A history of the 7th Infantry from the Korean War to current conflicts in the Middle East presents its story from the perspectives of its infantrymen, explaining the author's perspectives on how the 7th particularly embodies the nation's military traditions.

Today's moviegoers and critics generally consider some Hollywood products--even some blockbusters--to be legitimate works of art. But during the first half century of motion pictures very few Americans would have thought to call an American movie "art." Up through the 1950s, American movies were regarded as a form of popular, even lower-class, entertainment. By the 1960s and 1970s, however, viewers were regularly judging Hollywood films by artistic criteria previously applied only to high art forms. In Hollywood Highbrow, Shyon Baumann for the first time tells how social and cultural forces radically changed the public's perceptions of American movies just as those forces were radically changing the movies themselves. The development in the United States of an appreciation of film as an art was, Baumann shows, the product of large changes in Hollywood and American society as a whole. With the postwar rise of television, American movie audiences shrank dramatically and Hollywood responded by appealing to richer and more educated viewers. Around the same time, European ideas about the director as artist, an easing of censorship, and the development of art-house cinemas, film festivals, and the academic field of film studies encouraged the idea that some American movies--and not just European ones--deserved to be considered art.

A professor, historian and contributor to World War II magazine describes the history of the American soldier during four decades of warfare, from the Battle of the Bulge to counterinsurgency combat in Iraq.

Bob Buford's Halftime shows how men can make their middle years a time of transformation toward a more satisfying -- and significant -- life.