Straightforward and simple, this story tells how one child found the courage to tell a teacher about Ray, who was being picked on and bullied by other kids in school. Faced with the fact that "nobody knows what to do" while Ray is bullied, the children sympathetic to him feel fear and confusion and can only hope that Ray will "fit in some day." Finally, after Ray misses a day of school and the bullies plot mean acts for his return, our narrator goes to a teacher. The children then invite Ray to play with them, and, with adult help, together they stand up to the bullies.

Straightforward and simple, this story tells how one child found the courage to tell a teacher about Ray, who was being picked on and bullied by other kids in school. Faced with the fact that "nobody knows what to do" while Ray is bullied, the children sympathetic to him feel fear and confusion and can only hope that Ray will "fit in some day." Finally, after Ray misses a day of school and the bullies plot mean acts for his return, our narrator goes to a teacher. The children then invite Ray to play with them, and, with adult help, together they stand up to the bullies.

My story begins aged 3, when my mother abandoned me and left me with my brutal father to raise me. Nobody knew the secrets that went on inside that house, or the journey that I travelled on after leaving it, until now. This is the story of my survival. What do you do when no one wants you? How many people need to destroy a child until that child wants to destroy herself? What if social services always got told a different story? What would you do if you were in my position? Survival is key.

Fifteen-year-old Webber was driving a car that hit a little girl who now may never walk again, and Webber's grandfather wants to claim that he was driving, not Webber.

The nail-bitingly intense story of a summer at camp that ends in a disturbing death—and depicts a powerful friendship that won’t ever be forgotten. Perfect for fans of One of Us Is Lying and Broken Things. Kayla is still holding on to Lainie’s secrets. After all, Lainie is Kayla’s best friend. And despite Lainie’s painful obsession with her on-again, off-again boyfriend, and the ways he has tried to come between them, friends don’t spill each other’s secrets. They don’t betray each other’s trust. The murder at the end of the summer doesn’t change all that. Besides—Kayla knows that the truth is not the whole story.

She is probably best remembered for her wistful-husky voice which, as Pauline Kael wrote, "was one of the best sounds in the romantic comedies of the 30s and 40s". But Jean Arthur's screen career began in silent films and spanned more than a quarter of a century. She worked with great directors of Hollywood's Golden Age: John Ford, Frank Capra, Cecil B. DeMille, Howard Hawks, George Stevens and Billy Wilder; and she shared star billing with the likes of Gary Cooper, James Stewart, Cary Grant, Alan Ladd, Charles Boyer and John Wayne. Her most enduring films include Mr. Deeds Goes to Town, You Can't Take It With You, Mr. Smith Goes to Washington, The More the Merrier, The Whole Town's Talking, A Foreign Affair and, in her last screen appearance, Shane. She was, in fact, one of the most popular and beloved movie stars of her time. Jean Arthur's popularity sprang from her talent, her charm and her quiet beauty, not from her offscreen exploits. Independent, indifferent to most of Hollywood's rules if not defiant of them, treasuring her privacy above all else, she chose to become an enigma - and so she has remained until now. In this, the first biography of Jean Arthur, John Oller, after years of research among the actress's closest friends, relatives and co-workers, has uncovered the life she tried so hard to shroud: a bruising, rootless childhood that left her with a crushing sense of insecurity, but also a steely determination to stand up for herself and what she believed in; a romance with David O. Selznick that ended unhappily, a childless marriage to film executive Frank Ross that descended into bitterness and recrimination, and rumors of lesbianism that continue to this day; legal battles fought over the roles she was offered as well as in defense of animals and the environment; repeated, aborted attempts to conquer Broadway that yielded but one theatrical triumph - as Peter Pan, a character she loved because, like herself, he refused to deal with the world on its terms. This is an engrossing, humane biography that strikes a fitting balance between the acting career and the personal life of an unforgettable star, and does full justice to both.