Set in central Angola during the final stages of the country's thirty-year civil war, No One Can Stop the Rain is the true story of two ordinary M(r)decins Sans Fronti res volunteers OCo a surgeon and his wife, leaving behind their comfortable lives in mid-career. In doing so they are confronted by both the best and worst aspects of humanity. Based on correspondence and diary entries, the book chronicles the couple's journey to Kuito, deep in the heart of Angola. The remnants of this provincial capital had the unenviable reputation of being one of the world's most heavily landmined cities. The events witnessed by Moorhouse and Cheng as they worked alongside civilians OCo victims of landmines, the malnourished, and the displaced OCo provide a unique insight into life in this vast humanitarian citadel. Through the couple's eyes, the reader not only experiences something of the expected, the trauma of war, but also gains a rich insight into the less expected, the ordinary life of both local residents and field volunteers."

A New York Times Best Seller 2019 National Book Award Longlist, Nonfiction 2019 Kirkus Book Prize Finalist, Nonfiction A February IndieNext Pick Named A Most Anticipated Book of 2019 by Buzzfeed, Nylon, The A. V. Club, CBC Books, and The Rumpus, and a Winter's Most Anticipated Book by Vanity Fair and The Week Starred Reviews: Kirkus and Booklist "Warm, immediate and intensely personal."—New York Times How does one pay homage to A Tribe Called Quest? The seminal rap group brought jazz into the genre, resurrecting timeless rhythms to create masterpieces such as The Low End Theory and Midnight Marauders. Seventeen years after their last album, they resurrected themselves with an intense, socially conscious record, We Got It from Here . . . Thank You 4 Your Service, which arrived when fans needed it most, in the aftermath of the 2016 election. Poet and essayist Hanif Abdurraqib digs into the group’s history and draws from his own experience to reflect on how its distinctive sound resonated among fans like himself. The result is as ambitious and genre-bending as the rap group itself. Abdurraqib traces the Tribe's creative career, from their early days as part of the Afrocentric rap collective known as the Native Tongues, through their first three classic albums, to their eventual breakup and long hiatus. Their work is placed in the context of the broader rap landscape of the 1990s, one upended by sampling laws that forced a reinvention in production methods, the East Coast–West Coast rivalry that threatened to destroy the genre, and some record labels’ shift from focusing on groups to individual MCs. Throughout the narrative Abdurraqib connects the music and cultural history to their street-level impact. Whether he’s remembering The Source magazine cover announcing the Tribe’s 1998 breakup or writing personal letters to the group after bandmate Phife Dawg’s death, Abdurraqib seeks the deeper truths of A Tribe Called Quest; truths that—like the low end, the bass—are not simply heard in the head, but felt in the chest.

Maida Springer was an active participant in shaping a history that involved powerful movements for social, political and economic equality and justice for workers women, and African Americans. Maida Springer is the first full-length biography to document and analyze the central role played by Springer in international affairs, particularly in the formation of AFL-CIO's African policy during the Cold War and African independence movements. Richards explores the ways in which pan-Africanism, racism, sexism and anti-Communism affected Springer's political development, her labor activism, and her relationship with labor leaders in the AFL-CIO, the International Confederation of Free Trade Unions (ICFTU), and in African unions. Springer's life experiences and work reveal the complex nature of black struggles for equality and justice. A strong supporter of both the AFL-CIO and the ICFTU, Springer nonetheless recognized that both organizations were fraught with racism, sexism, and ethnocentrism. She also understood that charges of Communism were often used as a way to thwart African American demands for social justice. As an African-American, she found herself in the unenviable position of promoting to Africans the ideals of American democracy from which she was excluded from fully enjoying. Richards's biography of Maida Springer uniquely connects pan-Africanism, national and international labor relations, the Cold War, and African American, labor, women's, and civil rights histories. In addition to documenting Springer's role in international labor relations, the biography provides a larger view of a whole range of political leaders and social movements. Maida Springer is a stirring biography that spans the fields of women studies, African American studies, and labor history.

PEACE: For Gods sake, stop the bickering. The title of this book has attempted to capture the essence of its contents. This effort is about the things that matter on the road to peace. It can be used as a study guide for small church groups or by an individual seeking self-improvement. The 11 things listed in the book do not cover all that matters. The author has discussed priorities that, when understood and practiced, will assist readers in understanding the value of disagreements that are natural to the human condition. However, the authors asserts, disagreements are often allowed to escalate into the hostility that he describes as conflict where its value dissipates. His claim that conflict is disagreements on steroids awaits the readers response.