A collection of Brontë's poetry with a portrait of the poet as a frontispiece, a brief foreword, and a pencil drawing by the poet.

Careful selection of 47 poems by talented literary siblings. Twenty-three poems by Emily (including "Faith and Despondency" and "No Coward Soul is Mine"), 14 poems by Anne (including "The Penitent" and "if This Be All") and 10 poems by Charlotte (including "Presentiment" and "Passion"). Reproduced from standard editions. Publisher’s Note.

“Though Earth and moon were gone, And suns and universes ceased to be, And Thou wert left alone, Every Existence would exist in Thee.” From the transcendent beauty of nature observed on the Yorkshire moors to fierce and forceful confrontations of mortality, Emily Brontë's poems are powerful and passionate works that eloquently elaborate upon her sister Charlotte's description of her as ""a solitude-loving raven, no gentle dove”. While only twenty-one of Emily Brontë's poems were published in her lifetime, her poetic oeuvre is rich and varied, and not only includes visionary poems such as 'No Coward Soul Is Mine' and 'Remembrance', but also features the poems that describe the imagined realm of Gondal and its inhabitants, which she created with her sister Anne.

Emily Jane Brontë was born in July 1818; along with her sisters Charlotte and Anne, she is famed as a member of the greatest literary family of all time, and helped turn Haworth into a place of literary pilgrimage. Whilst Emily Brontë wrote only one novel, the mysterious and universally acclaimed Wuthering Heights, she is widely acknowledged as the best poet of the Brontë sisters – indeed as one of the greatest female poets of all time. Her poems offer insights to her relationships with her family, religion, nature, the world of work, and the shadowy and visionary powers that increasingly dominated her life. Taking twenty of her most revealing poems, Nick Holland creates a unifying impression of Emily Brontë, revealing how this terribly shy young woman could create such wild and powerful writing, and why she turned her back on the outside world for one that existed only in her own mind.

In this exploration of the 20th-century civil rights and black power eras, Martin uses cultural politics as a lens through which to understand the African-American freedom struggle. In freedom songs, in the exuberance of an Aretha Franklin concert, in Faith Ringgold's exploration of race and sexuality, the personal and social became the political.