“A clever, charming mystery that perfectly captures 1920s society . . . sure to appeal to fans of Ashley Weaver or Rhys Bowen.” —Shelf Awareness August 1924. Lady Adelaide Compton has recently (and satisfactorily) interred her husband, Major Rupert Charles Cressleigh Compton, hero of the Somme, in the family vault in the village churchyard. Rupert died by smashing his Hispano-Suiza on a Cotswold country road while carrying a French mademoiselle in the passenger seat. With the house now Addie's and a weekend house party underway, how inconvenient of Rupert to turn up! Not in the flesh, but in—actually, as a—spirit. Rupert has to perform a few good deeds before becoming welcomed to heaven—or, more likely, thinks Addie, to hell. Before Addie can convince herself she's not completely lost her mind, a murder disrupts her careful seating arrangement. Which of her twelve houseguests is a killer? Her mother, the formidable Dowager Marchioness of Broughton? Her sister Cecilia, the born-again vegetarian? Her childhood friend and potential lover, Lord Lucas Waring? Rupert has a solid alibi as a ghost and an urge to do some sleuthing. Addie knows she can't leave Rupert to solve the murders of her sweet old gardener and a naked neighbor by himself. Enter Inspector Devenand Hunter, an Anglo-Indian who is not going to let some society beauty who seems to talk to herself derail his investigation. Something very peculiar is afoot at Compton Court and he's going to get to the bottom of it. . . . “A lively debut filled with local color, red herrings, both sprightly and spritely characters, a smidgen of social commentary, and a climactic surprise.” —Kirkus Reviews

The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service,Bombay ,started on 22 december, 1935 and was the successor to the Indian Radio Times in english, which was published beginning in July 16 of 1927. From 22 August ,1937 onwards, it was published by All India Radio,New Delhi.In 1950,it was turned into a weekly journal. Later,The Indian listener became "Akashvani" in January 5, 1958. It was made a fortnightly again on July 1,1983. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes,who writes them,take part in them and produce them along with photographs of performing artists. It also contains the information of major changes in the policy and service of the organisation. NAME OF THE JOURNAL: The Indian Listener LANGUAGE OF THE JOURNAL: English DATE,MONTH & YEAR OF PUBLICATION: 07-12-1939 PERIODICITY OF THE JOURNAL: Fortnightly NUMBER OF PAGES: 80 VOLUME NUMBER: Vol. IV, No. 24. BROADCAST PROGRAMME SCHEDULE PUBLISHED(PAGE NOS): 1677-1684, 1687-1692, 1695-1744 ARTICLE: Dacca On The AIR AUTHOR: B. V. Baliga KEYWORDS: Inauguration of Dacca Radio Station, AIR, Governor Of Bengal, Radio Frequency Document ID: INL-1939 (J-D) Vol- II (12)

DIVVoices invade a young woman’s head, compelling her to kill/divDIV/divDIVWhen Nancy Kincaid comes into work, an unfamiliar woman tells her to leave. This is Nancy Kincaid’s office, the woman says, but you are not Nancy Kincaid. As Nancy protests, her memory grows fuzzy and her reason seems to slip away. None of her workmates recognize her, and she is distracted by a voice in her head that suggests she shoot them all./divDIV /divDIVEjected from her office, she collects herself in the park. A homeless man pesters her, mumbling that at eight o’clock—the animal hour—there is someone she has to kill. Over and over she tells him to leave, until she finds the pistol in her purse. She kills the bum and sets off a whirlwind of insane violence that will not stop until the animal hour comes to pass./div

This study of early sound shorts begins with an explanation of the development of sound motion pictures in Hollywood by such influential companies as Warner Bros. and Fox, with an emphasis on short subjects, leading up to the first few months when all of the major studios were capable of producing them. The next chapters discuss the impact on other mass entertainments, the development of audible news reels and other non-fiction shorts, as well as the origins of animated sound subjects. A comprehensive list of pre-1932 American-made shorts completes the volume.

Many of your favorite movie musicals are sure to be represented in this book. Classics like "Rose Marie" and "Calamity Jane" rub shoulders with "Artists and Models," "Babes on Broadway," "The Bohemian Girl," "The Inspector General" and "The Kid from Brooklyn." Bing and Bob are off on "The Road to Singapore," Eddie Cantor is involved in "Roman Scandals," while Mitzi Gaynor enjoys her stay in "South Pacific." Will Rogers, Jeanne Crain and Alice Faye all have a go in the various versions of "State Fair" and we catch Deanna Durbin in "Three Smart Girls," "Three Smart Girls Grow Up," "It Started with Eve" and "Something in the Wind." And that's just a small sampling of the wonders in store in "More Movie Musicals."

"These funny, filthy, and terrifically smart letters reveal him in a way that no biographer can." -- New York Newsday Guru of the Beat generation, éminence grise of the international avant-garde, dark prophet, and blackest of satirists, William S. Burroughs has had a range of influence rivaled by few living writers. This volume of his correspondence from 1945 to 1959 vividly documents the personal and cultural history through which Burroughs developed, revealing clues to illuminate his life and keys to open up his texts. More than that, it shows how letter-writing was itself integral to his life and to his fiction. Beginning as surprisingly formal notes from the road to his friends Allen Ginsberg and Jack Kerouac, the letters deepen in substance and style. Then, in Tangier, comes a dramatic shift in voice and vision and the explosive, distinctive letters that will become Naked Lunch. Letters were lifelines for Burroughs, the outcast; and works-in-progress for Burroughs, the writer; and, they track his turbulent journey across two decades and three continents. To read them as they were written is to experience a unique merging of life and letters, the extraordinary story of Williams S. Burroughs homme de lettres. "Unrelenting impact." -- Los Angeles Reader