Author of the popular BookTok series The Inheritance GamesJennifer Lynn Barnes introduces us to . . . Nobody. There are people in this world who are Nobody. No one sees them. No one notices them. They live their lives under the radar, forgotten as soon as you turn away. That's why they make the perfect assassins. The Institute finds these people when they're young and takes them away for training. But an untrained Nobody is a threat to their organization. And threats must be eliminated. Claire has been invisible her whole life, missed by the Institute's monitoring. But now they've ID'ed her and have sent Nix to remove her. Yet the moment Nix lays eyes on her, he can't make the hit. It's as if Claire and Nix are the only people in the world for each other. And they are—because no one else can really see them.

A group of outcasts with extraordinary abilities comes out of hiding. They are the nobody people and they want one thing: to live as equals in an America that is gripped by fear and hatred. But the government is passing discriminatory laws. Violent mobs are taking to the streets. And one of their own has used his power in an act of mass violence that has put a new target on the community. The nobody people must now stand together and fight for their future, or risk falling apart.

Collects stories by teenagers about retaining a positive body image, staying true to oneself, acceptance of positive and negative circumstances, and forgiveness.

How do you prove someone guilty of murder when the best piece of evidence—the victim’s body—is missing? Exclusively dedicated to the investigation and prosecution of no-body homicide cases, this book provides the author’s insight gained from investigating and trying a no-body case along with what he’s learned consulting on scores of others across the country. A practical guide for police and prosecutors, it takes an expansive look at both the history of no-body murder cases and the best methods to investigate, solve, and bring them to court. Taking readers step by step from the first days of a homicide investigation through the trial, the book explores the history of confessions, the use of jailhouse snitches to get information, and CSI-style forensics utilized in solving a case. It delves into the psychological profile of the type of defendant who murders someone and then hides the body and reviews methods criminals have used to dispose of bodies. It also discloses the investigative techniques police must use to catch these devious killers. Using real-life case studies, No-Body Homicide Cases: A Practical Guide to Investigating, Prosecuting, and Winning Cases When the Victim is Missing summarizes and analyzes the nearly 400 no-body murder trials in U.S. history, enabling readers to leverage the similarities in these cases with their own scenarios. The book is an essential resource for all investigators and a roadmap to a conviction for prosecutors.

An "analysis of deeper meaning behind the string of deaths of unarmed citizens like Michael Brown, Eric Garner, and Freddie Gray, providing ... [commentary] on the intersection of race and class in America today"--

Features photographs of betting slips discarded in and around the betting shops in Hackney in north-east London.

Housed on the campus of the University of Michigan in Ann Arbor, the University Musical Society is one of the oldest performing arts presenters in the country. A past recipient of the National Medal of Arts, the nation’s highest public artistic honor, UMS connects audiences with wide-ranging performances in music, dance, and theater each season.Between 1987 and 2017, UMS was led by Ken Fischer, who over three decades pursued an ambitious campaign to expand and diversify the organization’s programming and audiences—initiatives inspired by Fischer’s overarching philosophy toward promoting the arts, “Everybody In, Nobody Out.” The approach not only deepened UMS’s engagement with the university and southeast Michigan communities, it led to exemplary partnerships with distinguished artists across the world. Under Fischer’s leadership, UMS hosted numerous breakthrough performances, including the Vienna Philharmonic’s final tour with Leonard Bernstein, appearances by then relatively unknown opera singer Cecilia Bartoli, a multiyear partnership with the Royal Shakespeare Company, and artists as diverse as Yo-Yo Ma, Jawole Willa Jo Zollar, Elizabeth Streb, and Nusrat Fateh Ali Khan. Though peppered with colorful anecdotes of how these successes came to be, this book is neither a history of UMS nor a memoir of Fischer’s significant accomplishments with the organization. Rather it is a reflection on the power of the performing arts to engage and enrich communities—not by handing down cultural enrichment from on high, but by meeting communities where they live and helping them preserve cultural heritage, incubate talent, and find ways to make community voices heard.