Guernsey LePelley Comedy Characters: 1 male, 4 female. Interior Set Winner of numerous play competitions, this is a bright and breezy farce about a very calm family of very odd habits. Sixteen year old Daisy comes across Spike, a burglar, rifling through the contents of a desk. "You'll never find anything in that desk. We never can." Daisy would just as soon Spike take her sister's money. She's saving for a guitar and the whole family dreads the results. Then Ada suggest

This sweeping novel depicts the intertwined lives of an assortment of Egyptians--Muslims and Copts, northerners and southerners, men and women--as they begin to settle in Egypt's great second city, and explores how the Second World War, starting in supposedly faraway Europe, comes crashing down on them, affecting their lives in fateful ways. Central to the novel is the story of a striking friendship between Sheikh Magd al-Din, a devout Muslim with peasant roots in northern Egypt, and Dimyan, a Copt with roots in southern Egypt, in their journey of survival and self-discovery. Woven around this narrative are the stories of other characters, in the city, in the villages, or in the faraway desert, closer to the fields of combat. And then there is the story of Alexandria itself, as written by history, as experienced by its denizens, and as touched by the war. Throughout, the author captures the cadences of everyday life in the Alexandria of the early 1940s, and boldly explores the often delicate question of religious differences in depth and on more than one level. No One Sleeps in Alexandria adds an authentically Egyptian vision of Alexandria to the many literary--but mainly Western--Alexandrias we know already: it may be the same space in which Cavafy, Forster, and Durrell move but it is certainly not the same world.

Why are so many theatre productions adaptations of one kind or another? Why do contemporary practitioners turn so frequently to non-dramatic texts for inspiration? This study explores the fascination of novels, short stories, children's books and autobiographies for theatre makers and examines what 'becomes' of literary texts when these are filtered into contemporary practice that includes physical theatre, multimedia performance, puppetry, immersive and site-specific performance and live art. In Adaptation in Contemporary Theatre, Frances Babbage offers a series of fresh critical perspectives on the theory of adaptation in theatre-making, focusing on meditations of prose literature within contemporary performance. Individual chapters explore the significance and impact of books as physical objects within productions; the relationship between the dramatic adaptation and literary edition; storytelling on the page and in performance; literary space and theatrical space; and prose fiction reframed as 'found text' in contemporary theatre and live art. Case studies are drawn from internationally acclaimed companies including Complicite, Elevator Repair Service, Kneehigh, Forced Entertainment, Gob Squad, Teatro Kismet and Stan's Cafe. Adaptation in Contemporary Theatre is a compelling and provocative resource for anyone interested in the potential and the challenges of using prose literature as material for new theatrical performance.

Roger Chennells is a human rights lawyer and conflict resolver by trade. In ALL RISE, he shares encounters with a host of quirky characters balanced on the scales of justice. His captivating stories include rites of passage in Zululand, student pranks, forays into the law courts, legal work for the Pitjantjatjara in Australia, the San and Rastafarians, paranormal encounters, and service to clients ‛in low places'. He has a fine ear for mimicry and the dramatic moment. These Multifaceted tales are sprinkled with irony and paradox, conveyed through a sometimes off-beat sense of humour. And like all good storytellers, he leaves us wanting more. A collection of stories from the life and career of a human rights lawyer, with the focus more on the human condition, and with the law as the backdrop.