On a Thursday evening in late October 2009, Cleveland Police detectives arrived at the home of Anthony Sowell—an ex-Marine and a registered sex offender—to arrest him on week-old rape charges. But this was no ordinary house, nor would it be a routine arrest. For even though Sowell was not at home, officers knew immediately something was horribly wrong. After initially finding two rotting corpses inside the home, their investigation would lead them to discover the bodies of eleven women. This is the shocking true account of Sowell’s legacy of depravity and cold-blooded murder. His mannered and well-spoken veneer masked a monster who felt no mercy for those he butchered. His twisted existence spent among the decaying bodies of his victims. And how he picked his victims from the fringes of society—lost souls with criminal records or drug habits that would make them less likely to arouse alarm if they simply disappeared. But that didn’t mean they wouldn’t be avenged… INCLUDES PHOTOGRAPHS

A compelling story that tingles with drama, tension and an overwhelming sense of love. Perfect for the fans of Jo Cox and Rosie Goodwin. The boom years immediately after the Great War bring nothing but happiness for wealthy industrialist Wigmore Stratfield-Whyte and his wife Clarissa – until tragedy robs them of their greatest treasure. Many years later, an horrific fatal accident brings young Meg Chandler, a spirited farmer's daughter, into their lives. Meg wants nothing to do with them, but Clarissa is drawn irresistibly towards the bereaved girl and will move heaven and earth to help her. Will Meg allow Clarissa into her own shattered life, and can the two share a future happiness together? And will Meg's new acquaintances bring her the contentment she craves – or seek to destroy her? Set in the Kent countryside in the years leading up to the Second World War, this compelling saga tingles with drama, tension and an overwhelming sense of love.

Looking back on her career in 1977, Bette Davis remembered with pride, "Women owned Hollywood for twenty years." She had a point. Between 1930 and 1950, over 40% of film industry employees were women, 25% of all screenwriters were female, one woman ran MGM behind the scenes, over a dozen women worked as producers, a woman headed the Screen Writers Guild three times, and press claimed Hollywood was a generation or two ahead of the rest of the country in terms of gender equality and employment. The first comprehensive history of Hollywood's high-flying career women during the studio era, Nobody's Girl Friday covers the impact of the executives, producers, editors, writers, agents, designers, directors, and actresses who shaped Hollywood film production and style, led their unions, climbed to the top during the war, and fought the blacklist. Based on a decade of archival research, author J.E. Smyth uncovers a formidable generation working within the American film industry and brings their voices back into the history of Hollywood. Their achievements, struggles, and perspectives fundamentally challenge popular ideas about director-based auteurism, male dominance, and female disempowerment in the years between First and Second Wave Feminism. Nobody's Girl Friday is a revisionist history, but it's also a deeply personal, collective account of hundreds of working women, the studios they worked for, and the films they helped to make. For many years, historians and critics have insisted that both American feminism and the power of women in Hollywood declined and virtually disappeared from the 1920s through the 1960s. But Smyth vindicates Bette Davis's claim. The story of the women who called the shots in studio-era Hollywood has never fully been told-until now.

The first mystery book in a rollicking new historical cozy series! When Lady Adelaide's dinner party is visited by lady death, she'll have to partner with the irksome spirit of her dead husband to crack the case... "A lively debut filled with local color, red herrings, both sprightly and spritely characters, a smidgen of social commentary, and a climactic surprise."—Kirkus Reviews A delightful English cozy series begins in August 1924. Lady Adelaide Compton has recently (and satisfactorily) interred her husband, Major Rupert Charles Cressleigh Compton, hero of the Somme, in the family vault in the village churchyard. Rupert died by smashing his Hispano-Suiza on a Cotswold country road while carrying a French mademoiselle in the passenger seat. With the house now Addie's, needed improvements in hand, and a weekend house party underway, how inconvenient of Rupert to turn up! Not in the flesh, but in—actually, as a—spirit. Rupert has to perform a few good deeds before becoming welcomed to heaven—or, more likely, thinks Addie, to hell. Before Addie can convince herself she's not completely lost her mind, a murder disrupts her careful seating arrangement. Which of her twelve houseguests is a killer? Her mother, the formidable Dowager Marchioness of Broughton? Her sister Cecilia, the born-again vegetarian? Her childhood friend and potential lover, Lord Lucas Waring? Rupert has a solid alibi as a ghost and an urge to detect. A debaucher in life and an annoyance in death, Addie knows she can't leave Rupert to solve the murders of her sweet old gardener and a naked neighbor by himself. Enter Inspector Devenand Hunter from the Yard, an Anglo-Indian who is not going to let some barmy society beauty witnessed talking to herself derail his investigation. Something very peculiar is afoot at Compton Court and he's going to get to the bottom of it—or go as mad as its mistress trying. The Lady Adelaide Mysteries: Nobody's Sweetheart Now (Book 1) Who's Sorry Now? (Book 2) Just Make Believe (Book 3)

A London deb and a military hero meet at a ball and fall in love. (sigh) They succumb to passion out of wedlock, but due to unimaginable circumstances they are tragically separated. Of course, she suffers the consequences while he goes on to inherit a dukedom. Years later, a chance meeting reveals the truth of the past and yet the impossibility of a future together. Can they surpass love's barriers the second time around? THE DUKE -- After managing a dukedom and serving in the House of Lords for nearly a decade, Michael Cortland has finally become betrothed to the perfect lady, Natalie Spencer. While traveling to London for the 1824 parliamentary season however, a highway robbery leaves him stranded and mired in mud. All of his strategic plans are called into question when his first love happens along to "rescue" him. THE WIDOW -- Thankfully widowed after enduring a forced marriage for eight years, Lilly Beauchamp is returning to London to present her stepdaughter to society. Unable to resist, she finds herself aiding the man who betrayed her years ago. As the facts behind their estrangement emerge however, blame shifts and passions are reignited. Amidst political and social intrigue, Lilly discovers her inner strengths while Michael reconciles a gentleman's honor with his heart's desire and his conscience. Falling in love all over again, new challenges face the star-crossed lovers. There is a choice after all, but do they have the strength and courage to choose each other?

Langland argues that the middle-class wife had a more complex and important function than has previously been recognized: she mastered skills that enabled her to support a rigid class system while unknowingly setting the stage for a feminist revolution.

In 1972, Barbara Amaya was 16 years old, leading a life far from a typical teenager and why she was Nobody's Girl. She had been sent to three detention centers, lived on the streets of, first, Washington DC and then New York City. Amaya was forced to work as a prostitute and was hooked on heroin. The ten years she spent as a victim in the world of human trafficking is just the beginning of her story.