This book offers a detailed political history of Rhodes from the foundation of the Rhodian republic in the fifth century B.C. to the conclusions of Rhodes' alliance with Rome in the second, a period in which Rhodes was a major Mediterranean power. Richard M. Berthold provides a complete account of Rhodian foreign affairs, exploring the principles and reasons behind Rhodes' foreign policy decisions. He traces Rhodes' history through the stormy years of the fourth century to the independence and prosperity of the third, arguing that Rhodes achieved economic and political success by pursuing a course of studied neutrality. Berthold maintains that Rhodes did not willfully abandon its neutral stance during the second century, but rather was forced by events to support Rome, a posture that ultimately led to Rhodes' loss of independence.

In this single-volume history, R. Malcolm Errington provides a modern account of the political and social framework of ancient Macedon. He places particular emphasis on the structure of the Macedonian state and its functioning in different stages of historical development from the sixth to the second century B.C. Errington's main emphasis is not on the biographies of the great kings but rather on the flexible political interplay between king, nobility, and people; on the growth of cities and their political function within the state; and on the development of the army as a motor of military, social, and politicalchange.

Planning and management for tourism growth is becoming essential in the context of sustainable development. Particularly so since many tourist destinations are facing severe pressures from tourist flows and activities. Such pressures are evidenced in terms of dysfunctions (congestion, environmental degradation, etc) which ultimately affect the attraction and competitiveness of tourism destinations. The development of tourism should be considered in accordance with sustainability principles. In this context respecting the capacity of the local system to sustain growth becomes a key challenge. This book examines the use of various tools to define, measure and evaluate tourism carrying capacity (TCC) - a tool aiming to impose limits for entering certain tourist destinations or using certain activities. Drawing on case studies from France, Spain, Italy, Greece, the UK, the Netherlands, Ireland, Belgium, Austria, Germany and Finland, it presents practical experiences of implementing TCC in various tourist destinations (i.e. historic towns, coastal zones, islands, etc). It draws conclusions regarding the measurement and implementation of TCC assessment and provides further guidelines towards a comprehensive methodological framework for assessing tourism sustainability in the future.

James Howard-Johnston here focuses on the last great war of antiquity, that between East Rome and Sasanian Persia (603-628) which brought the classical phase of west Eurasian history to a dramatic close. He strives to root history in close observation of

The art and architecture of Greece and Rome lie at the heart of the classical tradition of the western world and their legacy is so familiar as to have become commonplace. The legacy may appear simple, but the development of classical art in antiquity was complex and remarkably swift. It ranfrom near abstraction in eighth-century BC Greece, through years of observation and learning from the arts of the non-Greek world to the east and in Egypt, to the brilliance of the classical revolution of the fifth century, which revealed attitudes and styles undreamt of by other cultures. AfterAlexander the Great this became the art of an empire, readily learned by Rome and further developed according to the Romans' special character and needs until it provided the idiom for the imaging of Christianity. In this book the story of this pageant of the arts over some 1500 years is told by five leading scholars. Their aim has been to demonstrate how the arts served very different societies and patrons-tyrannies, democracies, empires; the roles and objectives of the artists; the way in which theclassical style was disseminated far beyond the borders of the Greek and Roman world; but especially the splendour and quality of the arts themselves. And their method is to engage the interest of the reader by a rich succession of illustrations on to which the narrative is woven.