Born in Tijuana to a Mexican father and an Anglo mother, Urrea moved to San Diego at age three. In this memoir of his childhood, Urrea describes his experiences growing up in the barrio and his search for cultural identity.

Magical tale of the unhappy things that happen to a hero who tries but fails in living happily ever after.

"I have never before read anything except Nabokov’s Speak, Memory that so relentlessly and shrewdly exhausted the kindness and cruelty of recollection’s shaping devices." —Geoffrey Wolff Born in Czechoslovakia, Mark Slouka’s parents survived the Nazis only to have to escape the Communist purges after the war. Smuggled out of their own country, the newlyweds joined a tide of refugees moving from Innsbruck to Sydney to New York, dragging with them a history of blood and betrayal that their son would be born into. From World War I to the present, Slouka pieces together a remarkable story of refugees and war, displacement and denial—admitting into evidence memories, dreams, stories, the lies we inherit, and the lies we tell—in an attempt to reach his mother, the enigmatic figure at the center of the labyrinth. Her story, the revelation of her life-long burden and the forty-year love affair that might have saved her, shows the way out of the maze.

Thomas feels like no matter what he does, he can’t escape Kyle’s persistent bullying. At school, at soccer—nowhere feels safe! “Mom said Kyle would grow over the summer and stop picking on me, but he didn’t grow up, he just grew.” With support from friends, classmates, and adults, Thomas starts to feel more confident in himself and his hobbies, while Kyle learns the importance of kindness to others. The book concludes with “activity club” pages for kids, as well as information to help parents, teachers, counselors, and other adults foster dialogue with children about ways to stop bullying.

By the Lake of Sleeping Children explores the post-NAFTA and Proposition 187 border purgatory of garbage pickers and dump dwellers, gawking tourists,and relief workers, fearsome coyotes and their desperate clientele. In sixteen indelible portraits, Urrea illuminates the horrors and the simple joys of people trapped between the two worlds of Mexico and the United States - and ignored by both. The result is a startling and memorable work of first-person reportage.

Born in a prison and removed from his drug-dependent mother, rejection is all that 7-year-old Alex knows. When Cathy is asked to foster little Alex, aged 7, her immediate reaction is: Why can't he stay with his present carers for the last month? He's already had many moves since coming into care as a toddler and he'll only be with her a short while before he goes to live with his permanent adoptive family. But the present carers are expecting a baby and the foster mother isn't coping, so Alex goes to live with Cathy. He settles easily and is very much looking forward to having a forever family of his own. The introductions and move to his adoptive family go well. But Alex is only with them for a week when problems begin. What happens next is both shocking and upsetting, and calls into question the whole adoption process.

Austin Boyd’s vivid writing plunges you into Appalachia with such descriptive realism that you taste the perfume of summer clover and melt into the tender heart of a young woman who would sacrifice anything for Daddy. Hearkening to the myth of Pandora’s Box, Nobody’s Child sweeps you into a world where unprecedented choices never intended by heaven lead to unintended consequences never before seen on earth. Meet… Laura Ann McGehee—Determined to honor her father’s dying request, the young West Virginia woman will do whatever it takes to save the family farm, including using the one remaining financial resource she has—her body. Sophia McQuistion—Thanks to the unusual sacrifice of a woman she has never met, she carries the child she could never conceive. Ian Stewart—In Laura’s time of need, he’s more than just a close friend. He is a source of grace, a man who loves Laura Ann through her many trials. When unusual circumstances place Sophia’s baby in Laura Ann’s care, Laura Ann is now the virgin mother of her own biological son. The media call him “Nobody’s Child.” But somebody wants him badly enough to steal him. Weaving together bioethics and faith, Nobody’s Child dramatizes a future that is already upon us with consequences we can no longer avoid.