Sabrina Salter traded a high-pressure job as a Boston meteorologist for life as an innkeeper on sun-soaked St. John. But storm clouds roll in when Sabrina finds Carter Johnson, her most attractive guest, tucked up in a hammock way past check-out time...and he's not just dead to the world, he's just plain dead, with a bullet hole in his chest. This isn't the first time Sabrina has seen a dead body, and the island police are well aware of that. Thanks to her checkered history, not to mention the fact that she was the last person who saw Carter alive and far from entirely clothed, she finds herself marked as the prime suspect. The U.S. Virgin Islands may be the sort of place where even defense attorneys wear flip-flops, but the laid-back life is over for Sabrina unless she can clear her name. So, she sets out to solve the crime, only to find herself caught in a tidal wave of adultery, kidnapping, identity fraud and murder in No Virgin Island, C. Michele Dorsey's outstanding mystery debut.

Sabrina Salter traded a high-pressure job as a Boston meteorologist for life as an innkeeper on St. John. But storm clouds roll in when Sabrina finds Carter Johnson, her most attractive guest, tucked up in a hammock way past check-out time… and he’s not just dead to the world, he’s just plain dead, with a bullet hole in his chest. This isn’t the first time Sabrina has seen a dead body, and the island police are well aware of that. Thanks to her checkered history, not to mention the fact that she was the last person who saw Carter alive and far from entirely clothed, she finds herself marked as the prime suspect. The U.S. Virgin Islands may be the sort of place where even defense attorneys wear flip-flops, but the laid-back life is over for Sabrina unless she can clear her name. So, she sets out to solve the crime, only to find herself caught in a tidal wave of adultery, kidnapping, identity fraud and murder in No Virgin Island, C. Michele Dorsey's outstanding mystery debut.

Recipient of the 2014 American Academy of Arts and Letters Rosenthal Foundation Award A major debut from an award-winning writer—an epic family saga set against the magic and the rhythms of the Virgin Islands. In the early 1900s, the Virgin Islands are transferred from Danish to American rule, and an important ship sinks into the Caribbean Sea. Orphaned by the shipwreck are two sisters and their half brother, now faced with an uncertain identity and future. Each of them is unusually beautiful, and each is in possession of a particular magic that will either sink or save them. Chronicling three generations of an island family from 1916 to the 1970s, Land of Love and Drowning is a novel of love and magic, set against the emergence of Saint Thomas into the modern world. Uniquely imagined, with echoes of Toni Morrison, Gabriel García Márquez, and the author’s own Caribbean family history, the story is told in a language and rhythm that evoke an entire world and way of life and love. Following the Bradshaw family through sixty years of fathers and daughters, mothers and sons, love affairs, curses, magical gifts, loyalties, births, deaths, and triumphs, Land of Love and Drowning is a gorgeous, vibrant debut by an exciting, prizewinning young writer.

The basis for the Herman Wouk–Jimmy Buffett musical: A middle-aged New Yorker buys a Caribbean hotel and learns that paradise has its drawbacks in this novel that “moves as fast as a Marx Brothers movie” (The New York Times Book Review). Broadway press agent Norman Paperman is pushing fifty with one heart attack already under his belt. So he decides to chuck the stressful Manhattan life and bring his wife and teenage daughter to a lush green island. With the help of a wheeler-dealer friend, he winds up buying a small hotel. How hard could running one be? Pretty hard, actually, when you throw in an earthquake, plumbing problems, rampaging ants, and a few more unexpected developments at the Gull Reef Club. Before long, Norman’s spirit is as drained as his bank account, his marriage is on the brink, and he’s desperately searching for a way out of this beautiful nightmare . . . Don’t Stop the Carnival is a clever comic departure for the Pulitzer Prize–winning, #1 New York Times–bestselling author of such classics as Marjorie Morningstar, The Winds of War, and The Caine Mutiny—and eventually served as the basis for the celebrated Jimmy Buffett album and stage musical. “Funny [and] continuously entertaining. . . . Norman Paperman, although hardly an admirable person, is exceedingly human and entirely believable. One cringes with sympathy for him.” —The New York Times “His sandy beaches are alive with stinging sand flies . . . farce laced with tears.” —Time

"Bring everyone back alive." That's Lizzie Jordan's motto as first mate on a tour boat on the Caribbean island of St. Thomas in the U.S. Virgin Islands. It's 2009, and life is good for Lizzie, who's coasting through island life with a long list of drinking buddies and almost-boyfriends. She's never had to think very hard about that motto, until now.A casual drink with a co-worker - followed by a seemingly simple favor - pulls Lizzie into the middle of a precarious situation. What starts as an innocent end to a vacation fling turns sinister when the female half of the amorous couple never returns to her posh hotel.Before long, Lizzie gets an ominous glimpse behind the charming facade of the vacation hotspot she calls home. When a body is found in the harbor, pressure mounts and Lizzie finds herself on the run from the police. As her "no worries" island lifestyle starts to slip away, Lizzie stumbles on a hard truth she should have learned years ago: Even if you run all the way to the Caribbean, everything catches up with you sooner or later.

On January 15, 2000, the bruised body of thirty-four-year-old Lois McMillan, a Connecticut artist vacationing in the British Virgin Islands, was discovered draped across the rocks of an inlet where she had apparently drowned in the Caribbean waves. Local authorities on the little paradise of Tortola quickly confirmed that it was no accident. The police immediately found their suspects-four young, rich American tourists. Within twenty-four hours, the men were arrested for murder and went from a life of carefree luxury to cold jail cells. Each had an alibi. None of them had a motive. And there was no direct evidence linking any of them to Lois's death. Did authorities even have the right men? Was it a rush to judgment-a desperate attempt to save Tortola's reputation for peace and safety-or were these men hiding a terrible crime. A twisting tale of swift island justice that was just beginning. So was the intricate puzzle of the lives of the four men in question, and the truth of what really happened during Lois McMillen's tragic final hours.