely tuned—Noontide Toll draws an extraordinary portrait of post-war Sri Lanka grappling with the ghosts of its troubled past.

From The Author Of Reef, Shortlisted For The Booker Prize, Comes A Stunning New Novel And A Masterpiece Of Storytelling. Profoundly Moving And Often Sharply Funny, The Sandglass Unravels The Many Stories Of Transformation, Disappearance And Loss That Haunt The Ducal Family From The Moment Pearl S Husband Purchases His Dream-House-Arcadia-Which Lies At The Centre Of Both The Vatunas Estate And A Bitter Feud. It Follows Pearl S Courageous Flight From Her Homeland And Traces The Consequences Of Her Children S Efforts To Find Their Own Dreamlands In England, America And Modern-Day Sri Lanka. The Sandglass Is An Intricate Novel Of Love And Longing That Transforms The World We Know Into One We Wish To Know More About; A World In Which Hope Has To Survive The Darkest Truths.

As a teenager from Sri Lanka, Sunny is living the typical life of an expatriate in 1970s Manila—a privileged, carefree existence—until one day when the secret behind his mother's tragic death years earlier is accidentally revealed to him, turning Sunny's world upside down. His life takes a series of unexpected turns—first in England, where he falls in love with the luminous Clara, and later in Sri Lanka, where he returns during a brief lull in the country's brutal ethnic war. Reminiscent of V.S. Naipaul in his nuanced treatment of the melancholy of exile, Gunesekera takes the reader on an utterly absorbing journey across the late twentieth-century postcolonial world. Spanning three continents and thirty years, The Match is a "beautiful and atmospheric" (Irish Times) exploration of the nature of loss and displacement, the search for identity and love, and the possibility, in the end, of redemption and renewal.

The internationally celebrated (and Booker Prize–shortlisted) author returns with a dazzling coming-of-age story set in post-independence Sri Lanka "A master storyteller." —The New York Times Ceylon is on the brink of change. But young Kairo is at loose ends. School is closed, the government is in disarray, the press is under threat, and the religious right are flexing their muscles. Kairo's hardworking mother blows off steam at her cha-cha-cha classes; his Trotskyist father grumbles over the state of the nation between his secret bets on horse races in faraway England. All Kairo wants to do is hide in his room and flick through secondhand westerns and superhero comics, or escape on his bicycle and daydream. Then he meets the magnetic teenage Jay, and his whole world is turned inside out. A budding naturalist and a born rebel, Jay keeps fish and traps birds for an aviary he is building in the garden of his grand home. As Jay guides Kairo from the realm of make-believe into one of hunting guns and fast cars and introduces him to a girl— Niromi—Kairo begins to understand the price of privilege and embarks on a journey of devastating consequence. Taut and luminous, graceful and wild, Suncatcher is a poignant coming-of-age novel about difficult friendships and sudden awakenings set among the tumult of 1960s Sri Lanka, that confirms Gunesekera's status as one of today's most lyrical writers.

Lucy Gladwell arrives in Mauritius from England to live with her aunt and uncle at their grand plantation house. Under the surface of this beautiful island paradise, poised between India and Africa, there is unease, and Lucy cannot help but feel discomfited by the restrictions she sees around her, and by the strangely attractive Don Lambodar, a young translator from Ceylon. It is 1825: the age of slavery is coming to its messy end, and word is lapping against the shores of the island of a charismatic new Indian leader who will shine the light of liberty. For Lucy, for Don, for everyone on the island, a devastating storm is coming...