Richard Nixon and the film industry arrived in Southern California in the same year, 1913. In Nixon and the Silver Screen, Mark Feeney offers a new and often revelatory way of thinking about one of our most controversial presidents: by looking not just at Nixon's career—but Hollywood's. Nixon viewed more movies while in office than any other president, and Feeney argues that Nixon’s story, both in politics and in his personal life, is nothing if not quintessentially American. Bearing in mind the events that shaped his presidency from 1969 to 1974, Feeney sees aspects of Nixon’s character—and the nation’s—refracted and reimagined in the more than 500 films Nixon watched during his tenure in the White House. The verdict? Nixon’s legacy, for better or worse, is forever representative of the “Silver Age” in Hollywood, shaping and being shaped by that flickering silver screen.

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“People will be arguing over Nixon at the Movies as much as, for more than half a century, the country at large has been arguing about Nixon.”—Greil Marcus Richard Nixon and the film industry arrived in Southern California in the same year, 1913, and they shared a long and complex history. The president screened Patton multiple times before and during the invasion of Cambodia, for example. In this unique blend of political biography, cultural history, and film criticism, Mark Feeney recounts in detail Nixon’s enthusiastic viewing habits during his presidency, and takes a new and often revelatory approach to Nixon’s career and Hollywood’s, seeing aspects of Nixon’s character, and the nation’s, refracted and reimagined in film. Nixon at the Movies is a “virtuosic” examination of a man, a culture, and a country in a time of tumult (Slate). “By Feeney's count, Nixon, an unabashed film buff, watched more than 500 movies during the 67 months of his presidency, all carefully listed in an appendix titled ‘What the President Saw and When He Saw It.’ Nixon concentrated intently on whatever was on the screen; he refused to leave even if the picture was a dud and everyone around him was restless. He was omnivorous, would watch anything, though he did have his preferences…Only rarely did he watch R-rated or foreign films. He liked happy endings. Movies were obviously a means of escape for him, and as the Watergate noose tightened, he spent ever more time in the screening room.”—The New York Times

This chronologically arranged reference work annotates all films and plays that contain portraiture--favorable and unfavorable--of Richard Nixon. From comedy, as in Millhouse, to the biting satire found in Forbidden Hollywood and Saturday Night Live, to documentary record, as in Selling of the Pentagon, and beyond, to the applications of Shakespearean drama with The Tragedy of King Richard and Richard III, this book displays the wide range of form used to explain, scorn and understand Nixon's acts. An analysis of each film or play compares the differences between the production and the original source. Each entry includes production credits, a plot summary, and an overview of critical reactions.

Geoff Shepard’s shocking exposé of corrupt collusion between prosecutors, judges, and congressional staff to void Nixon’s 1972 landslide reelection. Their success changed the course of American history. Geoff Shepard had a ringside seat to the unfolding Watergate debacle. As the youngest lawyer on Richard Nixon’s staff, he personally transcribed the Oval Office tape in which Nixon appeared to authorize getting the CIA to interfere with the ongoing FBI investigation, and even coined the phrase “the smoking gun.” Like many others, the idealistic Shepard was deeply disappointed in the president. But as time went on, the meticulous lawyer was nagged by the persistent sense that something wasn’t right with the case against Nixon. The Nixon Conspiracy is a detailed and definitive account of the Watergate prosecutors’ internal documents uncovered after years of painstaking research in previously sealed archives. Shepard reveals the untold story of how a flawed but honorable president was needlessly brought down by a corrupt, deep state, big media alliance—a circumstance that looks all too familiar today. In this hard-hitting exposé, Shepard reveals the real smoking gun: the prosecutors’ secret, but erroneous, “Road Map” which caused grand jurors to name Nixon a co-conspirator in the Watergate cover-up and the House Judiciary Committee to adopt its primary Article of Impeachment. Shepard’s startling conclusion is that Nixon didn’t actually have to resign. The proof of his good faith is right there on the tapes. Instead, he should have taken his case to a Senate impeachment trial—where, if everything we know now had come out—he would easily have won.

THE STORY: It is the night before President Nixon is to announce his resignation, and he has summoned Secretary of State Henry Kissinger to the Lincoln Sitting Room. Kissinger arrives, expecting to find his President preparing to resign. But Nixon is in t

“An extraordinary work of reportage on the epic political story of our time” (Newsweek)—from Bob Woodward and Carl Bernstein, Pulitzer Prize-winning coauthors of All the President’s Men. The Final Days is the #1 New York Times bestselling, classic, behind-the-scenes account of Richard Nixon’s dramatic last months as president. Moment by moment, Bernstein and Woodward portray the taut, post-Watergate White House as Nixon, his family, his staff, and many members of Congress strained desperately to prevent his inevitable resignation. This brilliant book reveals the ordeal of Nixon’s fall from office—one of the gravest crises in presidential history.