Best friends Luna and Zoey can't stop talking about boys and kissing, but Noah just wants everything to go back to the way it was. To fit in, Noah pretends that she likes Archie, a boy from school, even though she's not quite sure. When new girl Jessa joins their group things get even more confusing. Can Noah admit to herself who she really likes, not who she thinks she should?

In this cute and queer contemporary middle grade comedy about friendship, first crushes, and first kisses, twelve-year-old Noah Frye comes up with a foolproof plan to teach herself how to have a crush on a boy to fit in better with her friends—only to discover she’s been looking in the wrong place, and her crush was right beside her all along . . . Noah Frye just had the Best Summer Ever. Not only did she have an epic time at science camp, but her new camp friend Jessa is going to Noah’s school in the fall. Noah can’t wait to introduce Jessa to her best friends Zoey and Luna when classes start. But when the friend group is reunited after their summer apart, something seems to have changed: Zoey and Luna have discovered boys, and now it’s all they want to obsess over. Suddenly, it feels like Noah is the odd one out in their friend group, especially since Noah hasn’t ever even considered boys in that way. When Noah finds herself caught in a lie about having a boy crush of her own, she decides she’ll do anything to fit in with her friends again—even if that means using the scientific method. Noah’s crush experiment is simple: find a boy, fake a crush until it turns real, and get her friends back. But that might be easier said than done, especially when Noah can’t stop thinking about Jessa. What ensues is a hilarious and heartwarming turn of events in this queer contemporary middle grade story about friendship, first crushes, and self-discovery.

'I'll stop listening in ten seconds,' I say. 'Starting now.''Fine,' he says. He looks around one more time to see if anyone might overhear us, and then pauses again.'Ella Quinn ... has a crush on you.'Girls in Hazel's school are being harassed by an anonymous person online, someone who seems to know all about their insecurities and dreams. With no one willing to stand up and face the bully, how will Hazel be able to prove her suspicions?Hazel Hill is Going to Win This One confronts bullying, both online and in person, to give children the power to stand up for themselves and speak out against harassment.

All Ember wants is to fly with the golden flamebirds who stop every year at Bright Beacon before heading west across the seas to their mysterious home. Their fiery arrival is also the signal for the waiting Flame Chasers in theharbour below to get ready to follow the birds, whose glowing tail feathers grant the finder a wish. But when Pa tells Ember he is chasing without her, she is devastated. Can she find a ship and captain to help her find her father, and the flamebirds secret home?

Perfect for fans of The Half of It, Maggie Horne's debut YA contemporary novel is an ode to lifelong friendships and discovering queer community. You only get one soulmate, and I'm not throwing mine away. Alana and Gray have been the perfect couple ever since they got together before high school – and neither of them think that should have to change just because Alana came out as a lesbian. Sure, things are a little different now: their romantic relationship is over, but their best-friends-since-forever relationship is stronger than ever. And yeah, Alana sees the way her other friends now exclude her in tiny, almost unnoticeable ways, but she still has Gray, and that’s all that’s ever mattered to her. Really, the only difference is that instead of kissing Gray herself, Alana sets him up with other girls to do that. But when new girl Tal arrives, she stops Alana and Gray in their tracks. Suddenly, Gray’s all-in on his plan to get Tal to fall in love with him, and, for the first time, Alana’s reluctant to help. As Alana and Tal grow closer, and Alana begins to think Tal might share her feelings, she has to decide whether to embrace her queerness and risk losing the life she thought she was building, or continue to hide parts of herself and maintain the status quo. Don’t Let it Break Your Heart is a tender and romantic exploration of identity, love, and friendship that turns the friends to lovers romance trope on its head.

For Pluto, summer has always started with a trip to the planetarium. It’s the launch to her favorite season, which also includes visits to the boardwalk arcade, working in her mom’s pizzeria, and her best friend Meredith’s birthday party. But this summer, none of that feels possible. A month before the end of the school year, Pluto’s frightened mom broke down Pluto’s bedroom door. What came next were doctor’s appointments, a diagnosis of depression, and a big black hole that still sits on Pluto’s chest, making it too hard to do anything. Pluto can’t explain to her mom why she can’t do the things she used to love. And it isn’t until Pluto’s dad threatens to make her move with him to the city—where he believes his money, in particular, could help—that Pluto becomes desperate enough to do whatever it takes to be the old Pluto again. She develops a plan and a checklist: If she takes her medication, if she goes to the planetarium with her mom for her birthday, if she successfully finishes her summer school work with her tutor, if she goes to Meredith’s birthday party . . . if she does all the things that “normal” Pluto would do, she can stay with her mom in Jersey. But it takes a new therapist, a new tutor, and a new (and cute) friend with a checklist and plan of her own for Pluto to learn that there is no old and new Pluto. There’s just her.

A new edition of Michael L. Printz Award winner A.S. King's brilliant and bizarre story of teenage trauma and standardized tests. "Kurt Vonnegut might have written a book like this.”—New York Times Book Review Four accomplished teenagers are on the verge of explosion. The anxieties they face at every turn have nearly pushed them to the point of surrender: senseless high-stakes testing, the lingering damage of trauma, the buried grief and guilt of tragic loss. They are desperate to cope—but no one is listening. So they will lie. They will split in two. They will turn inside out. They will build an invisible helicopter to fly themselves far away from the pressure…but nothing releases the pressure. Because, as they discover, the only way to truly escape their world is to fly right into it. A.S. King reaches new heights in this groundbreaking work of surrealist fiction; it will mesmerize readers with its deeply affecting exploration of how we crawl through traumatic experience—and find the way out.