This volume deals with those Christians who helped construct an international and inter-denominational evangelical network in western Europe in the middle of the nineteenth century. The Evangelical Alliance (est. 1846) institutionalised this ecumenical impulse. The Berlin Conference (1857) was the high-point of cross-border cooperation in those decades. The réveil in France and Switzerland and the Erweckung in Germany laid the groundwork for the Alliance in Europe. England, the motherland of the evangelical revival, provided a resource centre for continental evangelicalism. The chapters on the various missionary endeavours at home and abroad draw attention to the outward-looking, charitable and evangelistic character of evangelicals. Students of evangelicalism, the missionary movement and the ecumenical movement will find the book to be of particular importance.

This study highlights the contributions made by a host of European evangelicals to the creation of an international and inter-denominational network which became institutionalised in 1846 when the Evangelical Alliance was established.

Since the 3rd edition of this publication, emphasis within the petroleum industry has shifted from exploration to appraisal and development of existing hydrocarbon resources. This change is reflected in this new 4th edition, which has been significantly expanded to accomodate additional material. The centrepiece of the book, however, remains a series of descriptions, in stratigraphic order, of the depositional history and hydrocarbon related rock units of the North Sea.

The nations bordering the North Sea have always been engaged in a dialogue with water. The sea is the source of livelihoods as well as leisure, industry as well as relaxation. Holidaymakers are not the only ones drawn to the seaside: the currency of both painters and photographers is light, and under Northern skies the best light is often to be found where land joins water. In addition, coastal locations often give urban artists an opportunity to observe life in the raw. North Sea provides the overarching theme for this showcase of vintage and contemporary photography, accompanied by paintings and songs, poetry and prose. Its pages capture both the sublimity of nature and a cast of human subjects, whose lives are placed in perspective by the vastness of the sea. In spite of the changes wrought by history, the fascination of the frontier between land and water remains timeless, and these images stand as a striking testament to the relationship between the sea and the people who live and work alongside it.

The North Sea, one of the most intensively used sea-areas in the world, may well be one of the most intensively regulated sea-areas as well. As human activity developed in the North Sea national & later international regulations followed these developments. The result has been what is commonly called a piecemeal approach. The legal regime of the North Sea has developed in an incremental manner. Thus one conventional instrument after the other, covering different user-functions like vessel-source pollution, fisheries, ocean dumping & land-based pollution, was adopted. In contrast to more modern approaches these legal instruments have their own framework. The result is that the instruments are scattered in many different documents, & even for the more well informed North Sea watcher it is difficult to obtain a comprehensive overview of the regulatory instruments. The North Sea: Basic Legal Documents on Regional Environmental Co-operation offers a comprehensive view of the instruments dealing with all sources of marine pollution in the North Sea, be they ocean dumping, land-based pollution or vessel-source pollution. The book contains many legal documents, including maps & tables. It also contains non-conventional instruments such as the texts of the declarations of the International North Sea Conferences, held between 1984 & 1990, & recommendations & decisions of e.g. the Paris Commission on Land-Based Pollution & the Oslo Commission on Dumping. Furthermore the book contains documentation on relatively new areas of environmental concern in the North Sea region, i.e. nature conservation & management of living resources. The book supplements The North Sea: Perspectives on Regional Environmental Co-operation also edited by David Freestone & Ton IJlstra which contains 26 essays on legal & policy aspects of environmental protection in the North Sea.

On a warm summer’s night in Athens, Georgia, Patrik Keim stuck a pistol into his mouth and pulled the trigger. Keim was an artist, and the room in which he died was an assemblage of the tools of his particular trade: the floor and table were covered with images, while a pair of large scissors, glue, electrical tape, and some dentures shared space with a pile of old medical journals, butcher knives, and various other small objects. Keim had cleared a space on the floor, and the wall directly behind him was bare. His body completed the tableau. Art and artists often end in tragedy and obscurity, but Keim’s story doesn’t end with his death. A few years later, 180 miles away from Keim’s grave, a bulldozer operator uncovered a pine coffin in an old beaver swamp down the road from Allen C. Shelton’s farm. He quickly reburied it, but Shelton, a friend of Keim’s who had a suitcase of his unfinished projects, became convinced that his friend wasn’t dead and fixed in the ground, but moving between this world and the next in a traveling coffin in search of his incomplete work. In Where the North Sea Touches Alabama, Shelton ushers us into realms of fantasy, revelation, and reflection, paced with a slow unfurling of magical correspondences. Though he is trained as a sociologist, this is a genre-crossing work of literature, a two-sided ethnography: one from the world of the living and the other from the world of the dead. What follows isn’t a ghost story but an exciting and extraordinary kind of narrative. The psycho-sociological landscape that Shelton constructs for his reader is as evocative of Kafka, Bataille, and Benjamin as it is of Weber, Foucault, and Marx. Where the North Sea Touches Alabama is a work of sociological fictocriticism that explores not only the author’s relationship to the artist but his physical, historical, and social relationship to northeastern Alabama, in rare style.