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"Satellites: Photographs from the Fringes of the Former Soviet Union is the culmination of Jonas Bendiksen's fascinating seven-year photographic journey through the outlying republics held in orbit by the immense gravity of the Soviet Empire. When it dissolved, in 1991, these satellite states were sent into free space--and uncertain futures. Bendiksen explored six gray areas in Eastern Europe, the Caucasus, Central Asia, and far eastern Siberia. Many of these outposts are ostensibly state-less states, places where Soviet nostalgia looms large, self-styled brands of capitalism have emerged, where cities are scarred from bloody insurrections, and entire populations have fled in search of better lives. Hauntingly beautiful, these sixty-two arresting color photographs unsentimentally reveal the often grim circumstances in these half-forgotten regions that are uniformly poor and polluted--and often politically unstable. We may not hear much about them today, but we will certainly hear more from them in the near future as the fall of the Iron Curtain continues to reverberate throughout the region. This book was produced to accompany a traveling exhibition, which opened at the Jewish Historical Museum, Amsterdam."--Publisher's website.

A reporter searching for a hot lead is burned by supernatural desire in the New York Times bestselling author’s paranormal romance series debut. Journalist Eve Bradley goes undercover to investigate the military research Genesis Group is doing on supernaturals. She’s there to get a story, but she finds much more when she discovers the man they called Subject Thirteen. The scientists say he’s a devil, and they had a decent case: Terrifying power. A bad attitude. And looks that could lead anyone to sin . . . Cain knows the minute he catches her candy scent that Eve could drive him wild—and that makes her dangerous. If she gets any closer they could both burn up. Besides, is she really capable of rescuing him? But with a powerful conspiracy determined to shut Eve up for good, there's no time to argue. All they can do is trust their instincts--and their hearts . . .

Equatorial Guinea is a tiny country roughly the size of the state of Maryland. Humid, jungle covered, and rife with unpleasant diseases, natives call it Devil Island. Its president in 2004, Obiang Nguema, had been accused of cannibalism, belief in witchcraft, mass murder, billion dollar corruption, and general rule by terror. With so little to recommend it, why in March 2004 was Equatorial Guinea the target of a group of salty British, South African and Zimbabwean mercenaries, travelling on an American-registered ex-National Guard plane specially adapted for military purposes, that was originally flown to Africa by American pilots? The real motive lay deep below the ocean floor: oil. In The Dogs of War, Frederick Forsyth effectively described an attempt by mercenaries to overthrow the government of Equatorial Guinea -- in 1972. And the chain of events surrounding the night of March 7, 2004, is a rare case of life imitating art -- or, at least, life imitating a 1970s thriller -- in almost uncanny detail. With a cast of characters worthy of a remake of Wild Geese and a plot as mazy as it was unlikely, The Wonga Coup is a tale of venality, overarching vanity and greed whose example speaks to the problems of the entire African continent.

Enter the gates of Witchtown to find a mischievous coming-of-age story for fans of Alice Hoffman's Practical Magic and the Danielle Paige’s Dorothy Must Die series. When sixteen-year-old Macie O’Sullivan and her masterfully manipulative mother Aubra arrive at the gates of Witchtown—the most famous and mysterious witch-only haven in the world—they have one goal in mind: to rob it for all it’s worth. But that plan derails when Macie and Aubra start to dig deeper into Witchtown’s history and uncover that there is more to the quirky haven than meets the eye. Exploring the haven by herself, Macie finds that secrets are worth more than money in Witchtown. Secrets have their own power.