The core of the Clark's collection was assembled by Robert Sterling Clark (1877-1956), who once declared, "I like all kinds of art if it is good of its kind." This monumental, two-volume publication is the first fully documented catalogue of the Institute's collection of European paintings. The quality of this collection reflects the founder's philosophy in its inclusion of masterpieces as diverse as William-Adolphe Bouguereau's Nymphs and Satyr (1873) and Pierre-Auguste Renoir's A Box at the Theater (1880); works by academic painters such as Jean-Léon Gérôme; Barbizon painters such as Camille Corot and Jean-François Millet; and the Impressionists Camille Pissarro and Edgar Degas. More recent acquisitions include Théodore Rousseau's Farm in the Landes (1844-67) and Claude Monet's Rouen Cathedral (1894), and works by John Constable and J. M. W. Turner. Published on the 100th anniversary of Sterling Clark's first purchase of a European painting, these handsome volumes document each of the 374 paintings in the collection, with essays by prominent scholars, detailed bibliographic and art historical apparatus, technical notes, and over 450 color illustrations. Distributed for the Sterling and Francine Clark Art Institute

Published on the occasion of a series of exhibitions that will travel throughout North America, Europe, and Asia from Feb. 2011 to Feb. 2014.

Eye to eye : European portraits 1450-1850 / David Ekserdjian -- Catalogue / Richard Rand and Kathleen M. Morris

Distinguished by his brilliantly energetic brushwork, Giovanni Boldini (1842-1931) was one of the most prominent Italian artists of the late 19th century. Still, he has remained little known beyond his native country. This beautiful book is the first published on Boldini in English in a generation and accompanies the first major exhibition of his works outside of Europe. Born in Ferrara, Boldini moved to Paris in 1871, where he lived for the rest of his life. This important volume focuses on his work from 1871 to 1886, which reflects the influence of his contemporaries--Degas, Manet, Caillebotte, Meissonier, and Fortuny, among others. It features Boldini’s fanciful paintings made for the art market and depictions of the city around him--from the bustling streets and squares to caf�s, theaters, and concert halls--as well as paintings of friends and models, and a selection of later portraits that established him as one of the quintessential portraitists of the Belle �poque.

Probably the most influential and popular Swiss landscape painter of the 19th century, Alexandre Calame (1810-1864) is renowned for his grand Alpine views. Painted with dramatic effects of light and atmosphere, these paintings were based on sharply observed details taken from close natural study and depict recognizable locations. Calame visited France, the Netherlands, Germany, Italy, and England, making outdoor oil sketches from which he then created finished paintings in his studio. Calame first exhibited at the Paris Salon in 1835, and his works appealed to the growing number of Alpine tourists and were purchased by King Louis-Philippe and Napoleon. This handsome book focuses on Calame’s oil sketches--many of which have never been published in color--in addition to several paintings and related drawings and prints. With essays that discuss Calame's landscapes in the context of 19th-century trends in European art and culture, it also features works by Swiss artists Fran�ois Diday, Barth�lemy Menn, and Robert Z�nd.

Catalog of an exhibition held at the Metropolitan Museum of Art, New York, October 1, 2013-January 5, 2014.