Early in Brooke Champagne’s childhood, her Ecuadorian grandmother Lala (half bruja, half santa) strictly circumscribed the girl’s present and future: become beautiful but know precisely when to use it; rationalize in English but love in God’s first language, the superior Spanish; and if you must write, Dios help you, at least make a subject of me. Champagne’s betrayal of these confounding dictates began before they were even spoken, and she soon started both writing and hiding the truth about whom she was becoming. The hilarious, heartbreaking essays in this collection trace the evolutions of this girlhood of competing languages, ethnicities, aesthetics, politics, and class constraints against the backdrop of a boozy New Orleans upbringing. In these essays, Champagne and members of her family love poorly and hate well, whip and get whipped, pray and curse in two languages, steal from The Man and give to themselves, kiss where it hurts, poke where it hurts worse, and keep and spill each other’s secrets—first face-to-face, then on the page. They believe and doubt and reckon with the stories they tell about themselves and where they come from, finally becoming most human, most alive, in their connections to one another.

"Nola Face is a collection of twenty-two essays that tell the story of the author's life and her time growing up in New Orleans. It describes her family as well as cultural and political contexts. The essays are reflective of Champagne's experience as a mixed race person, and pose important questions about racial identity, marriage, and family. The essays offer readers a diverse array of styles and emotions and are an emotional and transportive reflection on the past and our relationship with it"--

An amnesiac girl explores an enchanting underground world filled with sinister secrets in this YA fantasy from the award-winning author of The Lie Tree. In the underground city of Caverna, the world’s most skilled craftspeople toil in the darkness to create delicacies beyond compare—wines that remove memories, cheeses that make you hallucinate, and perfumes that convince you to trust the wearer, even as he slits your throat. On the surface, the people of Caverna seem ordinary, except for one thing: their faces are as blank as untouched snow. Expressions must be learned, and only the famous Facesmiths can teach a person to express (or fake) joy, despair, or fear—at a steep price. Into this dark and distrustful world comes Neverfell, a girl with no memory of her past and a face so terrifying to those around her that she must always wear a mask. Neverfell’s expressions are as varied and dynamic as those of the most skilled Facesmiths, except hers are entirely genuine. And that makes her very dangerous indeed . . . Praise for A Face Like Glass An ALA/ALSC Notable Children’s Book “Hardinge is at the top of her game with this entrancing and action-packed adventure. Her voluptuous prose is full of sensory details and wildly imaginative descriptions, yet the world-building is controlled and gradually revealed. . . . VERDICT A compelling and triumphant follow-up to The Lie Tree for those who love to become immersed in a good story.” —School Library Journal, starred review “Using beautiful prose, Hardinge builds a richly imagined world that twists as much as the carefully orchestrated plot. Readers will eagerly follow noble Neverfell through its tunnels, marveling at the extraordinary sights and catching their breath at her daring escapades.” ―Booklist, starred review “Hardinge excels at wordplay and worldbuilding; witty but not trite, her utterly original setting and chaotic, fidgety protagonist anchor a cracking good story that raises important ideas surrounding the nature of friendship, the value of honesty, and the danger of too much.” ―Kirkus Reviews, starred review

The author of the bestselling novel The Party—lauded as “tense and riveting” by New York Times bestselling author Megan Miranda—returns with a chilling new domestic drama about two women whose deep friendship is threatened by dark, long-buried secrets. Frances Metcalfe is struggling to stay afloat. A stay-at-home mom whose troubled son is her full-time job, she had hoped that the day he got accepted into the elite Forrester Academy would be the day she started living her life. Overweight, insecure, and lonely, she is desperate to fit into the Forrester world. But after a disturbing incident at the school leads the other children and their families to ostracize the Metcalfes, she feels more alone than ever before. Until she meets Kate Randolph. Kate is everything Frances is not: beautiful, wealthy, powerful, and confident. And for some reason, she’s not interested in being friends with any of the other Forrester moms—only Frances. As the two bond over their disdain of the Forrester snobs and the fierce love they have for their sons, a startling secret threatens to tear them apart—one of these women is not who she seems. Her real name is Amber Kunik. And she’s a murderer. “Robyn Harding’s Her Pretty Face is a fierce and blazing one-sitting read that will make you question even your closest friendships” (Carter Wilson, USA TODAY bestselling author) and is perfect for fans of Liane Moriarty’s Big Little Lies and Lisa Jewell’s Then She Was Gone.

Since the late 1970s, Louisiana a state long known for outrageous politicians has witnessed a blossoming of the arts and their enthusiastic reception by a national, and even world-wide, audience. From John Kennedy Toole's A Confederacy of Dunces to James Lee Burke's detective Dave Robicheaux; from singers Fats Domino and Aaron Neville to jazz patriarch Ellis Marsalis and his music-making family; from George Rodrigue's blue dog to Chef Paul Prudhomme's transcendent cooking the list is long for Louisiana talent. Louisiana Faces documents in images and words the human texture of this remarkable renaissance, not only the painters, sculptors, chefs, musicians, poets, and writers who create the art, but also the ordinary people who in their daily and seasonal rhythms inform that art. Some are living legends, others well-kept secrets; all have a place, and a face, at the feast. Philip Gould confirms his own part in the renaissance with the 125 stunning portraits in Louisiana Faces. Gould's lively, poignant photographs capture a range of personalities in timeless settings that mirror the larger culture whether masked riders in a Cajun carnival or jazzmen playing a street funeral. Writer Jason Berry complements Gould's images with a probing, witty essay that explores the parallels between art and life. Using meld of interviews, anecdotes, history, and commentary, Berry treats outsized political figures and pop culture celebrities as a parade of inspiration for Louisiana artists.

From two-time Newbery Medalist Kate DiCamillo comes a story of discovering who you are — and deciding who you want to be. When Louisiana Elefante’s granny wakes her up in the middle of the night to tell her that the day of reckoning has arrived and they have to leave home immediately, Louisiana isn’t overly worried. After all, Granny has many middle-of-the-night ideas. But this time, things are different. This time, Granny intends for them never to return. Separated from her best friends, Raymie and Beverly, Louisiana struggles to oppose the winds of fate (and Granny) and find a way home. But as Louisiana’s life becomes entwined with the lives of the people of a small Georgia town — including a surly motel owner, a walrus-like minister, and a mysterious boy with a crow on his shoulder — she starts to worry that she is destined only for good-byes. (Which could be due to the curse on Louisiana's and Granny’s heads. But that is a story for another time.) Called “one of DiCamillo’s most singular and arresting creations” by The New York Times Book Review, the heartbreakingly irresistible Louisiana Elefante was introduced to readers in Raymie Nightingale — and now, with humor and tenderness, Kate DiCamillo returns to tell her story.

"I once ate more than eighty king cakes in a single Carnival," author Matt Haines proudly remembers, demonstrating his dedication to this delicious Mardi Gras tradition. "So you can imagine how amazed I was to learn there has never been a coffee table book dedicated to king cakes!" The Big Book of King Cake changes that, telling the thousands-year-old story through lush photography of more than one hundred and fifty unique king cakes, as well as stories from the diverse and talented bakers who make them. While king cakes are typically only available during Carnival season, readers can enjoy this book year-round. From the traditional cakes generations of New Orleanians have loved, to the unconventional creations that break all the rules, this book is your guide to the Crescent City's favorite baked good. The Big Book of King Cake is for anyone who loves food, history, sweets, culture, and of course, New Orleans.