A classic. A comprehensive and accessible presentation of the ins-and-outs of nuclear power. It includes explanations of nuclear plant operation, the fuel cycle, health and safety hazards, the economics and politics of nuclear power, international anti-nuclear programs, and alternative energy sources.

For more than forty years, the United States has maintained a public commitment to nuclear disarmament, and every president from Ronald Reagan to Barack Obama has gradually reduced the size of America's nuclear forces. Yet even now, over two decades after the end of the Cold War, the United States maintains a huge nuclear arsenal on high alert and ready for war. The Americans, like the Russians, the Chinese, and other major nuclear powers, continue to retain a deep faith in the political and military value of nuclear force, and this belief remains enshrined at the center of U.S. defense policy regardless of the radical changes that have taken place in international politics. In No Use, national security scholar Thomas M. Nichols offers a lucid, accessible reexamination of the role of nuclear weapons and their prominence in U.S. security strategy. Nichols explains why strategies built for the Cold War have survived into the twenty-first century, and he illustrates how America's nearly unshakable belief in the utility of nuclear arms has hindered U.S. and international attempts to slow the nuclear programs of volatile regimes in North Korea and Iran. From a solid historical foundation, Nichols makes the compelling argument that to end the danger of worldwide nuclear holocaust, the United States must take the lead in abandoning unrealistic threats of nuclear force and then create a new and more stable approach to deterrence for the twenty-first century.

This book analyzes the impact of the Fukushima disaster on civil society in Japan with particular attention to the anti-nuclear movement, focusing on its development, repertoire of action, mobilization strategies, modes of operation, and impact on the state’s energy policy. Combining social movement theory and civil society theory, the author draws on extensive fieldwork in Japan to explore the context of the sociopolitical situation in Japan up to the Fukushima accident and to offer a typological description and analysis of the anti-nuclear movement that emerged after the disaster. Through an analysis of the relationship between the power elite and the anti-nuclear movement organizations, this volume considers the influences exercised by the ruling elites on civil society and vice versa, thus assessing the effects of the anti-nuclear movement on the state policy and the society. A comprehensive account of the anti-nuclear movement in post-Fukushima Japan, embedded within a broader perspective of the movement’s historical development, contemporary political structures, and opportunities, Fukushima and Civil Society will appeal to scholars of sociology and politics with an interest in social movements. Chapter 4 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons [Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND)] 4.0 license.

Since the Hiroshima and Nagasaki attacks, no state has unleashed nuclear weapons. What explains this? According to the author, the answer lies in a prohibition inherent in the tradition of non-use, a time-honored obligation that has been adhered to by all nuclear states—thanks to a consensus view that use would have a catastrophic impact on humankind, the environment, and the reputation of the user. The book offers an in-depth analysis of the nuclear policies of the U.S., Russia, China, the UK, France, India, Israel, and Pakistan and assesses the contributions of these states to the rise and persistence of the tradition of nuclear non-use. It examines the influence of the tradition on the behavior of nuclear and non-nuclear states in crises and wars, and explores the tradition's implications for nuclear non-proliferation regimes, deterrence theory, and policy. And it concludes by discussing the future of the tradition in the current global security environment.

Nuclear power has been a contentious issue in Japan since the 1950s, and in the aftermath of the Fukushima nuclear power plant disaster, the conflict has only grown. Government agencies and the nuclear industry continue to push a nuclear agenda, while the mainstream media adheres to the official line that nuclear power is Japan's future. Public debate about nuclear energy is strongly discouraged. Nevertheless, antinuclear activism has swelled into one of the most popular and passionate movements in Japan, leading to a powerful wave of protest music. The Revolution Will Not Be Televised: Protest Music After Fukushima shows that music played a central role in expressing antinuclear sentiments and mobilizing political resistance in Japan. Combining musical analysis with ethnographic participation, author Noriko Manabe offers an innovative typology of the spaces central to the performance of protest music--cyberspace, demonstrations, festivals, and recordings. She argues that these four spaces encourage different modes of participation and methods of political messaging. The openness, mobile accessibility, and potential anonymity of cyberspace have allowed musicians to directly challenge the ethos of silence that permeated Japanese culture post-Fukushima. Moving from cyberspace to real space, Manabe shows how the performance and reception of music played at public demonstrations are shaped by the urban geographies of Japanese cities. While short on open public space, urban centers in Japan offer protesters a wide range of governmental and commercial spaces in which to demonstrate, with activist musicians tailoring their performances to the particular landscapes and soundscapes of each. Music festivals are a space apart from everyday life, encouraging musicians and audience members to freely engage in political expression through informative and immersive performances. Conversely, Japanese record companies and producers discourage major-label musicians from expressing political views in recordings, forcing antinuclear musicians to express dissent indirectly: through allegories, metaphors, and metonyms. The first book on Japan's antinuclear music, The Revolution Will Not Be Televised provides a compelling new perspective on the role of music in political movements.