Subtle and haunting, Noon is the story of Rehan Tabassum, a young man who has seen a childhood of uncertainty, and whose vulnerability has rendered him a gaze so keen that it divines easily the shifts around him: his mother and her new husband, the emergence of a dazzling new India, the retreat of the old, muted order of dust and shortages, and the swell of a suppressed people. In this uncompromising yet unexpectedly tender third book, Aatish Taseer maps a difficult period in India and Pakistan, a period of deep upheavals, whose true direction is elusive. By presenting Rehan's journey through lands of sudden wealth and hidden violence, in an atmosphere of political quicksand and moral danger, Taseer brings us into closer contact with a world experiencing convulsive change. Stark, brave, and absolutely compelling, Noon confirms Aatish Taseer as a writer of emotional acuity and great intellectual gift.

A broken-winged angel trying to get home. Her escort a nocturnal huntress with a bloody past. It will be a dangerous journey - monsters are everywhere and the truly dangerous ones hide in plain sight. Alone since her father's brutal murder, Aurora has spent years hunting his killers. Battle-weary she's ready to start over where no one knows who or what she is - she just has one last mission. Everything is going to plan until she discovers the beautiful winged girl caged underground. Her decision to rescue Evie and to help her get home safely, despite avians being infamous for selling out shapeshifters like Aurora to cutters and black-market flesh dealers, will put her on a perilous path. As the women travel together their attraction grows but Aurora is guarding her lonely heart almost as much as her dangerous secrets and Evie is struggling to accept how important Aurora has become to her. When their enemies conspire to kill them, they may be each other's only hope. Aurora is powerful but she's also emotionally scarred and it will be up to Evie to save her from herself and to fight for them - or innocent people will die along with the guilty ones and Aurora will disappear from Evie's life forever.

The true story of England’s worst traitor is the backbone of this thrilling novel about love and deception behind enemy lines Harry Cole’s rakish charm carries him all the way from London’s East End to Hong Kong, where he chauffeurs a local colonel—when he’s not bedding the man’s wife. With the Imperial Japanese Army about to spoil the fun, Harry quits the East, settling in France just before the Nazis take over. His timing might need a little work, but he’s found the perfect cover—as the debonair Captain Mason of the British Special Operations Executive, Harry plans to stay out of the way until the war is over, and maybe make a little money in the meantime. It’s all going perfectly until a beautiful French nurse convinces Harry to stick his neck out for what is right. He finds that aiding the Resistance is just the kind of high-wire act he was born to perform, and with Odile’s support he grows bolder and more creative than ever. But the two lovers are operating in a den of deception, and risk crossing the wrong person at every turn. Sure enough, by war’s end Harry Cole is facing the one charge that even he might not be able to talk his way out of: treason. Blue Noon is the 2nd book in the Secret War Trilogy, which also includes Early One Morning and Night Crossing.

From Homer and Shakespeare to Toni Morrison and Jonathan Safran Foer, major works of literature have a great deal to teach us about two of life’s most significant stages—growing up and growing old. Distinguised scholar Arnold Weinstein’s provocative and engaging new book, Morning, Noon, and Night, explores classic writing’s insights into coming-of-age and surrendering to time, and considers the impact of these revelations upon our lives. With wisdom, humor, and moving personal observations, Weinstein leads us to look deep inside ourselves and these great books, to see how we can use art as both mirror and guide. He offers incisive readings of seminal novels about childhood—Huck Finn’s empathy for the runaway slave Jim illuminates a child’s moral education; Catherine and Heathcliff’s struggle with obsessive passion in Wuthering Heights is hauntingly familiar to many young lovers; Dickens’s Pip, in Great Expectations, must grapple with a world that wishes him harm; and in Marjane Satrapi’s autobiographical Persepolis, little Marjane faces a different kind of struggle—growing into adolescence as her country moves through the pain of the Iranian Revolution. In turn, great writers also ponder the lessons learned in life’s twilight years: both King Lear and Willy Loman suffer as their patriarchal authority collapses and death creeps up; Brecht’s Mother Courage displays the inspiring indomitability of an aging woman who has “borne every possible blow. . . but is still standing, still moving.” And older love can sometimes be funny (Rip Van Winkle conveniently sleeps right through his marriage) and sometimes tragic (as J. M. Coetzee’s David Lurie learns the hard way, in Disgrace). Tapping into the hearts and minds of memorable characters, from Sophocles’ Oedipus to Artie in Art Spiegelman’s Maus, Morning, Noon, and Night makes an eloquent and powerful case for the role of great literature as a knowing window into our lives and times. Its intelligence, passion, and genuine appreciation for the written word remind us just how crucial books are to the business of being human.

Made in 1951, High Noon rapidly became one of the most celebrated and controversial Hollywood dramas of the post-war period. A grave, taut western about community and violence, High Noon collected a clutch of Oscars, helped to re-establish the dwindling fortunes of its star, Gary Cooper, and confirmed the stature of director Fred Zinnemann and producer Stanley Kramer. The film was also a flashpoint for the conflict between the US film industry and McCarthyite anti-communism: writer and associate producer Carl Foreman was hounded off the production and blacklisted. Phillip Drummond offers a detailed account of High Noon's troubled production context and its early public reception, along with career-summaries of the key participants. He analyzes the dramatic organization of the film with close reference to the original short story and Carl Foreman's script, and concludes with an invaluable overview of the long history of critical debates, focusing on questions of social identity and gender. The result is a fresh and nuanced reading of a major classic. Phillip Drummond is Lecturer in Film and Media Studies at the Institute of Education, University of London, UK.