JOHN MERWIN (1946-2013) embraced fishing, looking across a stream or out a window, thinking, musing and writing. Neighbors and acquaintances, mostly unaware of John's legendary angling prominence, looked forward to his columns in Stratton Magazine, 1989 to 2006. Laced with droll countryman wit, dozens expound on rural Vermont life. More or less. As his editor, Marsha Norman, once teased,"He said all his stories are true stories. Mostly." At deadline with manuscript absent-Marsha occasionally ran a reprint and captioned, "John Merwin is on vacation." Not so. Instead, in those years he was fishing editor at Field & Stream magazine--too much to do and too little time. But even then, as F&S colleague and friend Dave Hurteau remembers in the foreword, "No Fishing" (i.e., musing) was just as important to John as fishing. While not fishing John had made time to write these Stratton columns. Missing him and his stories, readers and anglers asked for this collection, and kept asking.... So here it is: No Fishing.

Covering Georgia's top fly-fishing waters, this guide details cold water streams, warm water rivers, and coastal saltwater fishing. Outstanding maps provide access points to waters, and full-color photos depict fishing destinations and flies to use.

For fans of Ryan T. Higgins and Jory John comes a humorous and "splashy" story from a former Disney animator, about a jellyfish with an identity crisis who learns how to be himself with a little help from friends. Edgar is a jellyfish, but he doesn't look, act, or feel very much like a "fish." With a little help though from some friendly starfish, Edgar realizes that labels aren't important, and he should celebrate what makes him unique!

In a compilation of thirty-three essays, the author reflects on the world of angling as he shares his observations on his quarry, great fishing spots around the world, and fishing equipment.

Fishing for elephants explains the creative processes of art and life with a conversational, humorous, and informative voice. While it is geared towards artists, it is not a how to paint something to look like something book. It's a how to think for yourself, move forward, get out of your comfort zone, get out of your own way, define your voice, refine your voice, focus on those characteristics of creating that are authentic to you and try new directions kind of book for all levels. Designed to help you discover new artistic directions and open the neural pathways to creative problem-solving, Fishing for elephants is presented in two halves. The first contains everything you need to know about the process of creativity; what keeps you from it, what it is, how to use it and how to get unstuck. It's flipping all your light switches on kind of stuff. The truth is anyone can be more creative with just a few easy steps. The second half, VoiceFinding, is the first half put into action for artists who want to get to their core authentic self, or just want to push out a little. There are more than 150 examples and unconventional exercises designed to break this process into bite-sized chunks so your genius skill-set will expand exponentially. It's year-long class in a workbook format, with areas to answer creative challenges, set goals, write artist's statements, sketch out ideas, apply processes like free association, mind maps, reportage, mixed-media, and continuous line drawing in new and thought-challenging ways. Written by nationally recognized, award-winning artist and creative coach, Larry Moore.

A KID’S GUIDE TO THE OCEAN "Can you imagine a world without fish? It's not as crazy as it sounds. But if we keep doing things the way we've been doing things, fish could become extinct within fifty years. So let's change the way we do things!" World Without Fish is the uniquely illustrated narrative nonfiction account—for kids—of what is happening to the world’s oceans and what they can do about it. Written by Mark Kurlansky, author of Cod, Salt, The Big Oyster, and many other books, World Without Fish has been praised as “urgent” (Publishers Weekly) and “a wonderfully fast-paced and engaging primer on the key questions surrounding fish and the sea” (Paul Greenberg, author of Four Fish). It has also been included in the New York State Expeditionary Learning English Language Arts Curriculum. Written by a master storyteller, World Without Fish connects all the dots—biology, economics, evolution, politics, climate, history, culture, food, and nutrition—in a way that kids can really understand. It describes how the fish we most commonly eat, including tuna, salmon, cod, swordfish—even anchovies— could disappear within fifty years, and the domino effect it would have: the oceans teeming with jellyfish and turning pinkish orange from algal blooms, the seabirds disappearing, then reptiles, then mammals. It describes the back-and-forth dynamic of fishermen, who are the original environmentalists, and scientists, who not that long ago considered fish an endless resource. It explains why fish farming is not the answer—and why sustainable fishing is, and how to help return the oceans to their natural ecological balance. Interwoven with the book is a twelve-page graphic novel. Each beautifully illustrated chapter opener links to the next to form a larger fictional story that perfectly complements the text.