“Outrageous, heartwarming, wonderfully sensual…I loved it!” —Jayne Anne Krentz “For sheer fun, nobody beats Nobody’s Baby But Mine.” —Detroit Free Press The Minneapolis Star-Tribune writes, “Next to Tracy and Hepburn, no one does romantic comedy better than Susan Elizabeth Phillips.” For proof, you need to look no further than Nobody’s Baby But Mine. This classic comic love story from perennial New York Times bestseller Phillips unites a beautiful, brainy scientist desperate to be a mom with a brawny, smoking hot jock who, though handsome enough to father her child, is nowhere near as stupid as she wants her baby’s daddy to be. Emily Giffin, Jane Green, and Rachel Gibson fans take note: when it comes to delivering delightfully funny, supremely sexy contemporary women’s fiction, nobody but nobody is better than Susan Elizabeth Phillips.

Adopted by Caucasian parents, biracial teen Lizzie feels like she never belonged. After the death of her father, Lizzie starts acting out — dating, staying away from home for days and giving up her plans to continue her education. When Lizzie discovers she is pregnant, she is faced with the difficult choice of having a child or getting an abortion. This leads Lizzie to want to find her own birth mother. After running away from home, Lizzie ends up in Kingston, where she tracks down an older woman named Ruth who sheds light on the circumstances surrounding Lizzie's birth.

Offers strategies and techniques for improving the relationship between adult children and their parents, discussing familiar challenges such as holiday conflicts, money issues, children, and guilt trips.

Traces the changing role of the American woman from the turn of the century to the present, and looks at notable women and their accomplishments.

On Friday nights many parents want to have a little fun together—without the kids. But “getting a sitter”—especially a dependable one—rarely seems trouble-free. Will the kids be safe with “that girl”? It’s a question that discomfited parents have been asking ever since the emergence of the modern American teenage girl nearly a century ago. In Babysitter, Miriam Forman-Brunell brings critical attention to the ubiquitous, yet long-overlooked babysitter in the popular imagination and American history. Informed by her research on the history of teenage girls’ culture, Forman-Brunell analyzes the babysitter, who has embodied adults’ fundamental apprehensions about girls’ pursuit of autonomy and empowerment. In fact, the grievances go both ways, as girls have been distressed by unsatisfactory working conditions. In her quest to gain a fuller picture of this largely unexamined cultural phenomenon, Forman-Brunell analyzes a wealth of diverse sources, such as The Baby-sitter’s Club book series, horror movies like The Hand That Rocks the Cradle, urban legends, magazines, newspapers, television shows, pornography, and more. Forman-Brunell shows that beyond the mundane, understandable apprehensions stirred by hiring a caretaker to “mind the children” in one’s own home, babysitters became lightning rods for society’s larger fears about gender and generational change. In the end, experts’ efforts to tame teenage girls with training courses, handbooks, and other texts failed to prevent generations from turning their backs on babysitting.

Presents fifteen scary stories about babysitters.