"Sometimes it is the stark, matter-of-fact letters from uprooted soldiers home that best capture the mood of the times. Such is the case with Alfred Earl Jones, a private from rural California who fought in World War I, whose letters provide personal drama and are historically informative." - Peter Krass, author of Portrait of War: The U.S. Army's First Combat Artists and the Doughboys' Experience in WWI "This marvelously annotated collection of letters transports us back to the training camps, high seas, and battlefields; recounting the novelty, boredom and terror that so many young American men experienced going to war in 1917-18. These citizen-soldiers remained civilians at heart, and these letters attest to the importance of family in keeping men going at the front - offering an invaluable lesson for Americans today." - Jennifer D. Keene, author of Doughboys, the Great War and the Remaking of America (2001).

V.1 the war of the words. V.2 sexchanges.

Lawrence Attwell was one of the lucky ones, surviving over four years of trench warfare on the Western Front. During that time he had two short periods of leave.In his extraordinary series of letters to his family he graphically recounts what life was like for the ordinary infantry soldier on active duty. We learn of the conditions, the discipline, the courage, the fear and the reactions of the writer and his fellows. Attwell was in the Prince of Wales Own, Civil Service Rifles.

• Includes revealing first-person accounts of how the truce unfolded and the amazing interaction between enemies • An exhaustive work of comprehensive research and study in various files and paperwork • Beautifully illustrated with many rare and unpublished photographs • A must-have for military historians, enthusiasts, academics, students, scholars and those interested in the First World War The Christmas Truce of 1914 remains a moment of enduring fascination more than a century after the day the First World War guns fell silent. Now for the first time, hundreds of first-person accounts of this most extraordinary period of history have been gathered together telling the story in their own words of the soldiers who met in peace in No Man’s Land. The stories of men from English, Irish, Scottish and Welsh regiments who played and joked, sang and danced, swapped gifts and shared food and drink with the enemy before returning to war on the Western Front. Christmas Truce by the Men Who Took Part: Letters from the 1914 Ceasefire on the Western Front is the largest collection ever drawn together of letters sent home by the officers and soldiers who laid down their guns and shook hands with their foes. The eye-opening accounts of the unofficial armistice between German and British forces capture the trepidation and exhilaration, the curiosity, anger, joy and despair of that first Christmas on the unforgiving battlegrounds of the Great War.

This is the remarkable story of the American First World War serviceman Arthur Clifford Kimber. When his country entered the Great War in 1917, Kimber left Stanford University to carry the first official American flag to the Western Front. Fired by idealism for the French cause, the young student initially acted as a volunteer ambulance driver, before training as a pilot and taking part in dogfights against ‘the Boche’. His letters home give a vivid picture of what Kimber witnessed on his journey from Palo Alto, California to the front in France: keen-eyed descriptions of New York as it prepared for the forthcoming conflict, the privations of wartime Britain and France, and encounters with former president Theodore Roosevelt and Hollywood actress Lillian Gish. Kimber details his exhilaration, his everyday concerns and his horror as he adapts to an active wartime role. Arthur Clifford Kimber was one of the first Americans on the front line after the entry of the US into the war and, tragically, also one of the last to be buried there – killed in action just a few weeks before the end of the war. Here, his frank letters to his mother and brothers, compiled, edited and put in context by Patrick Gregory and Elizabeth Nurser, are published for the first time.